Tales from Shakespeare. Charles Lamb

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you can make her do,’ said the astonished king, ‘I am content to hear; for it is as easy to make her speak as move.’

      Paulina then ordered some slow and solemn music, which she had prepared for the purpose, to strike up; and, to the amazement of all the beholders, the statue came down from off the pedestal, and threw its arms around Leontes’ neck. The statue then began to speak, praying for blessings on her husband, and on her child, the newly-found Perdita.

      No wonder that the statue hung upon Leontes’ neck, and blessed her husband and her child. No wonder; for the statue was indeed Hermione herself, the real, the living queen.

      Paulina had falsely reported to the king the death of Hermione, thinking that the only means to preserve her royal mistress’s life; and with the good Paulina, Hermione had lived ever since, never choosing Leontes should know she was living, till she heard Perdita was found; for though she had long forgiven the injuries which Leontes had done to herself, she could not pardon his cruelty to his infant daughter.

      His dead queen thus restored to life, his lost daughter found, the long-sorrowing Leontes could scarcely support the excess of his own happiness.

      Nothing but congratulations and affectionate speeches were heard on all sides. Now the delighted parents thanked prince Florizel for loving their lowly-seeming daughter; and now they blessed the good old shepherd for preserving their child. Greatly did Camillo and Paulina rejoice that they had lived to see so good an end of all their faithful services.

      And as if nothing should be wanting to complete this strange and unlooked-for joy, king Polixenes himself now entered the palace.

      When Polixenes first missed his son and Camillo, knowing that Camillo had long wished to return to Sicily, he conjectured he should find the fugitives here; and, following them with all speed, he happened to just arrive at this, the happiest moment of Leontes’ life.

      Polixenes took a part in the general joy; he forgave his friend Leontes the unjust jealousy he had conceived against him, and they once more loved each other with all the warmth of their first boyish friendship. And there was no fear that Polixenes would now oppose his son’s marriage with Perdita. She was no ‘sheep-hook’ now, but the heiress of the crown of Sicily.

      Thus have we seen the patient virtues of the long-suffering Hermione rewarded. That excellent lady lived many years with her Leontes and her Perdita, the happiest of mothers and of queens.

      MUCH ADO ABOUT NOTHING

      There lived in the palace at Messina two ladies, whose names were Hero and Beatrice. Hero was the daughter, and Beatrice the niece, of Leonato, the governor of Messina.

      Beatrice was of a lively temper, and loved to divert her cousin Hero, who was of a more serious disposition, with her sprightly sallies. Whatever was going forward was sure to make matter of mirth for the light-hearted Beatrice.

      At the time the history of these ladies commences some young men of high rank in the army, as they were passing through Messina on their return from a war that was just ended, in which they had distinguished themselves by their great bravery, came to visit Leonato. Among these were Don Pedro, the prince of Arragon; and his friend Claudio, who was a lord of Florence; and with them came the wild and witty Benedick, and he was a lord of Padua.

      These strangers had been at Messina before, and the hospitable governor introduced them to his daughter and his niece as their old friends and acquaintance.

      Benedick, the moment he entered the room, began a lively conversation with Leonato and the prince. Beatrice, who liked not to be left out of any discourse, interrupted Benedick with saying: ‘I wonder that you will still be talking, signior Benedick: nobody marks you.’ Benedick was just such another rattle-brain as Beatrice, yet he was not pleased at this free salutation; he thought it did not become a well-bred lady to be so flippant with her tongue; and he remembered, when he was last at Messina, that Beatrice used to select him to make her merry jests upon. And as there is no one who so little likes to be made a jest of as those who are apt to take the same liberty themselves, so it was with Benedick and Beatrice; these two sharp wits never met in former times but a perfect war of raillery was kept up between them, and they always parted mutually displeased with each other. Therefore when Beatrice stopped him in the middle of his discourse with telling him nobody marked what he was saying, Benedick, affecting not to have observed before that she was present, said: ‘What, my dear lady Disdain, are you yet living?’ And now war broke out afresh between them, and a long jangling argument ensued, during which Beatrice, although she knew he had so well approved his velour in the late war, said that she would eat all he had killed there: and observing the prince take delight in Benedick’s conversation, she called trim ‘the prince’s jester.’ This sarcasm sunk deeper into the mind of Benedick than all Beatrice had said before. The hint she gave him that he was a coward, by saying she would eat all he had killed, he did not regard, knowing himself to be a brave man; but there is nothing that great wits so much dread as the imputation of buffoonery, because the charge comes sometimes a little too near the truth: therefore Benedick perfectly hated Beatrice when she called him ‘the prince’s jester.’

      The modest lady Hero was silent before the noble guests; and while Claudio was attentively observing the improvement which time had made in her beauty, and was contemplating the exquisite graces of her fine figure (for she was an admirable young lady), the prince was highly amused with listening to the humorous dialogue between Benedick and Beatrice; and he said in a whisper to Leonato: ‘This is a pleasant-spirited young lady. She were an excellent wife for Benedick.’ Leonato replied to this suggestion: ‘O, my lord, my lord, if they were but a week married, they would talk themselves mad.’ But though Leonato thought they would make a discordant pair, the prince did not give up the idea of matching these two keen wits together.

      When the prince returned with Claudio from the palace, he found that the marriage he had devised between Benedick and Beatrice was not the only one projected in that good company, for Claudio spoke in such terms of Hero, as made the prince guess at what was passing in his heart; and he liked it well, and he said to Claudio: ‘Do you affect Hero?’ To this question Claudio replied: ‘O my lord, when I was last at Messina, I looked upon her with a soldier’s eye, that liked, but had no leisure for loving; but now, in this happy time of peace, thoughts of war have left their places vacant in my mind, and in their room come thronging soft and delicate thoughts, all prompting me how fair young Hero is, reminding me that I liked her before I went to the wars.’ Claudio’s confession of his love for Hero so wrought upon the prince, that he lost no time in soliciting the consent of Leonato to accept of Claudio for a son-in-law. Leonato agreed to this proposal, and the prince found no great difficulty in persuading the gentle Hero herself to listen to the suit of the noble Claudio, who was a lord of rare endowments, and highly accomplished, and Claudio, assisted by his kind prince, soon prevailed upon Leonato to fix an early day for the celebration of his marriage with Hero.

      Claudio was to wait but a few days before he was to be married to his fair lady; yet he complained of the interval being tedious, as indeed most young men are impatient when they are waiting for the accomplishment of any event they have set their hearts upon: the prince, therefore, to make the time seem short to him, proposed as a kind of merry pastime that they should invent some artful scheme to make Benedick and Beatrice fall in love with each other. Claudio entered with great satisfaction into this whim of the prince, and Leonato promised them his assistance, and even Hero said she would do any modest office to help her cousin to a good husband.

      The device the prince invented was, that the gentlemen should make Benedick believe that Beatrice was in love with him, and that Hero should make Beatrice believe that Benedick was in love with her.

      The prince, Leonato, and

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