the waters, the salvation of the faith and the state of piety.’
At every step in the conversion of the native Singhalese,—the demons and serpent-men,—Buddha and his apostles are represented as being attended by the devas,—the deities of India,—who are spoken of as if glad to become menials of the new religion. But we find Zoroaster using this term in a demonic sense, and describing alien worshippers as children of the Devas (a Semite would say, Sons of Belial). And in the conventional Persian pictures of the Last Judgment (moslem), the archfiend has the Hindu complexion. A similar phenomenon may be observed in various regions. In the mediæval frescoes of Moscow, representing infernal tortures, it is not very difficult to pick out devils representing the physical characteristics of most of the races with which the Muscovite has struggled in early times. There are also black Ethiopians among them, which may be a result of devils being considered the brood of Tchernibog, god of Darkness; but may also, not impossibly, have come of such apocryphal narratives as that ascribed to St. Augustine. ‘I was already Bishop of Hippo when I went into Ethiopia with some servants of Christ, there to preach the gospel. In this country we saw many men and women without heads, who had two great eyes in their breasts; and in countries still more southerly we saw a people who had but one eye in their foreheads.’4
In considering animal demons, the primitive demonisation of the Wolf has been discussed. But it is mainly as a transformation of man and a type of savage foes that this animal has been a prominent figure in Mythology.
Professor Max Müller has made it tolerably clear that Bellerophon means Slayer of the Hairy; and that Belleros is the transliteration of Sanskrit varvara, a term applied to the dark Aborigines by their Aryan invaders, equivalent to barbarians.5 This points us for the origin of the title rather to Bellerophon’s conquest of the Lycians, or Wolf-men, than to his victory over the Chimæra. The story of Lycaon and his sons—barbarians defying the gods and devouring human flesh—turned into wolves by Zeus, connects itself with the Lycians (hairy, wolfish barbarians), whom Bellerophon conquered.
It was not always, however, the deity that conquered in such encounters. In the myth of Soracte, the Wolf is seen able to hold his own against the gods. Soranus, worshipped on Mount Soracte, was at Rome the god of Light, and is identified with Apollo by Virgil.6 A legend states that he became associated with the infernal gods, though called Diespiter, because of the sulphurous exhalations from the side of Mount Soracte. It is said that once when some shepherds were performing a sacrifice, some wolves seized the flesh; the shepherds, following them, were killed by the poisonous vapours of the mountain to which the wolves retreated. An oracle gave out that this was a punishment for their pursuing the sacred animals; and a general pestilence also having followed, it was declared that it could only cease if the people were all changed to wolves and lived by prey. Hence the Hirpini, from the Sabine ‘hirpus,’ a wolf. The story is a variant of that of the Hirpinian Samnites, who were said to have received their name from their ancestors having followed a sacred wolf when seeking their new home. The Wolf ceremonies were, like the Roman Lupercalia, for purposes of purification. The worshippers ran naked through blazing fires. The annual festival, which Strabo describes as occurring in the grove of Feronia, goddess of Nature, became at last a sort of fair. Its history, however, is very significant of the formidable character of the Hirpini, or Wolf-tribe, which could alone have given rise to such euphemistic celebrations of the wolf.
It is interesting to note that in some regions this wolf of superstition was domesticated into a dog. Pierius says there was a temple of Vulcan in Mount Ætna, in whose grove were dogs that fawned on the pious, but rent the polluted worshippers. It will be seen by the left form of Fig. 13 that the wolf had a diminution, in pictorial representation similar to that which the canine Lares underwent (p. 135). This picture is referred by John Beaumont7 to Cartarius’ work on ‘The Images of the Gods of the Ancients;’ the form wearing a wolf’s skin and head is that of the demon Polites, who infested Temesa in Italy, according to a story related by Pausanias. Ulysses, in his wanderings, having come to this town, one of his companions was stoned to death for having ravished a virgin; after which his ghost appeared in form of this demon, which had to be appeased, by the direction of the oracle of Apollo, by the annual sacrifice to him of the most beautiful virgin in the place. Euthymus, enamoured of a virgin about to be so offered, gave battle to this demon, and, having expelled him from the country, married the virgin. However, since the infernal powers cannot be deprived of their rights without substitution, this saviour of Temesa disappeared in the river Cæcinus.
Fig. 13.—Italian and Roman Genii.
The form on the right in Fig. 13 represents the genius of the city of Rome, and is found on some of Hadrian’s coins; he holds the cornucopia and the sacrificial dish. The child and the serpent in the same picture represent the origin of the demonic character attributed to the Eleans by the Arcadians. This child-and-serpent symbol, which bears resemblance to certain variants of Bel and the Dragon, no doubt was brought to Elea, or Velia in Italy, by the Phocæans, when they abandoned their Ionian homes rather than submit to Cyrus, and founded that town, B.C. 544. The two forms were jointly worshipped with annual sacrifices in the temple of Lucina, under the name Sosipolis. The legend of this title is related by Pausanias. When the Arcadians invaded the Eleans, a woman came to the Elean commander with an infant at her breast, and said that she had been admonished in a dream to place her child in front of the army. This was done; as the Arcadians approached the child was changed to a serpent, and, astounded at the prodigy, they fled without giving battle. The child was represented by the Eleans decorated with stars, and holding the cornucopia; by the Arcadians, no doubt, in a less celestial way. It is not uncommon in Mythology to find the most dangerous demons represented under some guise of weakness, as, for instance, among the South Africans, some of whom recently informed English officers that the Galeikas were led against them by a terrible sorcerer in the form of a hare. The most fearful traditional demon ever slain by hero in Japan was Shuden Dozi—the Child-faced Drinker. In Ceylon the apparition of a demon is said to be frequently under the form of a woman with a child in her arms.
Many animal demons are mere fables for the ferocity of human tribes. The Were-wolf superstition, which exists still in Russia, where the transformed monster is called volkodlák (volk, a wolf, and dlak, hair), might even have originated in the costume of Norse barbarians and huntsmen. The belief was always more or less rationalised, resembling that held by Verstegan three hundred years ago, and which may be regarded as prevalent among both the English and Flemish people of his day. ‘These Were-wolves,’ he says, ‘are certain sorcerers, who, having anointed their bodies with an ointment they make by the instinct of the devil, and putting on a certain enchanted girdle, do not only unto the view of others seem as wolves, but to their own thinking have both the nature and shape of wolves so long as they wear the said girdle; and they do dispose themselves as very wolves, in worrying and killing, and waste of human creatures.’ During the Franco-German war of 1870–71, a family of ladies on the German side of the Rhine, sitting up all night in apprehension, related to me such stories of the ‘Turcos’ that I have since found no difficulty in understanding the belief in weird and præternatural wolves which once filled Europe with horror. The facility with which the old Lycian wolf-girdle, so to say, was caught up and worn in so many countries where race-wars were chronic for many ages, renders it nearly certain that this superstition (Lycanthropy), however it may have originated, was continued through the custom of ascribing demonic characteristics to hostile and fierce races. It has been, indeed, a general opinion that the theoretical belief originated in the Pythagorean doctrine of metempsychosis. Thus Shakspere:—
Thou almost makest me waver in my faith,
To hold opinion with Pythagoras,
That
