Latin-American Mythology (Illustrated Edition). Hartley Burr Alexander

Чтение книги онлайн.

Читать онлайн книгу Latin-American Mythology (Illustrated Edition) - Hartley Burr Alexander страница 12

Серия:
Издательство:
Latin-American Mythology (Illustrated Edition) - Hartley Burr Alexander

Скачать книгу

by no less than a dozen distinct linguistic stocks, forms a fourth cultural district. Its peoples show not only the influences of the Maya and Nahua to the north (a tribe of the Nahuatlan stock had penetrated as far south as Lake Nicaragua), but also of the Chibchan civilization of the southern continent, dominant in the Isthmus of Panama, and extending beyond Costa Rica up into Nicaragua. In addition, there is more than a suggestion of influence from the Antilles and from the sea-faring Carib. Here, we can truly say, is the meeting-place of the continents.

      The nodes of interest in the culture and history of Middle America are the Aztec and Maya civilizations, which are justly regarded as marking the highest attainment of native Americans.24 Neither Aztec nor Maya could vie with the Peruvian peoples in the engineering and political skill which made the empire of the Incas such a marvel of organization; but in the general level of the arts, in the intricacy of their science, and above all in the possession of systems of hieroglyphic writing and of monumental records the Middle Americans had touched a level properly comparable with the earliest civilizations of the Old World, nor can theirs have been vastly later than Old World culture in origin.

      In a number of particulars the civilizations of the Middle and South American centres show curious parallels. In each case we are in the presence of an aggressively imperial highland (Aztec, Inca) and of a decadent lowland (Maya, Yunca) culture. In each case the lowland culture is the more advanced aesthetically and apparently of longer history. Both highland powers clearly depend upon remote highland predecessors for their own culture (Aztec harks back to Toltec, Inca to Tiahuanaco); and in both regions it is a pretty problem for the archaeologist to determine whether this more remote highland civilization is ancestrally akin to the lowland. Again, in both the apogee of monument building and of the arts seems to have passed when the Spaniards arrived; indeed, empire itself was weakening. The Aztec and the Inca tribes (perhaps the most striking parallel of all) emerged from obscurity about the same time to proceed on the road to empire, for the traditional Aztec departure from Aztlan and the Inca departure from Tampu Tocco alike occurred in the neighbourhood of 1200 a. d. Finally, it was Ahuitzotl, the predecessor of Montezuma II, who brought Aztec power to its zenith, and it was Huayna Capac, the father of Atahualpa, who gave Inca empire its greatest extent; while both the Aztec empire under Montezuma, which fell to Cortez in 1519, and the Inca empire under Atahualpa, conquered by Pizarro in 1524, were internally weakening at the time. But the crowning misfortune common to the two empires was the possession of gold, maddening the eyes of the conquistadores.

      II. CONQUISTADORES25

       Table of Contents

      In 1517 Hernandez de Cordova, sailing from Cuba for the Bahamas, was driven out of his course by adverse gales; Yucatan was discovered; and a part of the coast of the Gulf of Campeche was explored. Battles were fought, and hardships were endured by the discoverers, but the reports of a higher civilization which they brought back to Cuba, coupled with specimens of curious gold-work, induced the governor of the island to equip a new expedition to continue the exploration. This venture, of four vessels under the command of Juan de Grijalva, set out in May, 1518, and following the course of its predecessor, coasted as far as the province of Panuco, visiting the Isla de los Sacrificios—near the site of the future Vera Cruz—and doing profitable trading with some of the vassals of the Aztec emperor. A caravel which he dispatched to Cuba with some of his golden profit induced the governor to undertake a larger military expedition to effect the conquest of the empire discovered; for now men began to realize that a truly imperial realm had been revealed. This third expedition was placed under the command of Hernando Cortez; it sailed from Cuba in February, 1519, and landed on the island of Cozumel, in Maya territory, where the Spaniards were profoundly impressed at finding the Cross an object of veneration. The course was resumed, and a battle was fought near the mouth of the Rio de Tabasco; but Cortez was in search of richer lands and so moved onward, beyond the lands of the Maya, until on Good Friday, April 21, 1519, he landed with all his forces on the site of Vera Cruz. The two years of the Conquest followed—the tale of which, for fantastic and romantic adventure, for egregious heroism and veritable gluttony of bloodshed, has few competitors in human annals: its climacterics being the seizure of Montezuma in November, 1519; la noche triste, July 1, 1520, when the invaders were driven from Tenochtitlan; and, finally, the defeat and capture of Guatemotzin, August 13, 1521.

      An apologist for human nature would say that neither conquistador nor papa (as the Spaniards named the Aztec priest) was quite so despicable as his deeds, that both were moved by a faith that had redeeming traits. Outwardly, aesthetically, the whole scene is bizarre and devilish; inwardly, it is not without devotion and heroism. Bernal Diaz del Castillo, adventurer not only with Cortez, but with Cordova and Grijalva before him, one of the sturdiest of the conquerors and destined to be their foremost chronicler, records for us one unforgettable incident which presents the whole inwardness and outwardness of the situation—gorgeous cruelty and simple humanity—in a single image. It was four days after the army of Cortez had entered the Mexican capital; and after having been shown the wonders of the populous markets of Tenochtitlan, the visitors were escorted, at their own request, to the platform top of the great teocalli overlooking Tlatelolco, the mart of Mexico. From the platform Montezuma proudly pointed to the quartered city below, and beyond that to the gleaming lake and the glistening villages on its borders—all a local index of his imperial domains. "We counted among us," says the chronicler,26 "soldiers who had traversed different parts of the world: Constantinople, Italy, Rome; they said that they had seen nowhere a place so well aligned, so vast, ordered with such art, and covered with so many people." Cortez turned to Montezuma: "You are a great lord," he said. "You have shown us your great cities; show us now your gods."

see caption

      PLATE V.

      Aztec goddess, probably Coatlicue, the mother of Huitzilopochtli, an earth goddess (see page 74). The statue is one of two Aztec monuments (the other being the "Calendar Stone," Plate XIV) discovered under the pavement of the principal plaza of Mexico City in 1790, and is possibly the very image which Bernal Diaz mistook for "Huichilobos" (see pages 46-49, and Note 26). The goddess wears the serpent apron, and carries a death's head at the girdle; her own head is formed of two serpent heads, facing, rising from her shoulders. The importance of Coatlicue in Aztec legend is evidenced by the story of the embassy sent to her by Montezuma I (see page 116). After an engraving in AnMM, first series, Vol. II.

      "He invited us into a tower," continues the chronicler, "into a part in form like a great hall where were two altars covered with rich woodwork. Upon the altars were reared two massive forms, like giants with ponderous bodies. The first, placed at the right, was, they say, Huichilobos [Huitzilopochtli], their god of war. His countenance was very large, the eyes huge and terrifying; all his body, including the head, was covered with gems, with gold, with pearls large and small, adherent by means of a glue made from farinaceous roots. The body was cinctured with great serpents fabricked of gold and precious stones; in one hand he held a bow, and

Скачать книгу