had won and kept women fully thirty years their junior. Possibly she belonged to that distinguished minority who refused to be enslaved by the Ancient Idea, that iron code devised by fore-thinking men when Earth was young and scantily peopled.… Still—why this curious eagerness, this—it was indecipherable … no doubt his lively imagination was playing him tricks. Probably she was merely sympathetic.… And then, toward the end of the dinner, her manner changed, although too subtly for any but the detached observer to notice it. To Clavering she seemed to go dead under her still animated face. He saw her eyes wander from Dinwiddie's bald head to Osborne's flattened cheek … her lip curled, a look of fierce contempt flashed in her eyes before she hastily lowered the lids.… He fancied she was glad to rise from the table.
X
"Well?" he asked, as he and Dinwiddie were walking away from the house; Osborne had driven off with Judge Trent. "Do you still think her a base impostor?"
"Don't know what I think and don't much care. She can pack me in her trunk, as we boys used to say. She's a great lady and a charming woman; as little doubt about the first as the last. She's like Mary Ogden and she isn't. I suppose she might be merely a member of the same family—with several thousand ancestors where types must have reappeared again and again. If she wants New York Society, especially if she wants money for those starving children, I'll go the limit. But I'm going to find out about her all the same. I'll hunt up Harry Thornhill tomorrow—he's a recluse but he'll see me—and I'll get on the track of some Hungarian refugee. She can't be the usual rank impostor, that's positive. She has the same blood as Mary in her veins, and if she's Mary's daughter and wishes to keep it dark, that's her business. I'll never give her away."
"Well, good luck. Glad it went off so well."
They parted at the door of Mr. Dinwiddie's rooms and Clavering walked slowly home in an extremely thoughtful mood. He felt an uneasy distrust of the Countess Josef Zattiany, and he was not even sure that he liked her.
On the following Monday night, however, he was by no means averse from making a notable personal score. As Abbott, a dramatic critic, who happened to sit next to Madame Zattiany, made his usual hurried exit at the falling of the first curtain Clavering slipped into the vacant chair. She smiled a welcome, but it was impossible to talk in the noise. This was a great first-night. One of the leading actresses of America had returned in an excellent play, and her admirers, who appeared to be a unit, were clapping and stamping and shouting: handkerchiefs fluttered all over the house. When the curtain descended after the fifteenth recall and the lights went up and demonstration gave place to excited chatter, Madame Zattiany held out her hand toward Clavering.
"See! I have split my glove. I caught the enthusiasm. How generous your people are! I never heard such whole-souled, such—ah—unself-conscious response."
"Oh, we like to let go sometimes and the theatre is a safe place. One of the best things that can be said for New York, by the way, is its loyalty to two or three actresses no longer young. The whole country has gone crazy over youth. The most astonishingly bad books create a furore because from end to end they glorify post-war youth at its worst, and the stage is almost as bad. But New Yorkers are too old and wise in the theatre not to have a very deep appreciation of its art, and they will render tribute to old favorites as long as they produce good plays."
"But that is very fine.… I go to the matinee a good deal and I am often very bored. And I have been reading your current novels with the desire to learn as well as to be amused. I wish so much to understand the country in which I was born. I have received much illumination! It is quite remarkable how well most of your authors write—but merely well, that is. So few have individuality of style. And even in the best authors I find nearly all of the heroines too young. I had read many American novels before the war—they came to us in Tauchnitz—and even then I found this quite remarkable preoccupation with youth."
"Well—youth is a beautiful thing—is it not?" He smiled into her own beautiful face. "But, if you will notice, many of our novelists, capable of real psychology, carry their heroines over into their second youth, and you can almost hear their sigh of relief when they get them there."
"Yes, but they are still behind the European novelists, who find women interesting at any age, and their intelligent readers agree with them. Young women have little psychology. They are too fluid."
"Quite right. But I am afraid we are too young a country to tolerate middle-aged heroines. We are steeped in conventionalism, for all our fads. We have certain cast-iron formulae for life, and associate love with youth alone. I think we have a vague idea that autumnal love is rather indecent."
"And you—yourself?" She looked at him speculatively. "Are you too obsessed?"
"I? Good lord, no. I was in love with a woman of forty when I was seventeen."
His eyes were glowing into hers and she demanded abruptly: "Do you think I am forty?"
"Rather not!"
"Well, I am young," she said with a deep sigh of content. "But look! I see nothing, but I see everything."
Clavering glanced about him. Every neck in the boxes and neighboring seats was craned. It was evident that the people in front—and no doubt behind—were listening intently, although they could have caught no more than an occasional word of the murmured conversation. Eyes across the aisle, when not distended with surprise, glared at him. He laughed softly.
"I am the best hated man in New York tonight." Then he asked abruptly: "If you wish to avoid fashionable society why not see something of this? It would be quite a new experience and vary the monotony of books and plays."
"I may—some time, if you will kindly arrange it. But I am not a stranger to the cognoscenti. In London, of course, they are received, sought after. In Paris not so much, but one still meets them.—the most distinguished. In Berlin the men might go to court but not the women. In Vienna—well, genius will not give quarterings. But alas! so many gifted people seem to come out of the bourgeoisie, or lower down still—whether they are received or not depends largely on their table manners."
"Oh, I assure you, our cognoscenti have very good table manners indeed!"
"I am sure of it," she said graciously. "I have an idea that American table manners are the best in the world. Is it true that one never sees toothpicks on the table here?"
"Good lord, yes!"
"Well, you see them on every aristocratic table in Europe, royalty not excepted."
"One more reason for revolution—— Oh! Hang it!"
The lights had gone out. Clavering half rose, then settled himself back and folded his arms. A man stood over him. "Just take my seat, Billy, will you?" he asked casually of the eminent critic. "It's only two back."
The eminent critic gave him a look of hate, emitted a noise that resembled a hiss, hesitated long enough to suggest violence, then with the air of a bloodhound with his tail between his legs, slunk up the aisle.
"Will you tell me how you always manage to get one of these prize seats?" asked Clavering at the fall of the second curtain. "Nothing in New York is more difficult of attainment than a good seat—any seat—for a first-night. All these people, including myself, have a pull of some sort—know the author, star, manager. Many of us receive notifications long in advance."
"Judge
