Deconstruction Is/In America. Anselm Haverkamp

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approachable than ever the urgency seems desperate. As Cornel West expressed his frustration with Rorty’s Consequences of Pragmatism, “no philosophical case can be made for this civilization” as long as this pragmatism’s attitude is not up to coping with differences other than the European one.11 One cannot but ask for a pragmatism newer than the one given up by Rorty and added by West to the nuisance of philosophy’s old European, and now renewed American, identity. But where should it come from? Within neopragmatism’s own historical account of paradigm shifts, the exhaustion of one paradigm cannot account for the succeeding shift, nor can this shift be in any way commensurable with the preceding set of assumptions—except for the problems left over, the mortgage to be transcribed to a new account.

      It would be an extra task, and would take another time, to reconsider the reception of deconstruction in America in the light not so much of its detotalizing strategies, but of its pragmatic impact on the rethinking and rereading of crucial concepts. Not only the necessary defiguration of the old, but also the opening of new possibilities—call it refiguration. Deconstruction’s sensitivity to pragmatic issues is best documented in its growing interest in the performativity of acts and their institutional setting, a perspective more crucial than the much bedeviled, or else applauded, antiessentialism, not to mention the now out-of-fashion “play of signifiers.” I think, the once-feared danger of “domesticating” de-construction’s philosophical impact into a domestic brand of pragmatism—certainly a thing to be avoided—is less relevant than the opposite danger of taking the pragmatic acuity out of deconstruction and turning it back into a merely critical, even hypercritical “theory.” Deconstruction is a kind of pragmatism, insofar as it is able to replace a disabled pragmatism. It may even turn out to be pragmatism’s better equipped, and more pragmatic, version.

      Deconstruction, however, is also more than a kind of pragmatism, if only in that it aims beyond pragmatism’s anxieties of influence and desperation. The literary and philosophical issues of deconstruction have had, among many other important academic effects, a political effect and outcome, in which reading—the reading of difference—arrived at working results far from the alleged effects of mere irony and mere play. As it turns out, the terms “irony” and “play” are not what they merely seem. In literature’s ways of exposing rhetorically what in philosophy was meant to persuade “naturally,” authentically, difference turns up in the undisguised undecidability of figuration. Reading the literary and philosophical double bind: deciphering, more precisely, philosophy’s difference inscribed within literature’s indifference to this very philosophy’s authority was the model, and is still a model, for reading difference beyond the quests for identity. The “irony” needed in acknowledging what has to be decided, as well as the “play” needed in dealing with the consequences, are not merely tropes of a stimulus-response-like reaction-formation; they have to be taken on as figures of response, as responsibility.

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