English Poets of the Eighteenth Century. Various

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English Poets of the Eighteenth Century - Various

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Hear how Timotheus' varied lays surprise,

       And bid alternate passions fall and rise!

       While, at each change, the son of Libyan Jove

       Now burns with glory, and then melts with love;

       Now his fierce eyes with sparkling fury glow,

       Now sighs steal out, and tears begin to flow:

       Persians and Greeks like turns of nature found,

       And the world's victor stood subdued by sound!

       The power of music all our hearts allow,

       And what Timotheus was, is Dryden now.

      Avoid extremes; and shun the fault of such,

       Who still are pleased too little or too much.

       At every trifle scorn to take offence,

       That always shows great pride, or little sense;

       Those heads, as stomachs, are not sure the best,

       Which nauseate all, and nothing can digest.

       Yet let not each gay turn thy rapture move;

       For fools admire, but men of sense approve:

       As things seem large which we through mists descry,

       Dulness is ever apt to magnify.

      Some foreign writers, some our own despise;

       The ancients only, or the moderns prize.

       Thus wit, like faith, by each man is applied

       To one small sect, and all are damned beside.

       Meanly they seek the blessing to confine,

       And force that sun but on a part to shine,

       Which not alone the southern wit sublimes,

       But ripens spirits in cold northern climes;

       Which from the first has shone on ages past,

       Enlights the present, and shall warm the last;

       Though each may feel increases and decays,

       And see now clearer and now darker days.

       Regard not, then, if wit be old or new,

       But blame the false, and value still the true.

      Some ne'er advance a judgment of their own,

       But catch the spreading notion of the town;

       They reason and conclude by precedent,

       And own stale nonsense which they ne'er invent.

       Some judge of author's names, not works, and then

       Nor praise nor blame the writings, but the men.

       Of all this servile herd, the worst is he

       That in proud dulness joins with Quality.

       A constant critic at the great man's board,

       To fetch and carry nonsense for my Lord.

       What woful stuff this madrigal would be,

       In some starved hackney sonneteer, or me?

       But let a Lord once own the happy lines,

       How the wit brightens! how the style refines!

       Before his sacred name flies every fault,

       And each exalted stanza teems with thought!

      * * * * *

      Learn then what morals critics ought to show,

       For 'tis but half a judge's task, to know,

       'Tis not enough, taste, judgment, learning join;

       In all you speak, let truth and candour shine:

       That not alone what to your sense is due

       All may allow; but seek your friendship too.

      Be silent always when you doubt your sense;

       And speak, though sure, with seeming diffidence:

       Some positive, persisting fops we know,

       Who, if once wrong, will needs be always so;

       But you, with pleasure own your errors past,

       And make each day a critic on the last.

      'Tis not enough, your counsel still be true;

       Blunt truths more mischief than nice falsehoods do;

       Men must be taught as if you taught them not,

       And things unknown proposed as things forgot.

       Without good breeding, truth is disapproved;

       That only makes superior sense beloved.

      * * * * *

      The bookful blockhead, ignorantly read,

       With loads of learnèd lumber in his head,

       With his own tongue still edifies his ears,

       And always listening to himself appears.

       All books he reads, and all he reads assails,

       From Dryden's Fables down to Durfey's Tales.

       With him, most authors steal their works, or buy;

       Garth did not write his own Dispensary.

       Name a new play, and he's the poet's friend,

       Nay, showed his faults—but when would poets mend?

       No place so sacred from such fops is barred,

       Nor is Paul's church more safe than Paul's churchyard:

       Nay, fly to altars; there they'll talk you dead:

       For fools rush in where angels fear to tread.

       Distrustful sense with modest caution speaks,

       It still looks home, and short excursions makes;

       But rattling nonsense in full volleys breaks,

       And never shocked, and never turned aside,

       Bursts out, resistless, with a thundering tide.

      But where's the man, who counsel can bestow,

      

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