ecstasy!”
“Oh, my Rosannah!—for you are mine, are you not?”
“Wholly, oh, wholly yours, Alonzo, now and forever! All the day long, and all through my nightly dreams, one song sings itself, and its sweet burden is, 'Alonzo Fitz Clarence, Alonzo Fitz Clarence, Eastport, state of Maine!'”
“Curse him, I've got his address, anyway!” roared Burley, inwardly, and rushed from the place.
Just behind the unconscious Alonzo stood his mother, a picture of astonishment. She was so muffled from head to heel in furs that nothing of herself was visible but her eyes and nose. She was a good allegory of winter, for she was powdered all over with snow.
Behind the unconscious Rosannah stood “Aunt Susan,” another picture of astonishment. She was a good allegory of summer, for she was lightly clad, and was vigorously cooling the perspiration on her face with a fan.
Both of these women had tears of joy in their eyes.
“Soho!” exclaimed Mrs. Fitz Clarence, “this explains why nobody has been able to drag you out of your room for six weeks, Alonzo!”
“So ho!” exclaimed Aunt Susan, “this explains why you have been a hermit for the past six weeks, Rosannah!”
The young couple were on their feet in an instant, abashed, and standing like detected dealers in stolen goods awaiting judge Lynch's doom.
“Bless you, my son! I am happy in your happiness. Come to your mother's arms, Alonzo!”
“Bless you, Rosannah, for my dear nephew's sake! Come to my arms!”
Then was there a mingling of hearts and of tears of rejoicing on Telegraph Hill and in Eastport Square.
Servants were called by the elders, in both places. Unto one was given the order, “Pile this fire high, with hickory wood, and bring me a roasting-hot lemonade.”
Unto the other was given the order, “Put out this fire, and bring me two palm-leaf fans and a pitcher of ice-water.”
Then the young people were dismissed, and the elders sat down to talk the sweet surprise over and make the wedding plans.
Some minutes before this Mr. Burley rushed from the mansion on Telegraph Hill without meeting or taking formal leave of anybody. He hissed through his teeth, in unconscious imitation of a popular favorite in melodrama, “Him shall she never wed! I have sworn it! Ere great Nature shall have doffed her winter's ermine to don the emerald gauds of spring, she shall be mine!”
III
Two weeks later. Every few hours, during same three or four days, a very prim and devout-looking Episcopal clergyman, with a cast in his eye, had visited Alonzo. According to his card, he was the Rev. Melton Hargrave, of Cincinnati. He said he had retired from the ministry on account of his health. If he had said on account of ill-health, he would probably have erred, to judge by his wholesome looks and firm build. He was the inventor of an improvement in telephones, and hoped to make his bread by selling the privilege of using it. “At present,” he continued, “a man may go and tap a telegraph wire which is conveying a song or a concert from one state to another, and he can attach his private telephone and steal a hearing of that music as it passes along. My invention will stop all that.”
“Well,” answered Alonzo, “if the owner of the music could not miss what was stolen, why should he care?”
“He shouldn't care,” said the Reverend.
“Well?” said Alonzo, inquiringly.
“Suppose,” replied the Reverend, “suppose that, instead of music that was passing along and being stolen, the burden of the wire was loving endearments of the most private and sacred nature?”
Alonzo shuddered from head to heel. “Sir, it is a priceless invention,” said he; “I must have it at any cost.”
But the invention was delayed somewhere on the road from Cincinnati, most unaccountably. The impatient Alonzo could hardly wait. The thought of Rosannah's sweet words being shared with him by some ribald thief was galling to him. The Reverend came frequently and lamented the delay, and told of measures he had taken to hurry things up. This was some little comfort to Alonzo.
One forenoon the Reverend ascended the stairs and knocked at Alonzo's door. There was no response. He entered, glanced eagerly around, closed the door softly, then ran to the telephone. The exquisitely soft and remote strains of the “Sweet By-and-by” came floating through the instrument. The singer was flatting, as usual, the five notes that follow the first two in the chorus, when the Reverend interrupted her with this word, in a voice which was an exact imitation of Alonzo's, with just the faintest flavor of impatience added:
“Sweetheart?”
“Yes, Alonzo?”
“Please don't sing that any more this week—try something modern.”
The agile step that goes with a happy heart was heard on the stairs, and the Reverend, smiling diabolically, sought sudden refuge behind the heavy folds of the velvet window-curtains. Alonzo entered and flew to the telephone. Said he:
“Rosannah, dear, shall we sing something together?”
“Something modern?” asked she, with sarcastic bitterness.
“Yes, if you prefer.”
“Sing it yourself, if you like!”
This snappishness amazed and wounded the young man. He said:
“Rosannah, that was not like you.”
“I suppose it becomes me as much as your very polite speech became you, Mr. Fitz Clarence.”
“Mister Fitz Clarence! Rosannah, there was nothing impolite about my speech.”
“Oh, indeed! Of course, then, I misunderstood you, and I most humbly beg your pardon, ha-ha-ha! No doubt you said, 'Don't sing it any more to-day.'”
“Sing what any more to-day?”
“The song you mentioned, of course, How very obtuse we are, all of a sudden!”
“I never mentioned any song.”
“Oh, you didn't?”
“No, I didn't!”
“I am compelled to remark that you did.”
“And I am obliged to reiterate that I didn't.”
“A second rudeness! That is sufficient, sir. I will never forgive you. All is over between us.”
Then came a muffled sound of crying. Alonzo hastened to say:
“Oh, Rosannah, unsay those words! There is some dreadful mystery here, some hideous mistake. I am utterly earnest and sincere when I say I never said anything about any song. I would not hurt you for the whole world. … Rosannah, dear speak to me, won't you?”
There
