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      Troubles occur within the character of the individual and within the range of his immediate relations with others; they have to do with his self and with those limited areas of social life of which he is directly and personally aware. Accordingly, the statement and the resolution of troubles properly lie within the individual as a biographical entity and within the scope of his immediate milieu—the social setting that is directly open to his personal experience and to some extent his willful activity. A trouble is a private matter: Values cherished by an individual are felt by him to be threatened.

      Issues have to do with matters that transcend these local environments of the individual and the range of his inner life. They have to do with the organization of many such milieux into the institutions of a historical society as a whole, with the ways in which various milieux overlap and interpenetrate to form the larger structure of social and historical life. An issue is a public matter: Some value cherished by publics is felt to be threatened. Often there is a debate about what that value really is and about what it is that really threatens it. This debate is often without focus if only because it is the very nature of an issue, unlike even widespread trouble, that it cannot very well be defined in terms of the immediate and everyday environments of ordinary men. An issue, in fact, often involves a crisis in institutional arrangements, and often too it involves what Marxists call “contradictions” or “antagonisms.”

      In these terms, consider unemployment. When, in a city of 100,000, only one man is unemployed, that is his personal trouble, and for its relief we properly look to the character of the man, his skills, and his immediate opportunities. But when in a nation of 50 million employees, 15 million men are unemployed, that is an issue, and we may not hope to find its solution within the range of opportunities open to any one individual. The very structure of opportunities has collapsed. Both the correct statement of the problem and the range of possible solutions require us to consider the economic and political institutions of the society, and not merely the personal situation and character of a scatter of individuals.

      Consider war. The personal problem of war, when it occurs, may be how to survive it or how to die in it with honor; how to make money out of it; how to climb into the higher safety of the military apparatus; or how to contribute to the war’s termination. In short, according to one’s values, to find a set of milieux and within it to survive the war or make one’s death in it meaningful. But the structural issues of war have to do with its causes; with what types of men it throws up into command; with its effects upon economic and political, family and religious institutions, with the unorganized irresponsibility of a world of nation-states.

      Consider marriage. Inside a marriage a man and a woman may experience personal troubles, but when the divorce rate during the first four years of marriage is 250 out of every 1,000 attempts, this is an indication of a structural issue having to do with the institutions of marriage and the family and other institutions that bear upon them.

      Or consider the metropolis—the horrible, beautiful, ugly, magnificent sprawl of the great city. For many upper-class people, the personal solution to “the problem of the city” is to have an apartment with a private garage under it in the heart of the city, and forty miles out, a house by Henry Hill, garden by Garrett Eckbo, on a hundred acres of private land. In these two controlled environments—with a small staff at each end and a private helicopter connection—most people could solve many of the problems of personal milieux caused by the facts of the city. But all this, however splendid, does not solve the public issues that the structural fact of the city poses. What should be done with this wonderful monstrosity? Break it all up into scattered units, combining residence and work? Refurbish it as it stands? Or, after evacuation, dynamite it and build new cities according to new plans in new places? What should those plans be? And who is to decide and to accomplish whatever choice is made? These are structural issues; to confront them and to solve them requires us to consider political and economic issues that affect innumerable milieux.

      Insofar as an economy is so arranged that slumps occur, the problem of unemployment becomes incapable of personal solution. Insofar as war is inherent in the nation-state system and in the uneven industrialization of the world, the ordinary individual in his restricted milieu will be powerless—with or without psychiatric aid—to solve the troubles this system or lack of system imposes upon him. Insofar as the family as an institution turns women into darling little slaves and men into their chief providers and unweaned dependents, the problem of a satisfactory marriage remains incapable of purely private solution. Insofar as the overdeveloped megalopolis and the overdeveloped automobile are built-in features of the overdeveloped society, the issues of urban living will not be solved by personal ingenuity and private wealth.

      What we experience in various and specific milieux, I have noted, is often caused by structural changes. Accordingly, to understand the changes of many personal milieux we are required to look beyond them. And the number and variety of such structural changes increase as the institutions within which we live become more embracing and more intricately connected with one another. To be aware of the idea of social structure and to use it with sensibility is to be capable of tracing such linkages among a great variety of milieux. To be able to do that is to possess the sociological imagination.

      Reading 2 Teenage Wasteland: Suburbia’s Dead-End Kids

      Donna Gaines

      This reading by Donna Gaines is excerpted from her internationally acclaimed book Teenage Wasteland: Suburbia’s Dead-End Kids (1990). Rolling Stone declared Teenage Wasteland “the best book on youth culture,” and it is a required reading on university course lists in several disciplines. Gaines is a journalist, cultural sociologist, and New York State–certified social worker. An international expert on youth violence and culture, Gaines has been interviewed extensively in newspapers, for documentaries, on radio, and on television. Professor Gaines also has taught sociology at Barnard College of Columbia University and at the Graduate Faculty of New School University. This excerpt is an example of sociological research that employs C. Wright Mills’s sociological imagination and, specifically, his distinction between personal troubles and public issues. As Gaines illustrates, when one teenager commits suicide it is a personal tragedy, but when groups of teenagers form a suicide pact and successfully carry it out, suicide becomes a matter of public concern. In order to explain adequately why this incident occurred, Gaines examines both the history and the biography of suburban teens.

      In Bergenfield, New Jersey, on the morning of March 11, 1987, the bodies of four teenagers were discovered inside a 1977 rust-colored Chevrolet Camaro. The car, which belonged to Thomas Olton, was parked in an unused garage in the Foster Village garden apartment complex, behind the Foster Village Shopping Center. Two sisters, Lisa and Cheryl Burress, and their friends, Thomas Rizzo and Thomas Olton, had died of carbon monoxide poisoning.

      Lisa was 16, Cheryl was 17, and the boys were 19—they were suburban teens, turnpike kids like the ones in the town I live in. And thinking about them made me remember how it felt being a teenager too. I was horrified that it had come to this. I believed I understood why they did it, although it wasn’t a feeling I could have put into words.

      You could tell from the newspapers that they were rock and roll kids. The police had found a cassette tape cover of AC/DC’s If You Want Blood, You’ve Got It near the bodies. Their friends were described as kids who listened to thrash metal, had shaggy haircuts, wore lots of black and leather. “Dropouts,” “druggies,” the papers called them. Teenage suburban rockers whose lives revolved around their favorite bands and their friends. Youths who barely got by in school and at home and who did not impress authority figures in any remarkable way. Except as fuck-ups.

      Source: Donna Gaines, excerpts from Teenage Wasteland: Suburbia’s Dead-End Kids. Copyright © 1990, 1991 by Donna Gaines. Reprinted with the permission of the author.

      My

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