The Still Point. Amy Sackville
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And so she returned to the drawing room, and on that night the great romance of the Mackleys began; the story that the family has told itself for a century, that has passed down the years through a dozen retellings to reach Julia, now — the story that has been her favourite since childhood. The dashing, somewhat thin young officer whom Emily remembered, who had departed for the north when she was only fourteen and fanciful — although she might have liked him a little broader, and not quite so dark — had returned. And now the ten years between them were narrower; in the years that had passed, his chest had filled out and she had discovered poetry and come around to the possibility that a man with a brooding countenance and a flash in his almost-black eyes might, after all, be ideal. A man with a set to his jaw and a strong forearm upon the mantel.
The ship upon which Edward had sailed in 1892 — leaving Emily to her adolescence — set out to explore the known, and no more. It reached a respectable enough latitude. The summer was spent hunting, and refining the contours of other men’s maps. They were far enough north to be embedded for two winters, and when the ship was released by the ice in the second spring, having survived the crush and the dull months of darkness, the captain set a course for the coast of Canada, with an enraged Edward stationed at the stern, furious to be turning back. He bade farewell to the lightening world he was leaving behind, jade and lilac in the slow dawn, and swore he would return as his own master. There was still space enough for his name to be writ large across that vast white semblance of a land, visible for ever in the snow, bright under the Arctic moon and the brilliant day alike.
When he heard Dr Nansen speak, at his brother’s invitation, in the family’s own drawing room, he thought: I might take that path, and sail north-east for Spitzbergen. And also, he thought: I could go further. Further than this man’s Farthest North; to the northernmost point, to find it, to fix it, to feel the world turn below me. This, then, was what Emily saw burn in him, the flare of ambition outshining the fire’s blaze.
Edward, for his part, had spent many months at sea without female company, and can surely be forgiven for following the wildness of his heart upon his arrival in London; but while the charms of Leicester Square’s ladies were not negligible, he had, after all, his duty, and had reluctantly returned to the family home. It would be a duty sorely borne, for the women with whom he was expected to associate bored him. He was bored by their adoration for his one great adventure. He knew that the likes of Jane Whitstable would never tire of being wedded to an explorer, a hero, provided he was never so rash as to explore any further, ever again. He would for ever be known for this single futile expedition, a glory enough for the small town he’d be trapped in. And he would be respectable and sire children and his wife would sit and stitch; their girls would play the piano prettily, the boys would all be called John and Edward. There would be kippers and baked eggs and bacon for breakfast, there would be luncheons, casseroles and cutlets, and then there would be tea and muffins and buns and toast, and then there would be dinner, there would be asparagus soup then sole then quail then veal and cherry clafoutis for dessert, then cigars then port then sleep in separate beds then gout or rheumatism and then, eventually, death.
Then Emily Gardiner shook his hand, and blushed in confusion because he’d meant to kiss it, and she blushed deep crimson rather than pink and was really a terrible flirt — that is, she was terrible at flirting and didn’t seem even to try. But when they spoke about the snow, her eyes danced like the light upon it. She loved him for the dangers he had passed… and he loved her that she did savour them. She would never hold him back from the brink, but spur him over it to greatness.
And so began the Mackley family’s favourite story.
China
On the table in the hallway, there are flowers in a vase. Arranged with an artlessness that says they have art enough alone — surely by Julia’s hand. Bright blooms thrown together, yellow, blue, white and vibrant; imagine her, coming in from the garden, her arms full of summer, trailing hyacinth and lily scent behind her. But, you notice, they are dying. They have been snapped off and tossed in this china vase with no care for their frailty. Even as we watch, a petal shudders, seems to sigh, and slips onto the heap of those already fallen, gently and suddenly over the last hour. They are browning about the edges. Their leaves, left to stand in the water, are rotting. If we draw close enough to be daubed orange by their stamens, we will smell something foetid from the depths. There is a rusty stain where pollen has silently exploded on the linen tablecloth that John’s wife, her Great-grandmother Arabella, hand-stitched. (Simon, in the city, is thinking of buying his wife flowers; but of course he is not here to witness the petal fall, and it is only a coincidence that he should think of this just as the lily is dying — he has other reasons, which will become apparent perhaps, in time.)
The last petal to fall shivered itself free in Julia’s wake, for we caught her in the hallway in a momentary gilt-framed pause, and she has since moved off, breaking the gaze of the past in the mirror. In the kitchen, the spoils of her recent venture are spread before her in brown paper bags. She has kicked off her sandals and is standing in a square of light where the sun has warmed the tiles, and she works her toes into the stone for a moment. Terracotta, she thinks, the baked earth beneath her feet.
Terra cotta, terra firma, old maps with the infirm edges so unlike the warm earth stone under the soles
And then a wiry softness around her ankles. Julia bends to lift Tess and press her flat cat face against her own, tells her she stinks and sets her gently down again, with which the cat is quite satisfied — she did not enjoy the hand under her belly, having gorged herself on tuna while Julia was out. Julia stands barefoot at the kitchen table, mopping olive oil with a torn chunk of bread. The tomatoes are sliced thickly, plucked from a ripe basketful on the pavement, and taste still of the sun. Italy filling her mouth and mind again, she bought three, full of that dark green vine-scent, that earthy almost bitter tang that belies the sweetness. Strawberries, too, in a punnet, she lifted them to her nose and the grocer, watching, felt his heart swell with redness. Then, next door, to the baker. It is indeed a very pretty market town, and there are still shops like these to be found on street corners, baking their own bread, selling local produce, eggs fresh from the farms, yolks of all yellows within their brown, nubbly shells.
Julia on her way back to the house, minutes ago, loaf tucked under one arm, the other swinging the bag of fruit: she’s humming to herself. The hot road smells of summer, she nods to her neighbours as she passes. The grocer, filling a tray with lettuces Peter Rabbit might have plundered, soft and frilled and grassy green, watches her go. A man mowing his front lawn pauses to admire her, her pale brown back and the narrow straps of her dress, her head on one side, her hips insouciant in the sunshine, as if she’s dancing home. He thinks of his wife, who died last year and was also young once; he shades his eyes from the sun. If this shopping trip is little more than another way to sideskip boredom, if Julia is momentarily elated simply to have the eyes of others upon her, this man would never guess it.
The woman who lives in the house opposite Simon and Julia’s and two doors down is just locking her door behind her. She