the settlement of accounts. Your Majesty will excuse our sub-director for not having come himself to take your orders as it is his pleasure and honor generally to do, but he has been ill for several days and that is why I have begged permission for this audience with your Majesty."
Fandor with difficulty repressed his desire to laugh and congratulated himself that he had escaped the danger of being shown up by the sub-director who knew the real King. The Secretary brought with him a large sum of money which he placed at the disposal of the sovereign. For a moment Fandor was tempted to accept the money but his scruples held him back. If things should turn out badly it would not do to lay himself open to the charge of usurping the Royal funds as well as the personality of the King. So he limited himself to handing over the hotel bill, saying:
"Kindly settle this without delay and don't stint yourself with the tips."
A little later a porter entered with newspapers. Fandor seized them eagerly, but after a single glance he could not repress a movement of impatience.
"These idiots," he growled to himself, "always bring me the Hesse-Weimar papers, and I don't know a confounded word of German. What I would like to get hold of is a copy of La Capitale."
He rang the bell intending to give the order for a copy to be sent up, but at that moment a servant announced:
"Mlle. Marie Pascal is here, your Majesty."
"What does she want?"
The servant handed Fandor a letter.
"Your Majesty has granted an interview to her."
Without thinking the journalist asked: "Is she pretty?"
The employé of the Royal Palace kept a straight face. He was too much in the habit of dealing with royal patrons. The King might joke as much as he pleased, but the same liberty was not granted to others. He therefore made a deep bow and said with a tone of profound deference:
"I will send Marie Pascal to your Majesty."
Chapter 8 MARIE PASCAL
Now that he had become a King and was obliged to receive unexpected visits in that capacity, Fandor had adopted the wise precaution of making his visitors wait in the main Salon, while he retired to the adjoining study. From there, thanks to a large mirror, he could see them without being seen himself. Following this precaution he waited for the appearance of his visitor and scarcely had she set foot in the Salon when he experienced an agreeable surprise.
"Ah, there's a pretty girl."
He was right. She was charming, with her large clear blue eyes, her fair hair and slight figure.
"By Jove," thought Fandor, "here's a way to fill up my hours of solitude. It oughtn't to be hard for one in my position to get up an intrigue, and provided the lady is not too shy I can begin one of those adventures one reads of in fairy stories."
Covering his face still further with his scarf and putting on a pair of blue spectacles he entered the Salon. The young girl betrayed a slight movement of surprise upon seeing him. At his silent invitation she sat down on the edge of an armchair without daring to raise her eyes. Then followed a long pause, until Fandor recollected that according to etiquette she was waiting for him to speak first.
"Well, Mademoiselle, what can I do for you?"
The young girl stammered: "I wanted to see you … pardon … to see your Majesty … to tell him how grateful I am for the laces he ordered from me … that your Majesty ordered."
Fandor began to be amused at the embarrassment of the young girl, so to set her at ease he remarked:
"Mademoiselle, just talk to me as you would to anyone else, and as for the laces, I shall be very glad to order others."
A start of surprise from Marie Pascal gave Fandor the uneasy feeling that he had made a break.
"Then, your Majesty, I suppose I must send the next lot to the Queen."
"Of course."
"How about the bill?"
Fandor repressed a smile. Evidently these poor Kings must have one hand in their pockets. As the interview continued the young girl regained her confidence, and going close to Fandor, spoke in a tone of sincere anxiety:
"Sire, it was not you … oh, forgive me." And then in a lower tone: "I have denounced you, Sire."
Then, dropping to her knees, Marie Pascal repeated all that had happened. Fandor now realized that the death of Susy d'Orsel had a witness and that a detective was now in possession of the facts.
"And this detective! Is he tall, broad shouldered, about forty-five, with gray hair and clean shaven?"
The young girl was astonished at the accuracy of the portrait.
"Why, yes, Sire … your Majesty is right."
"It can be no other than Juve," thought Fandor joyfully. Then turning to Marie Pascal, "Now you must answer truthfully the question I am going to ask you. Will you tell me why, after accusing me of this dreadful crime, you have suddenly changed your opinion and come to tell me how sorry you are and that you are now sure I am not guilty? You must have very serious reasons for this change of front."
"I have been convinced of your innocence," she replied, "by the most absolute proof." She then recounted to Fandor her discovery of the chemise belonging to the Marquis de Sérac.
"After picking up this chemise I was about to give it over to Mme. Ceiron, the concièrge of the house, when my eyes happened to fall upon the ruffles on the sleeves. Attached to the right sleeve were some shreds of lace which seemed to have been torn from a larger piece. I am a lace maker and I recognized immediately that these pieces came from a dress I had just delivered to Mlle. Susy d'Orsel a few hours before."
Fandor, who was listening with the closest attention, now asked: "What do you deduce from that, Mademoiselle?"
"Sire, simply that the person who threw Susy d'Orsel out of the window was wearing that chemise."
"And," continued the journalist, "as this belonged to the Marquis de Sérac?"
"But it is a woman's chemise."
Fandor quickly realized the importance of this testimony. First, that Susy d'Orsel had really been murdered and secondly that the King Frederick-Christian had had no hand in it.
"Is your Majesty very unhappy over the death of Mlle. d'Orsel?"
Fandor glanced sharply at the young woman and then replied enigmatically: "I am, of course, very much shocked at the tragic end of this poor girl. But what is the matter with you?"
Marie Pascal was growing paler and paler and finally collapsed in his arms. Gently he placed Marie Pascal on a sofa. For a few moments Fandor sat there holding her hands. Then she sat up quickly.
"What are you doing?"
Ready to continue what he considered an amusing adventure, he was about to take her in his arms murmuring, "I love you." But she rose quickly and fled horror-stricken.
"No,
