the ideal up to which, amid much confused, hot-headed and self-deceiving patriotism, she strove to live. She was to be the Saviour of Hellas.
Euripides was about eight when the ruined walls of Athens were rebuilt and the city, no longer defenceless against her neighbours, could begin to rebuild the "House of Athena" on the Acropolis and restore the Temples and the Festivals throughout Attica. He can hardly have been present when the general Themistocles, then at the height of his fame, provided the Chorus for the earliest of the great tragedians, Phrynichus, in 476 B.C. But he must have watched the new paintings being put up by the same Themistocles in the temples at Phlya, with scenes from the Persian War. And through his early teens he must have watched the far more famous series of pictures with which Polygnôtus, the first of the great Greek painters, was adorning the Acropolis; pictures that canonized scenes from the Siege of Troy and other legendary history. When he was ten he may probably have seen a curious procession which brought back from the island of Skyros the bones of Theseus, the mythical king of Athens and the accepted symbol, king though he was, of Athenian enlightenment and democracy. Athens was now too great and too self-conscious to allow Theseus to lie on foreign soil. When he was twelve he may have seen Aeschylus' Persae, "the one great play dealing with an historical event that exists in literature." When he was seventeen he pretty certainly saw the Seven against Thebes and was much influenced by it; but the Choregus this time was a new statesman, Pericles. Themistocles was in banishment; and the other great heroes of the Persian time, Aristides and Miltiades, dead.
Next year, 466 B.C. Euripides became officially an "Ephêbus," or "Youth." He was provided with a shield and spear, and set to garrison and police duty in the frontier forts of Attica. Full military service was to follow in two years. Meantime the current of his thoughts must have received a shock. For, while his shield and spear were still fresh, news came of one of the most stunning military disasters in Athenian history. A large colony which had been established on the river Strymon in Thrace had been lured into dangerous country by the Thracian tribes, then set upon by overwhelming numbers and massacred to the number of ten thousand. No wonder that one of Euripides' earliest plays, when he took to writing, was the story of Rhesus, the Thracian, and his rushing hordes of wild tribesmen.
But meantime Euripides had not found his work in life. We hear that he was a good athlete; there were records of his prize-winning in Athens and in Eleusis. Probably every ambitious boy in Greece did a good deal of running and boxing. More serious was his attempt at painting. Polygnotus was at work in Athens, and the whole art advancing by leaps and bounds. He tried to find his true work there, and paintings by his hand were discovered by antiquarians of later times—or so they believed—in the town of Megara. His writings show a certain interest in painting here and there, and it is perhaps the painter in him that worked out in the construction of his dramas such fine and varied effects of grouping.
But there was more in the air than painting and sculpture. The youth of Euripides fell in an age which saw perhaps the most extraordinary intellectual awakening known to human history. It had been preparing for about a century in certain cities of Ionian Greece, on the coast of Asia Minor, rich and cultivated states, subject for the most part to Lydian or Persian governors. The revolt of these cities and its suppression by Persia had sent numbers of Ionian "wise men," philosophers, poets, artists, historians, men of science, to seek for refuge in Greece, and especially in Athens. Athens was held to be the mother-city of all the Ionian colonies, and had been their only champion in the revolt. She became now, as one of these Ionian exiles put it, "the hearth on which the fire of Hellas burned." It is difficult to describe this great movement in a few pages, but one can, perhaps, get some idea of it by an imaginary comparison. Imagine first the sort of life that was led in remote parts of Yorkshire or Somerset towards the end of the eighteenth century, a stagnant rustic life with no moving ideas, and unquestioning in its obedience to authority, in which hardly any one could read except the parson, and the parson's reading was not of a kind to stir a man's pulse. And next imagine the intellectual ferment which was then in progress in London or Paris; the philosophers, painters, historians and men of science, the voices proclaiming that all men were equal, that the laws of England were unjust to the poor, that slavery was a crime, and that monarchy was a false form of government, or that no action was morally wrong except what tended to produce human misery. Imagine then what would occur in the mind of a clever and high-thinking boy who was brought suddenly from the one society into the heart of the second, and made to realise that the battles and duties and prizes of life were tenfold more thrilling and important than he had ever dreamed. That is the kind of awakening that must have occurred in the minds of a large part of the Greek people in the early fifth century.
A thoroughly backward peasant in a Greek village—even an Attic village like Phlya—had probably as few ideas as other uneducated peasants. In Athens some fifty years later we hear that it was impossible, with the best will in the world, to find any one who could not read or write. (Ar. Knights 188 ff.) But the difference in time and place is cardinal. The countryman who voted for the banishment of Aristides the Just had to ask some one else to write the name for him. Such a man did not read nor yet think. He more or less hated the next village and regarded its misfortunes as his own advantage. He was sunk in superstition. His customs were rigid and not understood. He might worship a goddess with a horse's head or a hero with a snake's tail. He would perform for the welfare of his fields traditional sacrifices that were often filthy and sometimes cruel. On certain holy days he would tear small beasts to pieces or drive them into a fire; in very great extremities he would probably think no medicine so good as human blood. His rules of agriculture would be a mixture of rough common sense and stupid taboos: he would not reap till the Pleiades were rising, and he would carefully avoid sitting on a fixed stone. When he sought for learning, he would get it in old traditional books like Hesiod, which taught him how Ouranos had been mutilated by his son Cronos, and Cronos bound with chains by his son Zeus; how Zeus was king of gods and men, but had been cheated by Prometheus into accepting bones instead of meat in a sacrifice. He would believe that Tantalus had given the gods his son Pelops to eat, to see if they would know the difference, and some of them had eaten bits of him. He would perhaps be ready, with great hesitation, to tolerate certain timid attempts to expurgate the story, like Pindar's, for instance, which results, according to our judgment, in making it rather worse. And this man, rooted in his customs, his superstitions, his narrow-minded cruelties, will of course regard every departure from his own way of life as so much pure wickedness. In every contest that goes on between Intelligence and Stupidity, between Enlightenment and Obscurantism, the powers of the dark have this immense advantage: they never understand their opponents, and consequently represent them as always wrong, always wicked, whereas the intelligent party generally makes an effort to understand the stupid and to sympathize with anything that is good or fine in their attitude. Many of our Greek Histories still speak as if the great spiritual effort which created fifth century Hellenism was a mass of foolish chatter and intellectual trickery and personal self-indulgence.
It was not that, nor anything like that. Across the mind of our stupid peasant the great national struggle against Persia brought first the idea that perhaps really it was better to die than to be a slave; that it was well to face death not merely for his own home but actually—incredible as it seemed—for other people's homes, for the homes of those wretched people in the next village. Our own special customs and taboos, he would reflect with a shiver, do not really matter when they are brought into conflict with a common Hellenism or a common humanity. There are greater things about us than we knew. There are also greater men. These men who are in everybody's mouth: Themistocles above all, who has defeated the Persian and saved Greece: but crowds of others besides, Aristides the Just and Miltiades, the hero of Marathon; Demokêdes, the learned physician, who was sought out by people in need of help from Italy to Susa; Hecataeus, who had made a picture of the whole earth, showing all the countries and cities and rivers and how far each is from the next, and who could have saved the Ionians if they had only listened to him; Pythagoras, who had discovered all about numbers and knew the wickedness of the world and had founded a society, bound by strict rules, to combat it. What is it about these men that has made them so different from you and me and the other farmers who meet in the agora on market-day? It is sophia,
