in the passage. This is enough; away rush the members pell-mell. The room is cleared in an instant; the noise rapidly dies away; you hear the creaking of the last boot on the last stair, and are left alone with the leviathan of rump-steaks.
CHAPTER XIX—PUBLIC DINNERS
All public dinners in London, from the Lord Mayor’s annual banquet at Guildhall, to the Chimney-sweepers’ anniversary at White Conduit House; from the Goldsmiths’ to the Butchers’, from the Sheriffs’ to the Licensed Victuallers’; are amusing scenes. Of all entertainments of this description, however, we think the annual dinner of some public charity is the most amusing. At a Company’s dinner, the people are nearly all alike—regular old stagers, who make it a matter of business, and a thing not to be laughed at. At a political dinner, everybody is disagreeable, and inclined to speechify—much the same thing, by-the-bye; but at a charity dinner you see people of all sorts, kinds, and descriptions. The wine may not be remarkably special, to be sure, and we have heard some hardhearted monsters grumble at the collection; but we really think the amusement to be derived from the occasion, sufficient to counterbalance even these disadvantages.
Let us suppose you are induced to attend a dinner of this description—‘Indigent Orphans’ Friends’ Benevolent Institution,’ we think it is. The name of the charity is a line or two longer, but never mind the rest. You have a distinct recollection, however, that you purchased a ticket at the solicitation of some charitable friend: and you deposit yourself in a hackney-coach, the driver of which—no doubt that you may do the thing in style—turns a deaf ear to your earnest entreaties to be set down at the corner of Great Queen-street, and persists in carrying you to the very door of the Freemasons’, round which a crowd of people are assembled to witness the entrance of the indigent orphans’ friends. You hear great speculations as you pay the fare, on the possibility of your being the noble Lord who is announced to fill the chair on the occasion, and are highly gratified to hear it eventually decided that you are only a ‘wocalist.’
The first thing that strikes you, on your entrance, is the astonishing importance of the committee. You observe a door on the first landing, carefully guarded by two waiters, in and out of which stout gentlemen with very red faces keep running, with a degree of speed highly unbecoming the gravity of persons of their years and corpulency. You pause, quite alarmed at the bustle, and thinking, in your innocence, that two or three people must have been carried out of the dining-room in fits, at least. You are immediately undeceived by the waiter—‘Up-stairs, if you please, sir; this is the committee-room.’ Up-stairs you go, accordingly; wondering, as you mount, what the duties of the committee can be, and whether they ever do anything beyond confusing each other, and running over the waiters.
Having deposited your hat and cloak, and received a remarkably small scrap of pasteboard in exchange (which, as a matter of course, you lose, before you require it again), you enter the hall, down which there are three long tables for the less distinguished guests, with a cross table on a raised platform at the upper end for the reception of the very particular friends of the indigent orphans. Being fortunate enough to find a plate without anybody’s card in it, you wisely seat yourself at once, and have a little leisure to look about you. Waiters, with wine-baskets in their hands, are placing decanters of sherry down the tables, at very respectable distances; melancholy-looking salt-cellars, and decayed vinegar-cruets, which might have belonged to the parents of the indigent orphans in their time, are scattered at distant intervals on the cloth; and the knives and forks look as if they had done duty at every public dinner in London since the accession of George the First. The musicians are scraping and grating and screwing tremendously—playing no notes but notes of preparation; and several gentlemen are gliding along the sides of the tables, looking into plate after plate with frantic eagerness, the expression of their countenances growing more and more dismal as they meet with everybody’s card but their own.
You turn round to take a look at the table behind you, and—not being in the habit of attending public dinners—are somewhat struck by the appearance of the party on which your eyes rest. One of its principal members appears to be a little man, with a long and rather inflamed face, and gray hair brushed bolt upright in front; he wears a wisp of black silk round his neck, without any stiffener, as an apology for a neckerchief, and is addressed by his companions by the familiar appellation of ‘Fitz,’ or some such monosyllable. Near him is a stout man in a white neckerchief and buff waistcoat, with shining dark hair, cut very short in front, and a great, round, healthy-looking face, on which he studiously preserves a half sentimental simper. Next him, again, is a large-headed man, with black hair and bushy whiskers; and opposite them are two or three others, one of whom is a little round-faced person, in a dress-stock and blue under-waistcoat. There is something peculiar in their air and manner, though you could hardly describe what it is; you cannot divest yourself of the idea that they have come for some other purpose than mere eating and drinking. You have no time to debate the matter, however, for the waiters (who have been arranged in lines down the room, placing the dishes on table) retire to the lower end; the dark man in the blue coat and bright buttons, who has the direction of the music, looks up to the gallery, and calls out ‘band’ in a very loud voice; out burst the orchestra, up rise the visitors, in march fourteen stewards, each with a long wand in his hand, like the evil genius in a pantomime; then the chairman, then the titled visitors; they all make their way up the room, as fast as they can, bowing, and smiling, and smirking, and looking remarkably amiable. The applause ceases, grace is said, the clatter of plates and dishes begins; and every one appears highly gratified, either with the presence of the distinguished visitors, or the commencement of the anxiously-expected dinner.
As to the dinner itself—the mere dinner—it goes off much the same everywhere. Tureens of soup are emptied with awful rapidity—waiters take plates of turbot away, to get lobster-sauce, and bring back plates of lobster-sauce without turbot; people who can carve poultry, are great fools if they own it, and people who can’t have no wish to learn. The knives and forks form a pleasing accompaniment to Auber’s music, and Auber’s music would form a pleasing accompaniment to the dinner, if you could hear anything besides the cymbals. The substantials disappear—moulds of jelly vanish like lightning—hearty eaters wipe their foreheads, and appear rather overcome by their recent exertions—people who have looked very cross hitherto, become remarkably bland, and ask you to take wine in the most friendly manner possible—old gentlemen direct your attention to the ladies’ gallery, and take great pains to impress you with the fact that the charity is always peculiarly favoured in this respect—every one appears disposed to become talkative—and the hum of conversation is loud and general.
‘Pray, silence, gentlemen, if you please, for Non nobis!’ shouts the toast-master with stentorian lungs—a toast-master’s shirt-front, waistcoat, and neckerchief, by-the-bye, always exhibit three distinct shades of cloudy-white.—‘Pray, silence, gentlemen, for Non nobis!’ The singers, whom you discover to be no other than the very party that excited your curiosity at first, after ‘pitching’ their voices immediately begin too-tooing most dismally, on which the regular old stagers burst into occasional cries of—‘Sh—Sh—waiters!—Silence, waiters—stand still, waiters—keep back, waiters,’ and other exorcisms, delivered in a tone of indignant remonstrance. The grace is soon concluded, and the company resume their seats. The uninitiated portion of the guests applaud Non nobis as vehemently as if it were a capital comic song, greatly to the scandal and indignation of the regular diners, who immediately attempt to quell this sacrilegious approbation, by cries of ‘Hush, hush!’ whereupon the others, mistaking these sounds for hisses, applaud more tumultuously than before, and, by way of placing their approval beyond the possibility of doubt, shout ‘Encore!’ most vociferously.
The moment the noise ceases, up starts the toast-master:—‘Gentlemen, charge your glasses, if you please!’ Decanters having been handed about, and glasses filled, the toast-master proceeds, in a regular
