Pictures of Atonement. Ben Pugh

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Pictures of Atonement - Ben Pugh

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of what had happened.”4

      Inspired by experiences of Christ through the Spirit the metaphors of atonement were generated, in part at least, as items of resistance to the Roman hegemony together with its lord and savior, Caesar. The metaphors were both potent and polemic. It was assumed and accepted that the dominant culture would be outraged by the claims being made:

      For the message about the cross is foolishness to those who are perishing, but to us who are being saved it is the power of God. . . . For Jews demand signs and Greeks desire wisdom, but we proclaim Christ crucified, a stumbling block to Jews and foolishness to Gentiles, but to those who are the called, both Jews and Greeks, Christ the power of God and the wisdom of God (1 Cor 1:18, 22–24. Also Gal 5:11; Heb 12:2).

      Feminist Standpoint Theory

      The Coming of the Spirit and the Birth of the Metaphors

      The epistemic advantage of the post-Pentecost Christians over against Rome is easy to name. It is not merely an absence of skewed values but the presence of the Spirit. To a significant degree, the Holy Spirit is the epistemology—the way of knowing—of the earliest church. Pentecost revealed an ascended Lord to those who had not been eye-witnesses of the life, death, resurrection, or ascension of Christ. Their experience of the Spirit was all that was needed. It was an entirely convincing experience of the ascended Jesus, who was now Lord and dispenser of the Spirit (Acts 2:33). They knew he was raised and glorified for one simple reason: the same Spirit that raised Jesus from the dead now dwelt within them (Rom 8:11). For them, a new life had begun, which was understood to be a foretaste of the age to come. Hence, the Spirit provided epistemic access to the two least verifiable and yet the two most crucially important axes of the Christian faith: the reported past of the resurrection of Christ and the uncertain future of the return of Christ.

      So, it was into this Spirit-inspired epistemic breakthrough that the metaphors were birthed, as language was sought for expressing the newfound faith. Accounting for how the metaphors were generated in this way naturally leads us into the temptation to speculate about the order in which they were born.

      The possibility of arrangement in two phases—kingdom-now followed by suffering-now—played a part in my early deliberations. However, as I penetrated deeper into the meaning of each metaphor, I became more interested in arranging them in terms of logical and semantic relationships, which might gently imply chronological begetting of one picture by another, but which don’t require a commitment to an early or late framework. Chronology is still implied but is not central to the structure. Instead I speak fancifully of one picture giving rise to another in putative chains of development, favoring the picture of mountain peaks with lower hills receiving something that somehow flows from the peak. Victory flows into redemption, which flows into participation, and sacrifice flows into justification, which flows into reconciliation. It is a thought experiment, if you will.

      Cross or Kingdom: Which Gospel Is the Gospel?

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