The Cultural Construction of Monstrous Children. Группа авторов

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The Cultural Construction of Monstrous Children - Группа авторов

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relied upon the human mind’s capacity for engaging with reality through poetic metaphor – making it both a philosophy and a psychological phenomenon. The Sworn Book gives detailed instructions for circle rituals to invoke the help of spirits and describes the various spirits and their areas of expertise – accounts that are often eerie and disturbing:

      They have antlers like deer, claws like griffins. They bellow like mad bulls. […]

      The spirits who appeared to John Dee’s scryer, Edward Kelley, usually took human form, but not always:

      

       Figure 1.4The Seal of God from The Sworn Book, used by John Dee to invoke spirits. This version, engraved on copper, was made for the occultist Cecil Williamson. Image used by kind permission of the Museum of Witchcraft and Magic, Boscastle, Cornwall. © 2015. Photograph by the author.

      In his book Daemonologie, King James I writes:

      Three-headed, you’re Persephone, Megaira,

      Allekto […] who shake your locks

      Of fearful serpents on your brow, who sound

      The roar of bulls out from your mouths, whose womb

      Is decked out with the scales of creeping things […]

      Bull-headed, you have the eyes of bulls, the voice

      Another spell, addressed to the ‘Ruler of Tartaros’, describes her as ‘dog-shaped, spinner of Fate […] dragoness, lion, she-wolf’; and it goes on:

      I’ll speak the signs to you:

      Bronze sandal of her who rules Tartaros,

      Thus, these spells are not only significantly similar to the descriptions of spirits in The Sworn Book but are also evocative of the black dog who haunted Margaret Byrom, John Starkie and the other children in the Starkie household. However, one of the most striking accounts of a Black Dog encounter occurs in the statements taken by Nicholas Starkie’s uncle Roger Nowell from Alizon Device, a teenage member of the family of magical practitioners at the centre of the 1612 Pendle witchcraft case. Alizon’s description of her first encounter with the spirit vividly establishes the eerie, sexually charged connection that is forged between them:

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