Engineering Acoustics. Malcolm J. Crocker

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alt="Schematic illustration of the dependence on frequency of bending-wave speed cb on a beam or panel and wave speed in air c."/> Graph depicts the variation with frequency of bending wavelength lambda-b on a beam or panel and wavelength in air lambda. Schematic illustration describing trace wave matching between waves in air of wavelength lambda and waves in panel of trace wavelength lambda-T. Schematic illustration of the wavelength relations and effective radiating areas for corner, edge, and surface modes. Graph depicts the comparison of theoretical and measured radiation ratios sigma for a mechanically excited, simply supported thin steel plate (300 × 300 × 1.22 mm).

      Example 3.15

      Determine the critical frequency for a 3 mm thick steel plate.

      Solution

equation

Graphs depict the measured radiation ratios of unstiffened and stiffened plates for (a) point mechanical excitation and (b) diffuse sound field excitation.

      (Source: Reproduced from Ref. [31] with permission. See [30].)

      Sound transmission through structures is discussed in Chapter 12 of this book and chapters 66, 76, and 77 of the Handbook of Acoustics [1].

      Standing‐wave phenomena are observed in many situations in acoustics and the vibration of strings and elastic structures. Thus they are of interest with almost all musical instruments (both wind and stringed) (see Part XIV in the Encyclopedia of Acoustics [19]); in architectural spaces such as auditoria and reverberation rooms; in volumes such as automobile and aircraft cabins; and in numerous cases of vibrating structures, from tuning forks, xylophone bars, bells and cymbals to windows, wall panels, and innumerable other engineering systems including aircraft, vehicle, and ship structural members. With each standing wave is associated a mode shape (or shape of vibration) and an eigen (or natural) frequency. Some of these systems can be idealized as simple one‐, two‐, or three‐dimensional systems. For example, with a simple wind instrument such as a flute, Eq. (3.1) together with the appropriate spatial boundary conditions can be used to predict the predominant frequency of the sound produced. Similarly, the vibration of a string on a violin can be predicted with an equation identical to Eq. (3.1) but with the variable p replaced by the lateral string displacement. With such a string, solutions can be obtained for the fundamental and higher natural frequencies (overtones) and the associated standing wave mode shapes (which are normally sine shapes). In such a case for a string with fixed ends, the so‐called overtones are just integer multiples (2, 3, 4, 5, …) of the fundamental frequency.

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