in and around Quebec, as well as many public buildings, including the Asylum and the Church of the Sisters of Charity, the Laval University building, the new Gaol, Music Hall, several churches, both in the city and in the adjoining parishes—that of Ste. Marie, Beauce, being much admired on account of the beauty and regularity of its interior. The “Monument des Braves de 1760” was erected in 1860, on the Ste. Foye road, after a design by him and under his superintendence. The government, the clergy and others have often availed themselves of his services in arbitration on knotty questions of technology, disputed boundaries, builders’ claims, surveys and reports on various subjects. In 1872, Mr. Baillairgé suggested, and in 1878 designed and carried out what is now known as the Dufferin Terrace, Quebec, a structure some 1,500 feet in length, overlooking the St. Lawrence from a height of 182 feet, and built along the face of the cliff under the Citadel. This terrace was inaugurated in 1878 by their Excellencies the Marquis of Lorne and H.R.H. the Princess Louise, who pronounced it a splendid achievement. In 1873 Mr. Baillairgé designed and built the aqueduct bridge over the St. Charles river, the peculiarity about which is that the structure forms an arch as does the aqueduct pipe it encloses, whereby, in case of the destruction of the surrounding wood-work by fire, the pipe being self-supporting, the city may not be deprived of water while re-constructing the frost-protecting tunnel enclosure. At the age of seventeen the subject of our sketch built a double cylindered steam carriage for traffic on ordinary roads. From 1848 to 1865 he delivered a series of lectures, in the old Parliament buildings and elsewhere, on astronomy, light, steam and the steam engine, pneumatics, acoustics, geometry, the atmosphere, and other kindred subjects, under the patronage of the Canadian and other institutes; and in 1872, in the rooms of the Literary and Historical Society, Quebec, under the auspices of that institution, he delivered an exhaustive lecture on geometry, mensuration, and the stereometricon (a mode of cubing all solids by one and the same rule, thus reducing the study and labour of a year to that of a day or an hour), which he had then but recently invented, and for which he was made honorary member of several learned societies, and received the numerous medals and diplomas already alluded to. The following letter from the Ministry of Public Instruction, Russia, is worthy of insertion as explanatory of the advantages of the stereometricon:
Department of Public Instruction,
St. Petersburg, Feb. 14th, 1877.
To M. Baillairgé, architect, Quebec,
Sir—The Committee on Science of the Department of Public Instruction (of Russia) recognizing the unquestionable usefulness of your “Tableau Stéréométrique,” for the teaching of geometry in general, as well as its practical application to other sciences, is particularly pleased to add its unrestricted approbation to the testimony of the savants of Europe and America, by informing you that the above “Tableau,” with all its appliances, will be recommended in the primary and middle schools, in order to complete the cabinets and mathematical collections, and inscribed in the catalogues of works approved of by the Department of Public Instruction. Accept, sir, the assurance of my high consideration.
E. de Bradker,
Chief of the Department of Public Instruction.
And the Quebec Mercury of the 10th July, 1878, has the following in relation to a second letter from the same source: “It will be remembered that in February, 1877, Mr. Baillairgé received an official letter from the Minister of Public Instruction, of St. Petersburg, Russia, informing him that his new system of mensuration had been adopted in all the primary and medium schools of that vast empire. After a lapse of eighteen months, the system having been found to work well, Mr. Baillairgé has received an additional testimonial from the same source, informing him that the system is to be applied in all the polytechnic schools of the Russian empire.” Mr. Baillairgé has since that time given occasional lectures in both languages on industrial art and design, and on other interesting and instructive topics, and is now engaged on a dictionary or dictionaries of the consonances of both the French and English languages. In 1866 he wrote his treatise on geometry and trigonometry, plane and spherical, with mathematical tables—a volume of some 900 pages octavo, and has since edited several works and pamphlets on like subjects. In his work on geometry, which, by the way, is written in the French language, Mr. Baillairgé has, by a process explained in the preface, reduced to fully half their number the two hundred and odd propositions of the first six books of Euclid, while deducing and retaining all the conclusions arrived at by the great geometer. Mr. Baillairgé, moreover, shows the practical use and adaptation of problems and theorems which might otherwise appear to be of doubtful utility, as of the ratio between the tangent, whole secant, and part of the secant without the circle, in the laying out of railroad and other curves running through given points, and numerous other examples. His treatment of spherics and of the affections of the sides and angles is, in many respects, novel, and more easy of apprehension by the general student. In a note at foot of page 330, Mr. Baillairgé shows the fallacy of Thorpe’s pretended solution of the trisection of an angle, at which the poor man had laboured for thirty-four years, and takes the then government to task for granting Mr. Thorpe a patent for the discovery. In February, 1874, he visited Europe, and it was on the 15th of March of that year that he received his first laurels at the “Grand Conservatoire National des Arts et Métiers,” Paris. Some of Mr. Baillairgé’s annual reports on civic affairs are very interesting and instructive; that of 1878, on “The Municipal Situation,” is particularly worthy of perusal. His report of 1872 was more especially sought after by almost every city engineer in Canada and the United States, on account of the varied information it conveyed. It may also be remembered, as illustrative of the versatility of his talent and of his humouristic turn of mind, that a comedy, “Le Diable Devenu Cuisinier,” written by him in the French language, was, in 1873, played in the Music Hall, Quebec, and again in the Salle Jacques Cartier, Quebec, by the Maugard Company, then in the city, to the great merriment of all present. Nor will the members of “Le Club des 21,” composed as it is of the literati, scientists and artists of Quebec, under the presidency of the Count of Premio Real, consul-general of Spain for Canada, soon forget how, in March, 1879, Mr. Baillairgé, in a paper read at one of the sittings of the club, around a well-spread board, successively portrayed and hit off the peculiarities of each and every member of the club, and of the count himself, while at the same time doing full justice to the abilities of all. Mr. Baillairgé is a close and industrious worker, devoting fourteen hours out of the twenty-four to his professional calling, and again robbing the night for the time to pursue his literary and scientific pursuits. In politics, if he may be said to have any, he is inclined to liberalism, but he is of too independent a character to be tied to a party, preferring to treat each question on its merits, irrespective of its promoters. The subject of this sketch is brother to G. F. Baillairgé, deputy minister of Public Works of the Dominion, and grand nephew to François Baillairgé, an eminent painter and sculptor “de l’Académie Royale de Peinture et Sculpture, France,” who carved some of the statues in the Basilica, and whose studio in St. Louis street, Quebec (the quaint old one-story building, now Campbell’s livery stable), was at that time so often visited by Prince Edward, Duke of Kent, father of Queen Victoria, during his sojourn in Quebec. A portrait of Mr. Baillairgé, accompanied by a brief biographical notice, appeared in “L’Opinion Publique,” of the 25th April, 1878. The “Rivista Universale,” of Italy, also published his portrait and a biographical sketch of Mr. Baillairgé’s career in February of 1878. Since 1879 Mr. Baillairgé has been the recipient of the following additional testimonials:
Royal Canadian Academy of Arts,
Grenville St., Toronto, Jan. 7th, 1880.
Dear Sir—I am commanded by His Excellency the Governor-General (Marquis of Lorne), to inform you that he has been pleased to nominate you as an associate of the New Canadian Academy.
(Signed), L. N. O’Brien,
President.
Royal Society of Canada,
Montreal, March 7th, 1882.
Sir—I
