MA: MIT Press.8 Derrida, Jacques. 1998. Archive Fever: A Freudian Impression, translated by Eric Prenowitz. Chicago, IL: University of Chicago Press.
9 Dickens, Charles. 1998 [1865]. Our Mutual Friend. London: Oxford University Press.
10 Duncan, Carol. 1995. Civilizing Rituals: Inside Public Art Museums. New York: Routledge.
11 Foucault, Michel. 1970. The Order of Things: An Archaeology of the Human Sciences. New York: Random House.
12 Geimer, Peter. 2009. “The Art of Resurrection: Malraux’s Museé imaginaire.” In Fotografie: Als Instrument und Medium der Kunstgeschichte, edited by Constanza Caraffa, 77–89. Berlin: Deutscher Kunstverlag.
13 Gonzáles, Jennifer. 2011. Subject to Display: Reframing Race in Contemporary Installation Art. Cambridge, MA: MIT Press.
14 Heidegger, Martin. 1967. What is a Thing? translated by W. B. BartonJr. and Vera Deutsch. Chicago, IL: Henry Regnery Company.
15 Hiller, Susan. 2000. Witness. London: Artangel.
16 Karp, Ivan and Steven Lavine, eds. 1991. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, DC: Smithsonian Institution Press.
17 Karp, Ivan, Christine Mullen, and Steven Lavine, eds. 1992. Museums and Communities: The Politics of Public Culture. Washington, DC: Smithsonian Institution Press.
18 Malraux, André. 1967. Museum Without Walls, translated by Stuart Gilbert and Francis Price. Garden City, NY: Doubleday.
19 Massumi, Brian. 2002. Parables of the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
20 Massumi, Brian. 2010. “The Future Birth of the Affective Fact: The Political Ontology of Threat.” In The Affect Theory Reader, edited by Melissa Gregg and Gregory Seigworth, 52–70. Durham, NC: Duke University Press.
21 Milne, Louise. 2004. “On the Side of the Angels: Witness and Other Works.” In Susan Hiller: Recall: Selected Works, 1969–2004, edited by James Lingwood, 141–9. Gateshead: BALTIC Centre for Contemporary Art.
22 Phillips, Adam. 2001. Promises, Promises: Essays on Psychoanalysis. New York: Basic Books.
23 Phillips, Adam. 2007. Side Effects. New York: Harper Perennial.
24 Robinson, Denise. 2004. “‘…scarce stains the dust…’ Freud’s Museum: The Work of Susan Hiller.” In Susan Hiller: Recall: Selected Works, 1969–2004, edited by James Lingwood, 99–104. Gateshead: BALTIC Centre for Contemporary Art.
25 Roethke, Theodore. 1975. The Collected Poems of Theodore Roethke. New York: Doubleday Anchor.
26 Sebald, W. G. 2001. Austerlitz. New York: Modern Library.
27 Steedman, Carolyn. 2002. Dust: The Archive and Cultural History. New Brunswick, NJ: Rutgers University Press.
28 Stewart, Susan. 1984. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham, NC: Duke University Press.
29 Voegelin, Salomé. 2010. Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York: Continuum.
Further Readings
1 Ahmed, Sara. 2008. “Open Forum Imaginary Prohibitions: Some Preliminary Remarks on the Founding Gestures of the ‘New Materialism.’” European Journal of Women’s Studies 15(1): 23–39.
2 Coole, Diana and Samantha Frost. 2010. “Introducing New Materialisms.” In New Materialisms: Ontology, Agency, and Politics, edited by Diana Coole and Samantha Frost, 1–46. Durham, NC: Duke University Press.
3 Merewether, Charles, ed. 2006. The Archive. London / Cambridge, MA: Whitechapel / MIT Press.
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