service that I rendered her, when compared with that which I should solicit from her?"
"Do you imagine then, Agricola, that a generous spirit measures the services which ought to be rendered, by those previously received? Trust to me respecting a matter which is an affair of the heart. I am, it is true, but a lowly creature, and ought not to compare myself with any other person. I am nothing, and I can do nothing. Nevertheless, I am sure—yes, Agricola, I am sure—that this young lady, who is so very far above me, will experience the same feelings that I do in this affair; yes, like me, she will at once comprehend that your position is a cruel one; and she will do with joy, with happiness, with thankfulness, that which I would do, if, alas! I could do anything more than uselessly consume myself with regrets."
In spite of herself, she pronounced the last words with an expression so heart-breaking—there was something so moving in the comparison which this unfortunate creature, obscure and disdained, infirm and miserable, made of herself with Adrienne de Cardoville, the very type of resplendent youth, beauty, and opulence—that Agricola was moved even to tears; and, holding out one of his hands to the speaker, he said to her, tenderly, "How very good you are; how full of nobleness, good feeling, and delicacy!"
"Unhappily," said the weeping girl, "I can do nothing more than advise."
"And your counsels shall be followed out, my sister dear. They are those of a soul the most elevated I have ever known. Yes, you have won me over into making this experiment, by persuading me that the heart of Miss de Cardoville is perhaps equal in value to your own!"
At this charming and sincere assimilation of herself to Miss Adrienne, the sempstress forgot almost everything she had suffered, so exquisitely sweet and consoling were her emotions. If some poor creatures, fatally devoted to sufferings, experience griefs of which the world knows naught, they sometimes, too, are cheered by humble and timid joys, of which the world is equally ignorant. The least word of true tenderness and affection, which elevates them in their own estimation, is ineffably blissful for these unfortunate beings, habitually consigned, not only to hardships and to disdain, but even to desolating doubts, and distrust of themselves.
"Then it is agreed that you will go, to-morrow morning to this young lady's house?" exclaimed Mother Bunch, trembling with a new-born hope. "And," she quickly added, "at break of day I'll go down to watch at the street-door, to see if there be anything suspicious, and to apprise you of what I perceive."
"Good, excellent girl!" exclaimed Agricola, with increasing emotion.
"It will be necessary to endeavor to set off before the wakening of your father," said the hunchback. "The quarter in which the young lady dwells, is so deserted, that the mere going there will almost serve for your present concealment."
"I think I hear the voice of my father," said Agricola suddenly.
In truth, the little apartment was so near Agricola's garret, that he and the sempstress, listening, heard Dagobert say in the dark:
"Agricola, is it thus that you sleep, my boy? Why, my first sleep is over; and my tongue itches deucedly."
"Go quick, Agricola!" said Mother Bunch; "your absence would disquiet him. On no account go out to-morrow morning, before I inform you whether or not I shall have seen anything suspicious."
"Why, Agricola, you are not here?" resumed Dagobert, in a louder voice.
"Here I am, father," said the smith, while going out of the sempstress's apartment, and entering the garret, to his father.
"I have been to fasten the shutter of a loft that the wind agitated, lest its noise should disturb you."
"Thanks, my boy; but it is not noise that wakes me," said Dagobert, gayly; "it is an appetite, quite furious, for a chat with you. Oh, my dear boy, it is the hungering of a proud old man of a father, who has not seen his son for eighteen years."
"Shall I light a candle, father?"
"No, no; that would be luxurious; let us chat in the dark. It will be a new pleasure for me to see you to-morrow morning at daybreak. It will be like seeing you for the first time twice." The door of Agricola's garret being now closed, Mother Bunch heard nothing more.
The poor girl, without undressing, threw herself upon the bed, and closed not an eye during the night, painfully awaiting the appearance of day, in order that she might watch over the safety of Agricola. However, in spite of her vivid anxieties for the morrow, she sometimes allowed herself to sink into the reveries of a bitter melancholy. She compared the conversation she had just had in the silence of night, with the man whom she secretly adored, with what that conversation might have been, had she possessed some share of charms and beauty—had she been loved as she loved, with a chaste and devoted flame! But soon sinking into belief that she should never know the ravishing sweets of a mutual passion, she found consolation in the hope of being useful to Agricola. At the dawn of day, she rose softly, and descended the staircase with little noise, in order to see if anything menaced Agricola from without.
CHAPTER XXXII.
THE AWAKENING.
The weather, damp and foggy during a portion of the night, became clear and cold towards morning. Through the glazed skylight of Agricola's garret, where he lay with his father, a corner of the blue sky could be seen.
The apartment of the young blacksmith had an aspect as poor as the sewing-girl's. For its sole ornament, over the deal table upon which Agricola wrote his poetical inspirations, there hung suspended from a nail in the wall a portrait of Beranger—that immortal poet whom the people revere and cherish, because his rare and transcendent genius has delighted to enlighten the people, and to sing their glories and their reverses.
Although the day had only begun to dawn, Dagobert and Agricola had already risen. The latter had sufficient self command to conceal his inquietude, for renewed reflection had again increased his fears.
The recent outbreak in the Rue des Prouvaires had caused a great number of precautionary arrests; and the discovery of numerous copies of Agricola's song, in the possession of one of the chiefs of the disconcerted plot, was, in truth, calculated slightly to compromise the young blacksmith. His father, however, as we have already mentioned, suspected not his secret anguish. Seated by the side of his son, upon the edge of their mean little bed, the old soldier, by break of day, had dressed and shaved with military care; he now held between his hands both those of Agricola, his countenance radiant with joy, and unable to discontinue the contemplation of his boy.
"You will laugh at me, my dear boy," said Dagobert to his son; "but I wished the night to the devil, in order that I might gaze upon you in full day, as I now see you. But all in good time; I have lost nothing. Here is another silliness of mine; it delights me to see you wear moustaches. What a splendid horse-grenadier you would have made! Tell me; have you never had a wish to be a soldier?"
"I thought of mother!"
"That's right," said Dagobert: "and besides, I believe, after all, look ye, that the time of the sword has gone by. We old fellows are now good for nothing, but to be put in a corner of the chimney. Like rusty old carbines, we have had our day."
"Yes; your days of heroism and of glory," said Agricola with excitement; and then he added, with a voice profoundly softened and agitated, "it is something good and cheering to be your son!"
"As
