Paris: With Pen and Pencil. D. W. Bartlett

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the very center of that grand old money-palace.

      On my way home from the Bourse, I stopped to go over Galignani's Reading Room. It is a capital collection of the best books of all countries, some of them in French, some in English, and others in German. I found on the shelves many American republications, but Cooper was always first among these. For a small sum the stranger can subscribe to this library, either for a month or a year, and supply himself with reading and the newspapers of the world.

      The Messrs. Galignani publish an English journal in Paris. It is a daily, and has no opinions of its own. Of course, an original and independent journal could not be allowed to exist in Paris.

      For this reason Galignani's Messenger is a vapid concern. It presents no thoughts to the reader. It is interesting to the Englishman in Paris, because it gathers English news, and presents it in the original language. As there are always a great many Englishmen in Paris, the journal is tolerably well supported. Then, again, the Paris shop-keepers and hotel-owners know very well that the English are among their best customers, and they advertise largely in it. So far as my experience has gone, I have found the Messenger quite unfair to America. It quotes from the worst of American journals, and is sure to parade anything that may be for the disadvantage of American reputation. It also is generally sure of showing by its quotations its sympathy with "the powers that be." This may all be natural enough, for it is for their interest to stand well with the despot who rules France, but to an American, and a republican, it excites only disgust. At present the Messenger is as good, or nearly so, as any of the French journals, but when the latter had liberty to write as they pleased, the contrast between the French and English press in Paris was ludicrous. In one you had fearless political writing, wit, and spice. In the other, nothing but selections.

      Once, while in Paris, during the days of the republic, I called upon the editor of one of the prominent French journals. It was a journal which had again and again paid government fines for the utterance of its honest sentiments, both under Louis Philippe and the presidency of Louis Napoleon. Before the revolution it had a very great influence over the people, and in the days of the so-called republic. The struggle between it and the government, at that time was continued. Its editor's great aim was to express as much truth as was possible and escape the government line, which in the end would suppress the journal.

      As I entered the building in which this journal was printed and published, I felt a kind of awe creeping over me, as if coming into the presence of a great mind. We entered the editor's office; a little green baize-covered table by a window, pen and ink, and scissors, indicated the room. One might indeed tremble in such a place. What greater place is there in this world than an editor's office, if his journal be one which sells by tens of thousands and sways a vast number of intelligent men? A throne-room is nothing in comparison to it. Thrones are demolished by the journals. Especially in Paris has such been the case. The liberal press has in past years controlled the French people to a wonderful extent. Kings and queens have physical power, but here in this little room was the throne-room of intellect. A door opened out of it into the printing-room, where the thoughts were stamped upon paper, afterward to be impressed upon a hundred thousand minds.

      The editor sat over his little desk, an earnest, care-worn, yet hopeful man. His fingers trembled with nervousness, yet his eye was like an eagle's. He did not stir when we first entered, did not even see us, he was so deeply absorbed in what lay before him upon his table. I was glad to watch him for a moment, unobserved. He was no fashionable editor, made no play of his work. He felt the responsibility of his position, and endeavored honestly to do his duty. His forehead was high, his eye black, and his face was very pale. Suddenly he looked up and saw us, and recognized my friend. It was enough that I was a republican, from America, and unlike some Americans, abated not a jot of my radicalism when in foreign countries.

      I looked around the room when the first words were spoken, and saw everywhere files of newspapers, old copy and that which was about to be given to the printers. It was very much like an editorial apartment in an American printing office, though in some respects it was different. It was a gloomy apartment, and it seemed to me that the writings of the editor must partake somewhat of the character of the room.

      We went into the printing-office, where a hundred hands were setting the "thought-tracks." It seemed as if everyone in the building, from editor-in-chief down to the devil, was solemn with the thought of his high and noble avocation. There was a half sadness on every countenance, for the future was full of gloom. I was struck with the fact that the office did not seem to me to be a French office. There was a gravity, a solemnity, not often seen in Paris. The usual politeness of a Parisian was there, but no gayety, no recklessness. Anxiety trouble, or fixedness of purpose were written upon almost every countenance. In one corner lay piled up to the ceilings copies of the journal, and I half expected to see a band of the police walk in and seize them. It seemed as if they half expected some such thing, but they worked on without saying a word. I became at that moment convinced that a portion of the French people had been wronged by foreigners. There is a large class who are not only intellectual, but they are earnest and grave. They do not wish change for the sake of it. They love liberty and would die for it. Many of this class were murdered in cold blood by Louis Napoleon. Others were sent to Cayenne, to fall a prey to a climate cruel as the guillotine, or were sent into strange lands to beg their bread. These men were the real glory of France, and yet they were forced to leave it.

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      I am fond of being at perfect liberty to ramble where my fancy may lead. If the sun shine pleasantly this morning, and I would like to hear the birds sing and smell the flowers, I go to some pleasant garden and indulge my mood. Or, if I am sad, I go to the grave of genius, and lean over the tomb of Abelard and Heloise.

      When I lived in Paris, I had no regularity in my wanderings, no method in my sight-seeing, following a perhaps wayward fancy, and enjoying myself the better for it.

      One beautiful morning I sauntered out from my hotel, with a friend, who was also a stranger in Paris.

      "Where shall we go?" he asked.

      "To a little cemetery called Picpus, far away from here."

      "Will it be worth our while to go so far to see a small cemetery?"

      "You shall see when we get there."

      We went part of the way by an omnibus, and walked the rest, and when the morning was nearly spent, we stood before No. 15, Rue de Picpus. The place was once a convent of the order of St. Augustine, but is now occupied by the "Women of the Sacred Heart." Within the convent, which we entered, there is a pretty Doric chapel with an Ionic portal. There was an air of privacy about, the little chapel which pleased me, and a chasteness in its architecture which could not fail to please any one who loves simple beauty. Within the walls of the court, there is a very small private cemetery, but though private, the porter, if you ask him politely, will let you enter, especially if you tell him you are from America.

      "Here is the cemetery which we have come to see," I said to my friend.

      "Certainly,

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