The Prince and the Pauper (Illustrated Children's Classic). Mark Twain
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Matters were now going badly enough with John Clemens. Yet he never was without one great comforting thought—the future of the Tennessee land. It underlaid every plan; it was an anodyne for every ill.
"When we sell the Tennessee land everything will be all right," was the refrain that brought solace in the darkest hours. A blessing for him that this was so, for he had little else to brighten his days. Negotiations looking to the sale of the land were usually in progress. When the pressure became very hard and finances were at their lowest ebb, it was offered at any price—at five cents an acre, sometimes. When conditions improved, however little, the price suddenly advanced even to its maximum of one thousand dollars an acre. Now and then a genuine offer came along, but, though eagerly welcomed at the moment, it was always refused after a little consideration.
"We will struggle along somehow, Jane," he would say. "We will not throw away the children's fortune."
There was one other who believed in the Tennessee land—Jane Clemens's favorite cousin, James Lampton, the courtliest, gentlest, most prodigal optimist of all that guileless race. To James Lampton the land always had "millions in it"—everything had. He made stupendous fortunes daily, in new ways. The bare mention of the Tennessee land sent him off into figures that ended with the purchase of estates in England adjoining those of the Durham Lamptons, whom he always referred to as "our kindred," casually mentioning the whereabouts and health of the "present earl." Mark Twain merely put James Lampton on paper when he created Colonel Sellers, and the story of the Hawkins family as told in The Gilded Age reflects clearly the struggle of those days. The words "Tennessee land," with their golden promise, became his earliest remembered syllables. He grew to detest them in time, for they came to mean mockery.
One of the offers received was the trifling sum of two hundred and fifty dollars, and such was the moment's need that even this was considered. Then, of course, it was scornfully refused. In some autobiographical chapters which Orion Clemens left behind he said:
"If we had received that two hundred and fifty dollars, it would have been more than we ever made, clear of expenses, out of the whole of the Tennessee land, after forty years of worry to three generations."
What a less speculative and more logical reasoner would have done in the beginning, John Clemens did now; he selected a place which, though little more than a village, was on a river already navigable—a steamboat town with at least the beginnings of manufacturing and trade already established—that is to say, Hannibal, Missouri—a point well chosen, as shown by its prosperity to-day.
He did not delay matters. When he came to a decision, he acted quickly. He disposed of a portion of his goods and shipped the remainder overland; then, with his family and chattels loaded in a wagon, he was ready to set out for the new home. Orion records that, for some reason, his father did not invite him to get into the wagon, and how, being always sensitive to slight, he had regarded this in the light of deliberate desertion.
"The sense of abandonment caused my heart to ache. The wagon had gone a few feet when I was discovered and invited to enter. How I wished they had not missed me until they had arrived at Hannibal. Then the world would have seen how I was treated and would have cried 'Shame!'"
This incident, noted and remembered, long after became curiously confused with another, in Mark Twain's mind. In an autobiographical chapter published in The North American Review he tells of the move to Hannibal and relates that he himself was left behind by his absentminded family. The incident of his own abandonment did not happen then, but later, and somewhat differently. It would indeed be an absent-minded family if the parents, and the sister and brothers ranging up to fourteen years of age, should drive off leaving Little Sam, age four, behind. —[As mentioned in the Prefatory Note, Mark Twain's memory played him many tricks in later life. Incidents were filtered through his vivid imagination until many of them bore little relation to the actual occurrence. Some of these lapses were only amusing, but occasionally they worked an unintentional injustice. It is the author's purpose in every instance, so far as is possible, to keep the record straight.]
VII. The Little Town of Hannibal
Hannibal in 1839 was already a corporate community and had an atmosphere of its own. It was a town with a distinct Southern flavor, though rather more astir than the true Southern community of that period; more Western in that it planned, though without excitement, certain new enterprises and made a show, at least, of manufacturing. It was somnolent (a slave town could not be less than that), but it was not wholly asleep—that is to say, dead—and it was tranquilly content. Mark Twain remembered it as "the white town drowsing in the sunshine of a summer morning,... the great Mississippi, the magnificent Mississippi, rolling its mile-wide tide along;... the dense forest away on the other side."
The little city was proud of its scenery, and justly so: circled with bluffs, with Holliday's Hill on the north, Lover's Leap on the south, the shining river in the foreground, there was little to be desired in the way of setting.
The river, of course, was the great highway. Rafts drifted by; steamboats passed up and down and gave communication to the outside world; St. Louis, the metropolis, was only one hundred miles away. Hannibal was inclined to rank itself as of next importance, and took on airs accordingly. It had society, too—all kinds—from the negroes and the town drunkards ("General" Gaines and Jimmy Finn; later, Old Ben Blankenship) up through several nondescript grades of mechanics and tradesmen to the professional men of the community, who wore tall hats, ruffled shirt-fronts, and swallow-tail coats, usually of some positive color-blue, snuff-brown, and green. These and their families constituted the true aristocracy of the Southern town. Most of them had pleasant homes—brick or large frame mansions, with colonnaded entrances, after the manner of all Southern architecture of that period, which had an undoubted Greek root, because of certain drawing-books, it is said, accessible to the builders of those days. Most of them, also, had means—slaves and land which yielded an income in addition to their professional earnings. They lived in such style as was considered fitting to their rank, and had such comforts as were then obtainable.
It was to this grade of society that judge Clemens and his family belonged, but his means no longer enabled him to provide either the comforts or the ostentation of his class. He settled his family and belongings in a portion of a house on Hill Street—the Pavey Hotel; his merchandise he established modestly on Main Street, with Orion, in a new suit of clothes, as clerk. Possibly the clothes gave Orion a renewed ambition for mercantile life, but this waned. Business did not begin actively, and he was presently dreaming and reading away the time. A little later he became a printer's apprentice, in the office of the Hannibal Journal, at his father's suggestion.
Orion Clemens perhaps deserves a special word here. He was to be much associated with his more famous brother for many years, and his personality as boy and man is worth at least a casual consideration. He was fifteen now, and had developed characteristics which in a greater or less degree were to go with him through life. Of a kindly, loving disposition, like all of the Clemens children, quick of temper, but always contrite, or forgiving, he was never without the fond regard of those who knew him best. His weaknesses were manifold, but, on the whole, of a negative kind. Honorable and truthful, he had no tendency to bad habits or unworthy pursuits; indeed, he had no positive traits of any sort. That was his chief misfortune. Full of whims and fancies, unstable, indeterminate, he was swayed by every passing emotion and influence. Daily he laid out a new course of study and achievement, only to fling it aside because of some chance remark or printed paragraph or bit of advice that ran contrary to his purpose. Such a life