Stormy Springtime. Betty Neels
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‘Why not?’ asked Meg placidly. ‘I should have thought you’d have both been pleased that I’m settled for a month or two.’ She added cunningly, ‘You’ll be able to concentrate on your new flat.’
A remark which caused her sister to subside, still grumbling but resigned. Moreover, she declared that she would be down the following weekend to choose furniture. ‘I don’t want much,’ she said. ‘I’m going to buy very simple modern stuff.’ She added, ‘Cora doesn’t want anything, only those paintings of the ancestors in the hall and the silver tea and coffee sets.’
As she got into her car she asked carelessly, ‘What’s this son like?’
Meg paused to think. ‘Well, he’s very tall—about six feet four inches—and broad. He’s dark and his eyes look black, though I don’t suppose they are…he’s—he’s arrogant and—off-hand.’
Doreen gave her a kindly, pitying look. ‘Out of your depth, were you?’ she asked. ‘He sounds quite a dish.’ She started the engine. ‘What does he do?’
Meg stared at her. ‘I haven’t the faintest idea. We only talked about the house and the furniture.’
Doreen grinned. ‘I can well believe that! When I’ve settled you in that semi-basement, Meg, I’m going to find you an unambitious curate.’
She shot away, and instead of going indoors Meg wandered along the path which circumvented the house. She had no wish to marry a curate, she was certain on that point, nor did she want to marry a man like her brother-in-law—something in the city and rising fast, and already pompous. She would like to marry, of course, but although she had a very clear idea of the home she would like and the children in it, not to mention dogs and cats and a donkey and perhaps a pony, the man who would provide her with all this was a vague nonentity. But she wanted to be loved and cherished, she was sure of that.
She went back into the house and sat at the kitchen table eating the little cakes Betsy had made for tea and which Doreen hadn’t eaten because of her figure. ‘Do you suppose I could have the furniture in my room, Betsy?’ she asked at length. ‘I could put a few chairs and tables in there before Mrs Culver comes, then it would be easy when we move out. I won’t need much in a small flat…’
Betsy was beating eggs. ‘Likely not,’ she agreed. ‘Poky places they are, them semi-basements—lived in one myself ‘fore I came to yer ma. Can’t see why yer ‘ave ter live in one, meself.’
Meg ate another cake. ‘No—well, I’ve been thinking. If I can get Mrs Culver to give us good references we might try for jobs in some large country house, the pair of us. I was looking through the advertisements in The Lady, Betsy, and there are dozens of jobs.’
‘Yer ma and pa would turn in their graves if yer was ter to do that, Miss Meg—housework indeed—and you a lady born and bred. I never ‘eard such nonsense!’
Meg got up and flung an arm round her old friend’s shoulders. ‘I think I’d rather do anything than live in a basement flat in London,’ she declared. ‘Let’s go round the house and choose what I’ll take with me.’
Small pieces for the most part: her mother’s papier mâché work table, encrusted with mother-of-pearl and inlaid with metal foil, a serpentine table in mahogany with a pierced gallery, and a Martha Washington chair reputed to be Chippendale and lastly a little rosewood desk where her mother had been in the habit of writing her letters. She added two standard chairs with sabre legs, very early nineteenth century, and a sofa table on capstan base with splayed feet which went very well with the chairs and wouldn’t take up too much room.
They went back to the kitchen and Meg made a neat list. ‘And now you, Betsy; of course you’ll have the furniture which is already in your room, but you’ll need some bits and pieces.’
So they went round again, adding a rather shabby armchair Betsy had always liked, and the small, stoutly built wooden table in the scullery with its two equally stout chairs. Meg added a bookcase standing neglected in one of the many small rooms at the back of the house, and a standard lamp which had been by the bookcase for as long as she could remember. No one was going to miss it, and it would please Betsy mightily.
She got the butcher’s boy from the village to come up to the house and move the furniture into her and Betsy’s rooms. Doreen would see to her own things once she had chosen them.
This was something which she did at the end of the week, arriving at the house a bare five minutes after Mr Culver’s second totally unexpected visit. Getting no answer from the front doorbell, he had wandered round the house and found Meg in an old sweater and slacks covered by a sacking apron, intent on arranging seed potatoes on the shelves of the potting shed. She turned to see who it was as he trod towards her, and said, rather crossly, ‘Oh, it’s you—you didn’t say you were coming!’
He ignored that. ‘It’s careless of you to leave your front door open when you’re not in the house, Miss Collins. You should be more careful.’
She gave him a long, considered look. He doubtless meant to be helpful, but it seemed that each time they met he said something to annoy her.
‘This isn’t London,’ she said with some asperity, and then added in a kindly tone, ‘though I dare say you mean well.’
He stood looking down his handsome nose at her. ‘Naturally I have an interest in this house…’
‘Premature,’ Meg observed matter-of-factly. ‘I haven’t—that is, we haven’t sold it to your mother yet.’
She wished the words unsaid at once: supposing that he took umbrage and advised his mother to withdraw from the sale? What would her sisters say? And she would have to start all over again, and next time she might not be as lucky as regards her future. She met his eyes and saw that he was smiling nastily.
‘Exactly, Miss Collins, it behoves you to mind your words, does it not?’ He added unwillingly, ‘Your face is like an open book—you must learn to conceal your thoughts before you embark on a career in London!’
He looked over his shoulder as he spoke, in time to see Doreen coming towards them, and Meg, watching him saw that he was impressed. Her sister was looking particularly pretty in a wide tweed coat, draped dramatically over her shoulders, allowing a glimpse of a narrow cashmere dress in a blue to match her eyes. She fetched up beside him, cast him a smiling glance and said, ‘Hello, Meg—darling, must you root around like a farm labourer?’ She peered at the potatoes. ‘Such a dirty job!’
Meg said ‘Hello,’ and waved a grubby hand at Mr Culver. ‘This is Mr Culver, Mrs Culver’s son—my sister, Doreen; she’s come to choose her furniture before the valuers get here.’
Mr Culver, it seemed, could make himself very agreeable if he so wished, and Doreen, of course, had always been considered a charming girl. They fell at once into the kind of light talk which Meg had never learnt to master. She carefully arranged another row of potatoes, listening admiringly to Doreen’s witty chatter, and when there was a pause asked, ‘Why did you come, Mr Culver?’
Not the happiest way of putting it—Doreen’s look told her