[2] John Kelman, D.D., Among Famous Books.
A BOOK OF MYTHS
PROMETHEUS AND PANDORA
Those who are interested in watching the mental development of a child must have noted that when the baby has learned to speak even a little, it begins to show its growing intelligence by asking questions. “What is this?” it would seem at first to ask with regard to simple things that to it are still mysteries. Soon it arrives at the more far-reaching inquiries—“Why is this so?” “How did this happen?” And as the child’s mental growth continues, the painstaking and conscientious parent or guardian is many times faced by questions which lack of knowledge, or a sensitive honesty, prevents him from answering either with assurance or with ingenuity.
As with the child, so it has ever been with the human race. Man has always come into the world asking “How?” “Why?” “What?” and so the Hebrew, the Greek, the Maori, the Australian blackfellow, the Norseman—in a word, each race of mankind—has formed for itself an explanation of existence, an answer to the questions of the groping child-mind—“Who made the world?” “What is God?” “What made a God think of fire and air and water?” “Why am I, I?”
Into the explanation of creation and existence given by the Greeks come the stories of Prometheus and of Pandora. The world, as first it was, to the Greeks was such a world as the one of which we read in the Book of Genesis—“without form, and void.” It was a sunless world in which land, air, and sea were mixed up together, and over which reigned a deity called Chaos. With him ruled the goddess of Night and their son was Erebus, god of Darkness. When the two beautiful children of Erebus, Light and Day, had flooded formless space with their radiance, Eros, the god of Love, was born, and Light and Day and Love, working together, turned discord into harmony and made the earth, the sea, and the sky into one perfect whole. A giant race, a race of Titans, in time populated this newly-made earth, and of these one of the mightiest was Prometheus. To him, and to his brother Epimethus, was entrusted by Eros the distribution of the gifts of faculties and of instincts to all the living creatures in the world, and the task of making a creature lower than the gods, something less great than the Titans, yet in knowledge and in understanding infinitely higher than the beasts and birds and fishes. At the hands of the Titan brothers, birds, beasts, and fishes had fared handsomely. They were Titanic in their generosity, and so prodigal had they been in their gifts that when they would fain have carried out the commands of Eros they found that nothing was left for the equipment of this being, to be called Man. Yet, nothing daunted, Prometheus took some clay from the ground at his feet, moistened it with water, and fashioned it into an image, in form like the gods. Into its nostrils Eros breathed the spirit of life, Pallas Athené endowed it with a soul, and the first man looked wonderingly round on the earth that was to be his heritage. Prometheus, proud of the beautiful thing of his own creation, would fain have given Man a worthy gift, but no gift remained for him. He was naked, unprotected, more helpless than any of the beasts of the field, more to be pitied than any of them in that he had a soul to suffer.
Surely Zeus, the All Powerful, ruler of Olympus, would have compassion on Man? But Prometheus looked to Zeus in vain; compassion he had none. Then, in infinite pity, Prometheus bethought himself of a power belonging to the gods alone and unshared by any living creature on the earth.
“We shall give Fire to the Man whom we have made,” he said to Epimethus. To Epimethus this seemed an impossibility, but to Prometheus nothing was impossible. He bided his time and, unseen by the gods, he made his way into Olympus, lighted a hollow torch with a spark from the chariot of the Sun and hastened back to earth with this royal gift to Man. Assuredly no other gift could have brought him more completely the empire that has since been his. No longer did he tremble and cower in the darkness of caves when Zeus hurled his lightnings across the sky. No more did he dread the animals that hunted him and drove him in terror before them.
Armed with fire, the beasts became his vassals. With fire he forged weapons, defied the frost and cold, coined money, made implements for tillage, introduced the arts, and was able to destroy as well as to create.
From his throne on Olympus, Zeus looked down on the earth and saw, with wonder, airy columns of blue-grey smoke that curled upwards to the sky. He watched more closely, and realised with terrible wrath that the moving flowers of red and gold that he saw in that land that the Titans shared with men, came from fire, that had hitherto been the gods’ own sacred power. Speedily he assembled a council of the gods to mete out to Prometheus a punishment fit for the blasphemous daring of his crime. This council decided at length to create a thing that should for evermore charm the souls and hearts of men, and yet, for evermore, be man’s undoing.
To Vulcan, god of fire, whose province Prometheus had insulted, was given the work of fashioning out of clay and water the creature by which the honour of the gods was to be avenged. “The lame Vulcan,” says Hesiod, poet of Greek mythology, “formed out of the earth an image resembling a chaste virgin. Pallas Athené, of the blue eyes, hastened to ornament her and to robe her in a white tunic. She dressed on the crown of her head a long veil, skilfully fashioned and admirable to see; she crowned her forehead with graceful garlands of newly-opened flowers and a golden diadem that the lame Vulcan, the illustrious god, had made with his own hands to please the puissant Jove. On this crown Vulcan had chiselled the innumerable animals that the continents and the sea nourish in their bosoms, all endowed with a marvellous grace and apparently alive. When he had finally completed, instead of some useful work, this illustrious masterpiece, he brought into the assembly this virgin, proud of the ornaments with which she had been decked by the blue-eyed goddess, daughter of a powerful sire.” To this beautiful creature, destined by the gods to be man’s destroyer, each of them gave a gift. From Aphrodite she got beauty, from Apollo music, from Hermes the gift of a winning tongue. And when all that great company in Olympus had bestowed their gifts, they named the woman Pandora—“Gifted by all the Gods.” Thus equipped for victory, Pandora was led by Hermes to the world that was thenceforward to be her home. As a gift from the gods she was presented to Prometheus.
But Prometheus, gazing in wonder at the violet blue eyes bestowed by Aphrodite, that looked wonderingly back into his own as if they were indeed as innocent as two violets wet with the morning dew, hardened his great heart, and would have none of her. As a hero—a worthy descendant of Titans—said in later years, “Timeo Danaos et dona ferentes,”—“I fear the Greeks, even when they bring gifts.” And Prometheus, the greatly-daring, knowing that he merited the anger of the gods, saw treachery in a gift outwardly so perfect. Not only would he not accept this exquisite creature for his own, but he hastened to caution his brother also to refuse her.
But well were they named Prometheus (Forethought) and Epimethus (Afterthought). For Epimethus it was enough to look at this peerless woman, sent from the gods, for him to love her and to believe in her utterly. She was the fairest thing on earth, worthy indeed of the deathless gods who had created her. Perfect, too, was the happiness that she brought with her to Epimethus. Before her coming, as he well knew now, the fair world had been incomplete. Since she came the fragrant flowers had grown more sweet for him, the song of the birds more full of melody. He found new life in Pandora and marvelled how his brother could ever have fancied that she could bring to the world aught but peace and joyousness.
Now when the gods had entrusted to the Titan brothers the endowment of all living things upon the earth, they had been careful to withhold everything that might bring into
