In the Company of Rebels. Chellis Glendinning

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ROARING INSIDE HER: FEMINISM Susan Griffin: The Ardent Intellectual (1943–) Lucy Lippard: Social Collagist (1937–) Sabra Moore: Aprons and Art (1943–) Morgan Alexander: Our Own Gertrude Stein (1939–2016) VII. IRON JOHN: THE MEN’S MOVEMENT Shepherd Bliss: Return to the Roots (1944–) VIII. THE NEW PARADIGM Fritjof Capra: The Tao of Ecology (1940–) Joanna Harcourt-Smith: Adventures in Relativity (1945–) IX. FROM HIROSHIMA TO CHERNOBYL: THE ANTI-NUCLEAR MOVEMENT Daniel and Patricia Ellsberg: The Whistleblowers (1931–) (1938–) Sunshine Appleby: Disobedience in a Wet Suit (1944–) Kozmick Ladye: The Rent Is Due on the Planet (1930–1992) X. LONG LIVE NED LUDD! TECHNOLOGY CRITICISM W.H. “Ping” Ferry: Technology as System (1910–1995) Jerry Mander: Firebrand Adman (1936–) Stephanie Mills: A Life of the Mind (1948–) Ted Roszak: Voice for the Earth (1933–2011) Kirkpatrick Sale: Luddite Secessionist (1937–) XI. THE SECESSIONISTS Ian Baldwin: Green Mountain Boy (1938–) XII. THE LANDSCAPE OF FREEDOM: PEOPLE-OF-COLOR ECOLOGY Carl Anthony: Financial Nets, Not Drift Nets (1939–) Arnoldo Garcia: Breathing Justice (1952–) Ikey De Vargas: Kick-Ass Norteño (1946–) XIII. 500 YEARS: NATIVE RIGHTS Larry Emerson: Hatilii/Story Carrier (1951–2017) Suzan Harjo: Born to the Morning Star (1945–) Simon Ortiz: Weaver of Words (1941–) XIV. ELEMENTS OF REFUSAL: ANARCHISM John Zerzan: The Green Anarchist (1943–) Earth Liberation Girl: Paleolithic and Proud (1974–) Julie Herrada: Labadie’s Daughter (1962–) XV. INSIDE THE BELTWAY Abigail McCarthy: Catholic Peacemaker (1915–2001) XVI. IT’S THE LAW, THE ECONOMY, AND WAR, STUPID! Richard Grossman: Be Strong (1943–2011) Peter Barnes: The Pretend Banker (1942–) Andre Vltchek: A Day in the Life (1963–) XVII. PLANETA O MUERTE: LATIN AMERICA Jorge Bayro: Guerrillero urbano (1950–) Iván Nogales Bazán: Libertad por teatro (1963–) Jesús Sepúlveda: Poeta contra la dictadura (1967–) Raúl: How to Cross the Border (1973–) Anita Rodriguez: Paint and Mylar (1941–) Saul Landau: One Shot (1936–2013) John Ross: Human Shield (1938–2011) Afterword Acknowledgments The Author The Publisher

      BE HISTORIC

      Be strong, be true, be historic.

      RICHARD GROSSMAN,

      LETTER TO CHELLIS GLENDINNING, 2011

      WHY SHOULD WE BOTHER learning about other generations’ attempts to bring justice, peace, and beauty into this tattered world—particularly in these times when, for so many, the urgency of immediate survival demands our attention? Why in this razor-edge age of rising flood waters, rising cancers, and rising right-wing lockstep should anyone care about what pre-dated the burning Now?

      I admit that, when I was filled with the hubris of youth, I had little interest in what went before. The subject as presented in academia was too often viewed as a big bore, and despite my mother’s attempts to awaken me to our ancestors’ journeys into the collective timeline, I hadn’t yet grasped why anyone would give a hoot. Besides, being young appears to be a time for bursting upon the moment, all the while believing that one is inventing a storyline that has never been thought of before.

      While marching

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