and there or enjoy beach-chairs at a stipulated rental. The elderly French gentleman, a dapper and interesting, specimen rarely paralleled at home, strolls about contentedly on the asphalt promenade back from the beach, smoking a cigar and fingering a light bamboo. Younger men, also well-dressed, pass in couples, or walk with a mother and daughter—never with the daughter alone. Boatmen and candy-peddlers ramble in and out, a Basque fisherman or two linger about the scene, and dogs, a pony and a captive monkey, add an element of animal life.
Despite its sunny holiday temperament, Biarritz was one of certain Biscayan villages once denounced as "given up to the worship of the devil,"—thus denounced by Henry IV's bloodthirsty inquisitor, Pierre de Lancre, a veritable French Jeffreys, and the same who in 1609 put to death no less than eight hundred persons on the ground of sorcery. "He tells us that the devils and malignant spirits banished from Japan and the Indies took refuge here in the mountains of Labourd. Above all, he asserts that the young girls of Biarritz, always celebrated for their beauty, 'have in their left eye a mark impressed by the devil.'"
Happily we have no devil in this nineteenth century, and in the clear glance of these Biarritz peasants loitering on the sands, we find that his brand-marks have disappeared with him.
A few of the faces we meet are English; many are Spanish, and show that Biarritz draws its worshipers from the South as from the North. Indeed, a large proportion of its summer society wears the mantilla and wields the fan. Other marks, too, of Spanish dress are here, as where little girls in many-hued outfit romp along the sands, dragooned by dark-faced nurses in true Iberian costume. Three or four brilliant red parasols add amazingly to the general effect of the scene.
We repair to the stone parapet before the pavilion, and gravely paying our dues for chairs, sit and watch the picture. There is no charge for sitting on the beach, but this is severely frowned upon at Biarritz. The dues are two sous per chair, and, with true Continental thrift, they are always rigorously collected. Whether one wanders into the open square of the Palais Royal at Paris, or listens to the music in the Place de Tourny at Bordeaux, or watches the waves at Biarritz, the old woman with her little black bag at once appears upon the scene. Some Frenchless friends in Paris, on one occasion, guilelessly seated in the gardens of the Palais Royal, took the collector simply for a pertinacious beggar-woman, and waved her airily off. She returned to the charge, of course, in indignant French, and grew angrier every moment as she found herself still loftily ignored. A warm fracas was in prospect, when a passing American fortunately cleared up the complication; the woman would have called in a gendarme unhesitatingly, to enforce her diminutive claim.
On the bluff, beyond the pavilion, Eugénie's villa, a square, rich building of English brick, surveys the scene its existence has brought about. Around us, on the beach, the nurses sit in the shade of the rocks and discourse on the respective failings of their charges. Children dig in the sand with pail and shovel, with the same zest as at home. Child-nature changes little with locality. So recently from the great unknown, it is not yet seamed and crusted by environment. I suppose that children fairly represent the prehistoric man. Impulse, appetite, passion—all the gusts of the moment sway them. We quell our emotions so uniformly, as we grow on, that we finally hardly feel their struggles. The children have richer life than we, in some respects:
"Faith and wonder and the primal earth
Are born into the world with every child."
I make no doubt that Nimrod, or Achilles and Ajax, great children that they were, as ready to cry as to feast, to laugh as to fight, hunting mightily, sulking in the tent, or defying the lightning—intense, sudden, human all through—drank down their strong, muddy potion of existence with a smack far heartier than the reflective sips of life which civilization has now taught us to take. Childhood is wide and free and abounding and near to nature, and we can take thoughts from it, and ponder, perhaps dubiously, on the distance we since have traveled.
The children dig in the sand, and throw it over the nurses, just as they are doing at Old Orchard and Old Point. Here, with a maid, is a pair of children who freely show one attribute of childhood not so pleasing as others—cruelty. They have a little monkey, fastened by collar and chain, and it is pitiful and yet ludicrous to see the close watch the animal keeps on his captors' movements. He has found a slack chain his best policy, and adapts his every motion anxiously and solicitously to the leaps of the boy. But the utmost vigilance avails him little. When the child is weary with running and sudden turns, which have called for marvelous dexterity of accommodation on the part of the monkey, the chain is hauled up, with the animal clinging worriedly to it, and he is flung far out into the fringe of waves, to pick his shivering way up again and again from the water. These children have a white rat, also, which they chase over the sand, and souse into puddles, and otherwise maltreat. It is useless to interfere parentally, and we hardly see our way to buying either rat or monkey, even to ensure them a peaceable old age. One wonders why children have this queer taint of cruelty. Unconscious cruelty it may be, but it seems none the less out of place in their fresh, unused nature. We outgrow some rude vices as well as rude virtues, in becoming older, and there is comfort in that.
III.
The bluff, coming out to the sea, cuts off, close at hand, the curve of the shore toward the south, and we climb by a sloping path. From the top, we look down upon, the beach we have left; back upon the downs cluster the numberless private villas which form a feature of Biarritz; to the left, over the near roofs and hotels of the town, we can see the first far-off pickets of the Pyrenees; while immediately in front now appear below us three or four rocky bays and coves, broken by the lines of the cliff and partly sheltered by the rocks out at sea. "Many of these rocks," writes an old-time visitor,[2] in the pleasantly aging English of 1840, "are perforated with holes, so that, with a high sea and an incoming tide, and always, indeed, in some degree, when the tide flows, the water pours through these hollows and rents, presenting the singular appearance of many cascades. Some of the rocks lying close to the shore, and many of those which form the cliff, are worn into vast caverns. In these the waves make ceaseless music—a hollow, dismal sound, like distant thunder—and when a broad, swelling wave bounds into these caverns and breaks in some distant chamber, the shock, to one standing on the beach, is like a slight earthquake. But when a storm rises in the Bay of Biscay, and a northwest wind sweeps across the Atlantic, the scene is grand beyond the power of description. The whole space covered with rocks, which are scattered over the coast, is an expanse of foam, boiling whirlpools and cataracts, and the noise of the tremendous waves, rushing into these vast caverns and lashing their inner walls, is grander a thousand times than the most terrific thunder-storm that ever burst from the sky."
In these little coves now float idle pleasure-boats, bright with paint and listless awnings, and ready to be manned by their stout Basque rowers. Here, too, are the fishermen's cabins, snugly built in against the rocks, and garnished with baskets and poles, and with men repairing their nets. The irregular curves of the bluff, broken here into abrupt and dislocated masses, lend themselves readily to winding paths, and we ramble on, curving upward and downward, over short bridges and through little tunnels under the rocks, each turn giving a new view of the bay or the town.
Finally we round another promontory, cross a last bridge to a large rock-islet standing out from the mainland, and lo! the crescent of the coast is completed, and far to the south we see a low mountain ending the curve; it is Spain.
IV.
In the dreamy summer stillness, we sit with, content, looking at those distant hills, listening to the lapping of the waves, watching the sun sink lower toward the sea. The afternoon sunlight makes a glade across the waters—seeming to one from a western sea-board like some strange disarrangement in the day.
