Eothen; with an Introduction and Notes. Alexander William Kinglake
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And perhaps as you make your difficult way through a steep and narrow alley, shut in between blank walls, and little frequented by passers, you meet one of those coffin-shaped bundles of white linen that implies an Ottoman lady. Painfully struggling against the obstacles to progression interposed by the many folds of her clumsy drapery, by her big mud-boots, and especially by her two pairs of slippers, she works her way on full awkwardly enough, but yet there is something of womanly consciousness in the very labour and effort with which she tugs and lifts the burthen of her charms. She is closely followed by her women slaves. Of her very self you see nothing except the dark, luminous eyes that stare against your face, and the tips of the painted fingers depending like rosebuds from out of the blank bastions of the fortress. She turns, and turns again, and carefully glances around her on all sides, to see that she is safe from the eyes of Mussulmans, and then suddenly withdrawing the yashmak, [34] she shines upon your heart and soul with all the pomp and might of her beauty. And this, it is not the light, changeful grace that leaves you to doubt whether you have fallen in love with a body, or only a soul; it is the beauty that dwells secure in the perfectness of hard, downright outlines, and in the glow of generous colour. There is fire, though, too—high courage and fire enough in the untamed mind, or spirit, or whatever it is, which drives the breath of pride through those scarcely parted lips.
You smile at pretty women—you turn pale before the beauty that is great enough to have dominion over you. She sees, and exults in your giddiness; she sees and smiles; then presently, with a sudden movement, she lays her blushing fingers upon your arm, and cries out, “Yumourdjak!” (Plague! meaning, “there is a present of the plague for you!”) This is her notion of a witticism. It is a very old piece of fun, no doubt—quite an Oriental Joe Miller; but the Turks are fondly attached, not only to the institutions, but also to the jokes of their ancestors; so the lady’s silvery laugh rings joyously in your ears, and the mirth of her women is boisterous and fresh, as though the bright idea of giving the plague to a Christian had newly lit upon the earth.
Methley began to rally very soon after we had reached Constantinople; but there seemed at first to be no chance of his regaining strength enough for travelling during the winter, and I determined to stay with my comrade until he had quite recovered; so I bought me a horse, and a “pipe of tranquillity,” [35] and took a Turkish phrase-master. I troubled myself a great deal with the Turkish tongue, and gained at last some knowledge of its structure. It is enriched, perhaps overladen, with Persian and Arabic words, imported into the language chiefly for the purpose of representing sentiments and religious dogmas, and terms of art and luxury, entirely unknown to the Tartar ancestors of the present Osmanlees; but the body and the spirit of the old tongue are yet alive, and the smooth words of the shopkeeper at Constantinople can still carry understanding to the ears of the untamed millions who rove over the plains of Northern Asia. The structure of the language, especially in its more lengthy sentences, is very like to the Latin: [36] the subject matters are slowly and patiently enumerated, without disclosing the purpose of the speaker until he reaches the end of his sentence, and then at last there comes the clenching word, which gives a meaning and connection to all that has gone before. If you listen at all to speaking of this kind, your attention, rather than be suffered to flag, must grow more and more lively as the phrase marches on.
The Osmanlees speak well. In countries civilised according to the European plan the work of trying to persuade tribunals is almost all performed by a set of men, the great body of whom very seldom do anything else; but in Turkey this division of labour has never taken place, and every man is his own advocate. The importance of the rhetorical art is immense, for a bad speech may endanger the property of the speaker, as well as the soles of his feet and the free enjoyment of his throat. So it results that most of the Turks whom one sees have a lawyer-like habit of speaking connectedly, and at length. Even the treaties continually going on at the bazaar for the buying and selling of the merest trifles are carried on by speechifying rather than by mere colloquies, and the eternal uncertainty as to the market value of things in constant sale gives room enough for discussion. The seller is for ever demanding a price immensely beyond that for which he sells at last, and so occasions unspeakable disgust in many Englishmen, who cannot see why an honest dealer should ask more for his goods than he will really take! The truth is, however, that an ordinary tradesman of Constantinople has no other way of finding out the fair market value of his property. The difficulty under which he labours is easily shown by comparing the mechanism of the commercial system in Turkey with that of our own country. In England, or in any other great mercantile country, the bulk of the things bought and sold goes through the hands of a wholesale dealer, and it is he who higgles and bargains with an entire nation of purchasers by entering into treaty with retail sellers. The labour of making a few large contracts is sufficient to give a clue for finding the fair market value of the goods sold throughout the country; but in Turkey, from the primitive habits of the people, and partly from the absence of great capital and great credit, the importing merchant, the warehouseman, the wholesale dealer, the retail dealer, and the shopman, are all one person. Old Moostapha, or Abdallah, or Hadgi Mohamed waddles up from the water’s edge with a small packet of merchandise, which he has bought out of a Greek brigantine, and when at last he has reached his nook in the bazaar he puts his goods before the counter, and himself upon it; then laying fire to his tchibouque he “sits in permanence,” and patiently waits to obtain “the best price that can be got in an open market.” This is his fair right as a seller, but he has no means of finding out what that best price is except by actual experiment. He cannot know the intensity of the demand, or the abundance of the supply, otherwise than by the offers which may be made for his little bundle of goods; so he begins by asking a perfectly hopeless price, and then descends the ladder until he meets a purchaser, for ever
“Striving to attain
By shadowing out the unattainable.”
This is the struggle which creates the continual occasion for debate. The vendor, perceiving that the unfolded merchandise has caught the eye of a possible purchaser, commences his opening speech. He covers his bristling broadcloths and his meagre silks with the golden broidery of Oriental praises, and as he talks, along with the slow and graceful waving of his arms, he lifts his undulating periods, upholds and poises them well, till they have gathered their weight and their strength, and then hurls them bodily forward with grave, momentous swing. The possible purchaser listens to the whole speech with deep and serious attention; but when it is over his turn arrives. He elaborately endeavours to show why he ought not to buy the things at a price twenty times larger than their value. Bystanders attracted to the debate take a part in it as independent members; the vendor is heard in reply, and coming down with his price, furnishes the materials for a new debate. Sometimes, however, the dealer, if he is a very pious Mussulman, and sufficiently rich to hold back his ware, will take a more dignified part, maintaining a kind of judicial gravity, and receiving the applicants who come to his stall as if they were rather suitors than customers. He will quietly hear to the end some long speech that concludes with an offer, and will answer it all with the one monosyllable “Yok,” which means distinctly “No.”
I caught one glimpse of the old heathen world. My habits for studying military subjects had been hardening my heart against poetry; for ever staring at the flames of battle,