Hunger-demon, or the rage of a chained giant. The separate functions must not be lost sight of because sometimes traceable to a single form, nor their practical character suffer disguise through their fair euphemistic or mythological names.
Secondly, the same form appears repeatedly in a diabolic as well as a demonic function, and here a clear distinction must be maintained in the reader’s mind. The distinction already taken between a demon and a devil is not arbitrary: the word demon is related to deity; the word devil, though sometimes connected with the Sanskrit deva, has really no relation to it, but has a bad sense as ‘calumniator:’ but even if there were no such etymological identity and difference, it would be necessary to distinguish such widely separate offices as those representing the afflictive forces of nature where attributed to humanly appreciable motives on the one hand, and evils ascribed to pure malignancy or a principle of evil on the other. The Devil may, indeed, represent a further evolution in the line on which the Demon has appeared; Ahriman the Bad in conflict with Ormuzd the Good may be a spiritualisation of the conflict between Light and Darkness, Sun and Cloud, as represented in the Vedic Indra and Vritra; but the two phases represent different classes of ideas, indeed different worlds, and the apprehension of both requires that they shall be carefully distinguished even when associated with the same forms and names.
Thirdly, there is an important class of demons which the reader may expect to find fully treated of in the part of my work more particularly devoted to Demonology, which must be deferred, or further traced in that portion relating to the Devil; they are forms which in their original conception were largely beneficent, and have become of evil repute mainly through the anathema of theology. The chequer-board on which Osiris sat had its development in hosts of primitive shapes of light opposing shapes of darkness. The evil of some of these is ideal; others are morally amphibious: Teraphim, Lares, genii, were ancestors of the guardian angels and patron saints of the present day; they were oftenest in the shapes of dogs and cats and aged human ancestors, supposed to keep watch and ward about the house, like the friendly Domovoi respected in Russia; the evil disposition and harmfulness ascribed to them are partly natural but partly also theological, and due to the difficulty of superseding them with patron saints and angels. The degradation of beneficent beings, already described in relation to large demonic and diabolic forms, must be understood as constantly acting in the smallest details of household superstition, with what strange reaction and momentous result will appear when we come to consider the phenomena of Witchcraft.
Finally, it must be remarked that the nature of our inquiry renders the consideration of the origin of myths—whether ‘solar’ or other—of secondary importance. Such origin it will be necessary to point out and discuss incidentally, but our main point will always be the forms in which the myths have become incarnate, and their modifications in various places and times, these being the result of those actual experiences with which Demonology is chiefly concerned. A myth, as many able writers have pointed out, is, in its origin, an explanation by the uncivilised mind of some natural phenomenon—not an allegory, not an esoteric conceit. For this reason it possesses fluidity, and takes on manifold shapes. The apparent sleep of the sun in winter may be represented in a vast range of myths, from the Seven Sleepers to the Man in the Moon of our nursery rhyme; but the variations all have relation to facts and circumstances. Comparative Mythology is mainly concerned with the one thread running through them, and binding them all to the original myth; the task of Demonology is rather to discover the agencies which have given their several shapes. If it be shown that Orthros and Cerberus were primarily the morning and evening twilight or howling winds, either interpretation is here secondary to their personification as dogs. Demonology would ask, Why dogs? why not bulls? Its answer in each case detaches from the anterior myth its mode, and shows this as the determining force of further myths.
Part II.
The Demon.
Chapter I.
Hunger.
Hunger-demons—Kephn—Miru—Kagura—Ráhu the Hindu sun-devourer—The earth monster at Pelsall—A Franconian custom—Sheitan as moon-devourer—Hindu offerings to the dead—Ghoul—Goblin—Vampyres—Leanness of demons—Old Scotch custom.—The origin of sacrifices.
In every part of the earth man’s first struggle was for his daily food. With only a rude implement of stone or bone he had to get fish from the sea, bird from the air, beast from the forest. For ages, with such poor equipment, he had to wring a precarious livelihood from nature. He saw, too, every living form around him similarly trying to satisfy its hunger. There seemed to be a Spirit of Hunger abroad. And, at the same time, there was such a resistance to man’s satisfaction of his need—the bird and fish so hard to get, the stingy earth so ready to give him a stone when he asked for bread—that he came to the conclusion that there must be invisible voracious beings who wanted all good things for themselves. So the ancient world was haunted by a vast brood of Hunger-demons. There is an African tribe, the Karens, whose representation of the Devil (Kephn) is a huge stomach floating through the air; and this repulsive image may be regarded as the type of nearly half the demons which have haunted the human imagination. This, too, is the terrible Miru, with her daughters and slave, haunting the South Sea Islander. ‘The esoteric doctrine of the priests was, that souls leave the body ere breath has quite gone, and travel to the edge of a cliff facing the setting sun (Rā). A large wave now approaches the base of the cliff, and a gigantic bua tree, covered with fragrant blossoms, springs up from Avaiki (nether world) to receive on its far-reaching branches human spirits, who are mysteriously impelled to cluster on its limbs. When at length the mystic tree is covered with human spirits, it goes down with its living freight to the nether world. Akaanga, the slave of fearful Miru, mistress of the invisible world, infallibly catches all these unhappy spirits in his net and laves them to and fro in a lake. In these waters the captive ghosts exhaust themselves by wriggling about like fishes, in the vain hope of escape. The net is pulled up, and the half-drowned spirits enter into the presence of dread Miru, who is ugliness personified. The secret of Miru’s power over her intended victims is the ‘kava’ root (Piper mythisticum). A bowl of this drink is prepared for each visitor to the shades by her four lovely daughters. Stupefied with the draught, the unresisting victims are borne off to a mighty oven and cooked. Miru, her peerless daughters, her dance-loving son, and the attendants, subsist exclusively on human spirits decoyed to the nether world and then cooked. The drinking-cups of Miru are the skulls of her victims. She is called in song ‘Miru-the-ruddy,’ because her cheeks ever glow with the heat of the oven where her captives are cooked. As the surest way to Miru’s oven is to die a natural death, one need not marvel that the Rev. Mr. Gill, who made these statements before the Anthropological Institute in London (February 8, 1876), had heard ‘many anecdotes of aged warriors, scarcely able to hold a spear, insisting on being led to the field of battle in the hope of gaining the house of the brave.’ As the South Sea paradise seems to consist in an eternal war-dance, or, in one island, in an eternal chewing of sugar-cane, it is not unlikely that the aged seek violent death chiefly to avoid the oven. We have here a remarkable illustration of the distinguishing characteristic of the demon. Fearful as Miru is, it may be noted that there is not one gratuitous element of cruelty in her procedure. On the contrary, she even provides her victims with an anæsthetic draught. Her prey is simply netted, washed, and cooked, as for man are his animal inferiors. In one of the islands (Aitutaki), Miru is believed to resort to a device which is certainly terrible—namely, the contrivance that each soul entering the nether world shall drink a bowl of living centipedes; but this is simply with the one end in view of appeasing her own pangs of hunger, for the object and effect of the draught is to cause the souls to drown themselves, it being apparently only after entire death
