The Complete Works: Fantasy & Sci-Fi Novels, Religious Studies, Poetry & Autobiography. C. S. Lewis

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The Complete Works: Fantasy & Sci-Fi Novels, Religious Studies, Poetry & Autobiography - C. S. Lewis

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to a wave of land. The sky grew paler: it was soon rather primrose than gold. The sea grew darker, almost the colour of bronze. Soon the island was climbing considerable hills of water. Once or twice he had to sit down and rest. After several hours (for his progress was very slow) he suddenly saw two human figures on what was for the moment a skyline. Next moment they were out of sight as the country heaved up between them and him. It took about half an hour to reach them. Weston’s body was standing—swaying and balancing itself to meet each change of the ground in a manner of which the real Weston would have been incapable. It was talking to the Lady. And what surprised Ransom most was that she continued to listen to it without turning to welcome him or even to comment on his arrival when he came and sat down beside her on the soft turf.

      “It is a great branching out,” it was saying. “This making of story or poetry about things that might be but are not. If you shrink back from it, are you not drawing back from the fruit that is offered you?”

      “It is not from the making a story that I shrink back, O Stranger,” she answered, “but from this one story that you have put into my head. I can make myself stories about my children or the King. I can make it that the fish fly and the land beasts swim. But if I try to make the story about living on the Fixed Island I do not know how to make it about Maleldil. For if I make it that He has changed His command, that will not go. And if I make it that we are living there against His command, that is like making the sky all black and the water so that we cannot drink it and the air so that we cannot breathe it. But also, I do not see what is the pleasure of trying to make these things.”

      “To make you wiser, older,” said Weston’s body.

      “Do you know for certain that it will do that?” she asked.

      “Yes, for certain,” it replied. “That is how the women of my world have become so great and so beautiful.”

      “Do not listen to him,” broke in Ransom; “send him away. Do not hear what he says, do not think of it.”

      She turned to Ransom for the first time. There had been some very slight change in her face since he had last seen her. It was not sad, nor deeply bewildered, but the hint of something precarious had increased. On the other hand she was clearly pleased to see him, though surprised at his interruption; and her first words revealed that her failure to greet him at his arrival had resulted from her never having envisaged the possibility of a conversation between more than two speakers. And throughout the rest of their talk, her ignorance of the technique of general conversation gave a curious and disquieting quality to the whole scene. She had no notion of how to glance rapidly from one face to another or to disentangle two remarks at once. Sometimes she listened wholly to Ransom, sometimes wholly to the other, but never to both.

      “Why do you start speaking before this man has finished, Piebald?” she inquired. “How do they do in your world where you are many and more than two must often be together? Do they not talk in turns; or have you an art to understand even when all speak together? I am not old enough for that.”

      “I do not want you to hear him at all,” said Ransom. “He is——” and then he hesitated. “Bad,”

      “liar,”

      “enemy,” none of these words would, as yet, have any meaning for her. Racking his brains he thought of their previous conversation about the great eldil who had held on to the old good and refused the new one. Yes; that would be her only approach to the idea of badness. He was just about to speak but it was too late. Weston’s voice anticipated him.

      “This Piebald,” it said, “does not want you to hear me, because he wants to keep you young. He does not want you to go on to the new fruits that you have never tasted before.”

      “But how could he want to keep me younger?”

      “Have you not seen already,” said Weston’s body, “that Piebald is one who always shrinks back from the wave that is coming towards us and would like, if he could, to bring back the wave that is past? In the very first hour of his talking with you, did he not betray this? He did not know that all was new since Maleldil became a man and that now all creatures with reason will be men. You had to teach him this. And when he had learned it he did not welcome it. He was sorry that there would be no more of the old furry people. He would bring back that old world if he could. And when you asked him to teach you Death, he would not. He wanted you to remain young, not to learn Death. Was it not he who first put into your mind the very thought that it was possible not to desire the wave that Maleldil was rolling towards us; to shrink so much that you would cut off your arms and legs to prevent it coming?”

      “You mean he is so young?”

      “He is what in my world we call Bad,” said Weston’s body. “One who rejects the fruit he is given for the sake of the fruit he expected or the fruit he found last time.”

      “We must make him older, then,” said the Lady, and though she did not look at Ransom, all the Queen and Mother in her were revealed to him and he knew that she wished him, and all things, infinitely well. And he—he could do nothing. His weapon had been knocked out of his hand.

      “And will you teach us Death?” said the Lady to Weston’s shape, where it stood above her.

      “Yes,” it said, “it is for this that I came here, that you may have Death in abundance. But you must be very courageous.”

      “Courageous. What is that?”

      “It is what makes you to swim on a day when the waves are so great and swift that something inside you bids you to stay on land.”

      “I know. And those are the best days of all for swimming.”

      “Yes. But to find Death, and with Death the real oldness and the strong beauty and the uttermost branching out, you must plunge into things greater than waves.”

      “Go on. Your words are like no other words that I have ever heard. They are like the bubble breaking on the tree. They make me think of—of—I do not know what they make me think of.”

      “I will speak greater words than these; but I must wait till you are older.”

      “Make me older.”

      “Lady, Lady,” broke in Ransom, “will not Maleldil make you older in His own time and His own way, and will not that be far better?”

      Weston’s face did not turn in his direction either at this point or at any other time during the conversation, but his voice, addressed wholly to the Lady, answered Ransom’s interruption.

      “You see?” it said. “He himself, though he did not mean nor wish to do so, made you see a few days ago that Maleldil is beginning to teach you to walk by yourself, without holding you by the hand. That was the first branching out. When you came to know that, you were becoming really old. And since then Maleldil has let you learn much—not from His own voice, but from mine. You are becoming your own. That is what Maleldil wants you to do. That is why He has let you be separated from the King and even, in a way, from Himself. His way of making you older is to make you make yourself older. And yet this Piebald would have you sit still and wait for Maleldil to do it all.”

      “What must we do to Piebald to make him older?” said the Lady.

      “I do not think you can help him till you are older yourself,” said the voice of Weston. “You cannot help anyone yet. You are as a tree without fruit.”

      “It

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