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the screenplay, and two revisions. Zanuck worked closely with Fuller during script development, focusing the narrative on Denno’s fear of command and arguing that nothing in the story must “cover or make fuzzy” this primary theme.7 In his notes on Fuller’s original outline, Zanuck suggested the plot structure, the use of voice-over, and the content of the final scene, all of which Fuller incorporated into his subsequent scripts. As a result of Zanuck’s oversight, absent from Fuller’s second Korean War film are the racially mixed unit, episodic plot, digressive episodes, and didactic interludes that characterized his first. In their place are more typical character types (the loud-mouth from Brooklyn, the wide-eyed farm boy) and a causally driven plot that carefully guides the viewer through the story.
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