The Sheik. E. M. Hull
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He looked at her curiously. She seemed to be totally unaware that it was her youth and her beauty that made all the danger of the expedition. He fell back on the easier excuse.
"There seems to be unrest amongst some of the tribes. There have been a lot of rumours lately," he said seriously.
She made a little movement of impatience. "Oh, that's what they always tell you when they want to put obstacles in your way. The authorities have already dangled that bogey in front of me. I asked for facts and they only gave me generalities. I asked definitely if they had any power to stop me. They said they had not, but strongly advised me not to make the attempt. I said I should go, unless the French Government arrested me. … Why not? I am not afraid. I don't admit that there is anything to be afraid of. I don't believe a word about the tribes being restless. Arabs are always moving about, aren't they? I have an excellent caravan leader, whom even the authorities vouch for, and I shall be armed. I am perfectly able to take care of myself. I can shoot straight and I am used to camping. Besides, I have given my word to Aubrey to be in Oran in a month, and I can't get very far away in that time."
There was an obstinate ring in her voice, and when she stopped speaking he sat silent, consumed with anxiety, obsessed with the loveliness of her, and tormented with the desire to tell her so. Then he turned to her suddenly, and his face was very white. "Miss Mayo—Diana—put off this trip only for a little, and give me the right to go with you. I love you. I want you for my wife more than anything on earth. I shan't always be a penniless subaltern. One of these days I shall be able to give you a position that is worthy of you; no, nothing could be that, but one at least that I am not ashamed to offer to you. We've been very good friends; you know all about me. I'll give my whole life to make you happy. The world has been a different place to me since you came into it. I can't get away from you. You are in my thoughts night and day. I love you; I want you. My God, Diana! Beauty like yours drives a man mad!"
"Is beauty all that a man wants in his wife?" she asked, with a kind of cold wonder in her voice. "Brains and a sound body seem much more sensible requirements to me."
"But when a woman has all three, as you have, Diana," he whispered ardently, his hands closing over the slim ones lying in her lap.
But with a strength that seemed impossible for their smallness she disengaged them from his grasp. "Please stop. I am sorry. We have been good friends, and it has never occurred to me that there could be anything beyond that. I never thought that you might love me. I never thought of you in that way at all, I don't understand it. When God made me He omitted to give me a heart. I have never loved any one in my life. My brother and I have tolerated each other, but there has never been any affection between us. Would it be likely? Put yourself in Aubrey's place. Imagine a young man of nineteen, with a cold, reserved nature, being burdened with the care of a baby sister, thrust into his hands unwanted and unexpected. Was it likely that he would have any affection for me? I never wanted it. I was born with the same cold nature as his. I was brought up as a boy, my training was hard. Emotion and affection have been barred out of my life. I simply don't know what they mean. I don't want to know. I am very content with my life as it is. Marriage for a woman means the end of independence, that is, marriage with a man who is a man, in spite of all that the most modern woman may say. I have never obeyed any one in my life; I do not wish to try the experiment. I am very sorry to have hurt you. You've been a splendid pal, but that side of life does not exist for me. If I had thought for one moment that my friendship was going to hurt you I need not have let you become so intimate, but I did not think, because it is a subject that I never think of. A man to me is just a companion with whom I ride or shoot or fish; a pal, a comrade, and that's just all there is to it. God made me a woman. Why, only He knows."
Her quiet, even voice stopped. There had been a tone of cold sincerity in it that Arbuthnot could not help but recognise. She meant everything that she said. She said no more than the truth. Her reputation for complete indifference to admiration and her unvarying attitude towards men were as well known as her dauntless courage and obstinate determination. With Sir Aubrey Mayo she behaved like a younger brother, and as such entertained his friends. She was popular with everybody, even with the mothers of marriageable daughters, for, in spite of her wealth and beauty, her notorious peculiarities made her negligible as a rival to plainer and less well-dowered girls.
Arbuthnot sat in silence. It was hardly likely, he thought bitterly, that he should succeed where other and better men had failed. He had been a fool to succumb to the temptation that had been too hard for him to resist. He knew her well enough to know beforehand what her answer would be. The very real fear for her safety that the thought of the coming expedition gave him, her nearness in the mystery of the Eastern night, the lights, the music, had all combined to rush to his lips words that in a saner moment would never have passed them. He loved her, he would love her always, but he knew that his love was as hopeless as it was undying. But it was men who were men whom she wanted for her friends, so he must take his medicine like a man.
"May I still be the pal, Diana?" he said quietly.
She looked at him a moment, but in the dim light of the hanging lanterns his eyes were steady under hers, and she held out her hand frankly. "Gladly," she said candidly. "I have hosts of acquaintances, but very few friends. We are always travelling, Aubrey and I, and we never seem to have time to make friends. We rarely stay as long in one place as we have stayed in Biskra. In England they call us very bad neighbours, we are so seldom there. We generally go home for three months in the winter for the hunting, but the rest of the year we wander on the face of the globe."
He held her slender fingers gripped in his for a moment, smothering an insane desire to press them to his lips, which he knew would be fatal to the newly accorded friendship, and then let them go. Miss Mayo continued sitting quietly beside him. She was in no way disturbed by what had happened. She had taken him literally at his word, and was treating him as the pal he had asked to be. It no more occurred to her that she might relieve him of her society than it occurred to her that her continued presence might be distressing to him. She was totally unembarrassed and completely un-self-conscious. And as they sat silent, her thoughts far away in the desert, and his full of vain longings and regrets, a man's low voice rose in the stillness of the night. "Pale hands I loved beside the Shalimar. Where are you now? Who lies beneath your spell?" he sang in a passionate, vibrating baritone. He was singing in English, and yet the almost indefinite slurring from note to note was strangely un-English. Diana Mayo leaned forward, her head raised, listening intently, with shining eyes. The voice seemed to come from the dark shadows at the end of the garden, or it might have been further away out in the road beyond the cactus hedge. The singer sang slowly, his voice lingering caressingly on the words; the last verse dying away softly and clearly, almost imperceptibly fading into silence.
For a moment there was utter stillness, then Diana lay back with a little sigh. "The Kashmiri Song. It makes me think of India. I heard a man sing it in Kashmere last year, but not like that. What a wonderful voice! I wonder who it is?"
Arbuthnot looked at her curiously, surprised at the sudden ring of interest in her tone, and the sudden animation of her face.
"You say you have no emotion in your nature, and yet that unknown man's singing has stirred you deeply. How do you reconcile the two?" he asked, almost angrily.
"Is an appreciation of the beautiful emotion?" she challenged, with uplifted eyes. "Surely not. Music, art, nature, everything beautiful appeals to me. But there is nothing emotional in that. It is only that I prefer beautiful things to ugly ones. For that reason even pretty clothes appeal to me," she added, laughing.
"You are the best-dressed woman in Biskra," he acceded. "But is not that a concession to the womanly feelings that you despise?"
"Not at all. To take an interest in one's clothes is not