The Gray Dawn. Stewart Edward White

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The Gray Dawn - Stewart Edward White

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painted, highly varnished, lined with silks, trimmed with solid silver. The harnesses were heavily mounted with the same metal. On their boxes sat fashionable creatures, dressed, not in livery, but throughout in the very latest of the late styles, shod with varnished leather, gloved with softest kid. Sherwood drove skilfully to the very edge of the roped space, pushing aside the crowd on foot. They growled at him savagely. He paid no attention to them, and they gave way. The buggy came to a stop. The horses, tossing their heads, rolling their eyes, stamping their little hoofs, nevertheless stood without need of further attention.

      Now the brass bands blared with a sudden overwhelming blast of sound, the crowd cheered noisily; the runners for the hotels began to bark like a pack of dogs. With a vast turmoil of paddle wheels, swirling of white and green waters, bellowing of speaking trumpets, throwing of handlines and scurrying of deck hands and dock hands, the Panama came to rest. After considerable delay the gangplank was placed. The passengers began to disembark, facing the din much as they would have faced the buffeting of a strong wind. This was the cream of the entertainment for which the crowd had gathered; for which, indeed, the Sherwoods had made their excursion. Each individual received his meed of comment, sometimes audible and by no means always flattering. Certainly in variety both of character and of circumstance they offered plenty of material. From wild, half-civilized denizens of Louisiana's canebrakes, clinging closely to their little bundles and their long rifles, to the most polished exquisites of fashion they offered all grades and intermediates. Some of them looked rather bewildered. Some seemed to know just what to do and where to go. Most dove into the crowd with the apparent idea of losing their identity as soon as possible. The three magnificent hacks were filled, and managed, with much plunging and excitement, to plow a way through the crowd and so depart. Amusing things happened to which the Sherwoods called each other's attention. Thus a man, burdened with a single valise, ducked under the ropes near them. A paper boy happened to be standing near. The passenger offered the boy a fifty-cent piece.

      "Here, boy," said he, "just carry this valise for me."

      The paper boy gravely contemplated the fifty cents, dove into his pocket, and produced another.

      "Here, man," said he, handing them both to the traveller, "take this and carry it yourself."

      One by one the omnibuses filled and departed. The stream of passengers down the gangplank had ceased. The crowd began to thin. Sherwood gathered his reins to go. Mrs. Sherwood suddenly laid her hand on his forearm.

      "Oh, the poor thing!" she cried, her voice thrilling with compassion.

      A young man and a steward were supporting a girl down the gangplank. Evidently she was very weak and ill. Her face was chalky white, with dark rings under the eyes, her lips were pale, and she leaned heavily on the men. Although she could not have heard Mrs. Sherwood's exclamation of pity, she happened to look up at that instant, revealing a pair of large, dark, and appealing eyes. Her figure, too, dressed in a plain travelling dress, strikingly simple but bearing the unmistakable mark of distinction, was appealing; as were her exquisite, smooth baby skin and the downward drooping, almost childlike, curves of her lips. The inequalities of the ribbed gangplank were sufficient to cause her to stumble.

      "She is very weak," commented Mrs. Sherwood.

      "She is—or would be—remarkably pretty," added Sherwood. "I wonder what ails her."

      Arrived at the foot of the gangplank the young man removed his hat with an air of perplexity, and looked about him. He was of the rather florid, always boyish type; and the removal of his hat had revealed a mat of close-curling brown hair, like a cap over his well-shaped head. The normal expression of his face was probably quizzically humorous, for already the little lines of habitual half laughter were sketched about his eyes.

      "A plunger," said John Sherwood to himself, out of his knowledge of men; then as the young man glanced directly toward him, disclosing the colour and expression of his eyes, "a plunger in something," he amended, revising his first impression.

      But now the humorous element was quite in abeyance, and a faint dismay had taken its place. One arm supporting the drooping girl, he was looking up and down the wharf. Not a vehicle remained save the heavy drays already backing up to receive their loads of freight. The dock hands had dropped and were coiling the line that had separated the crowd from the landing stage.

      With another exclamation the woman in the carriage rose, and before Sherwood could make a move to assist her, had poised on the rim of the wheel and leaped lightly to the dock. Like a thistledown she floated to the little group at the foot of the gangplank. The steward instantly gave way to her evident intention. She passed her arm around the girl's waist. The three moved slowly toward the buggy, Mrs. Sherwood, her head bent charmingly forward, murmuring compassionate, broken, little phrases, supporting the newcomer's reviving footsteps.

      Sherwood, a faint, fond amusement lurking in the depths of his eyes, quietly cramped the wheels of the buggy.

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      A half hour later the two men, having deposited the women safely in the Sherwoods' rooms at the Bella Union, and having been unceremoniously dismissed by Mrs. Sherwood, strolled together to the veranda. They had not, until now, had a chance to exchange six words.

      The newcomer, who announced himself as Milton Keith from Baltimore, proved to have a likable and engaging personality. He was bubbling with interest and enthusiasm; and these qualities, provided they are backed solidly, are always prepossessing. Sherwood, quietly studying him, concluded that such was the case. His jaw and mouth were set in firm lines; his eye, while dancing and mischievous, had depths of capability and reserves of forcefulness. But Sherwood was, by inclination and by the necessities of his profession, a close observer of men. Another, less practised, might have seen here merely an eager, rather talkative, apparently volatile, very friendly, quite unreserved young man of twenty-five. Any one, analytical or otherwise, could not have avoided feeling the attractive force of the youth's personality, the friendly quality that is nine tenths individual magnetism and one tenth the cast of mind that initially takes for granted the other man's friendliness.

      At the moment Keith was boyishly avid for the sights of the new city. In these modern days of long journeys, a place so remote as San Francisco, in the most commonplace of circumstances, gathers to its reputation something of the fabulous. How much more true then of a city built from sand dunes in four years; five times swept by fire, yet rising again and better before its ashes were extinct; the resort of all the picturesque, unknown races of the earth—the Chinese, the Chileño, the Mexican, the Spanish, the Islander, the Moor, the Turk—not to speak of ordinary foreigners from Russia, England, France, Belgium, Germany, Italy, and the out-of-the-way corners of Europe; the haunt of the wild and striking individuals of all these races. "Sydney ducks" from the criminal colonies; "shoulder strikers" direct from the tough wards of New York; long, lean, fever-haunted crackers from the Georgia mountains or the Louisiana canebrakes; Pike County desperadoes; long-haired men from the trapping countries; hard-fisted, sardonic state of Maine men fresh from their rivers; and Indian fighters from the Western Reserve; grasping, shrewd commercial Yankees; fire-eating Southern politicians; lawyers, doctors, merchants, chiefs, and thiefs, the well-educated and the ignorant, the high-minded and the scalawags, all dumped down together on a sand hill to work out their destinies; a city whose precedents, whose morals, whose laws, were made or adapted on the spot; where might in some form or another—revolver, money, influence—made its only right; whose history ranged in three years the gamut of human passion, strife, and development; whose background was the fabled El Dorado whence the gold in unending floods poured through its sluices. To the outside world tales of these things had come. They did not lose in the journey.

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