smiled, thinking of the romance that surrounded him—of which, plainly, he was not conscious. To him, romance meant the lights, the crowds, the amusements, the glitter and tinsel of the cities of the East, word of which had come to him through various channels. To her these things were no longer novel,—if they had ever been so—and so for her romance must come from the new, the unusual, the unconventional. The West was all this, therefore romance dwelt here.
"Of course it all seems commonplace to you," she returned; "perhaps even monotonous. For you have lived here long."
He laughed. "I've traveled a heap," he said. "I've been in California, Dakota, Wyoming, Texas, an' Arizona. An' now I'm here. Savin' a man meets different people, this country is pretty much all the same."
"You must have had a great deal of experience," she said. "And you are not very old."
He gravely considered her. "I would say that I am about the average age for this country. You see, folks don't live to get very old out here—unless they're mighty careful."
"And you haven't been careful?"
He smiled gravely. "I expect you wouldn't call it careful. But I'm still livin'."
His words were singularly free from boast.
"That means that you have escaped the dangers," she said. "I have heard that a man's safety in this country depends largely upon his ability to shoot quickly and accurately. I suppose you are accounted a good shot?"
The question was too direct. His eyes narrowed craftily.
"I expect you're thinkin' of that book now ma'am," he said. "There's a heap of men c'n shoot. You might say they're all good shots. I've told you about the men who can't shoot good. They're either mighty careful, or they ain't here any more. It's always one or the other."
"Oh, dear!" she exclaimed, shuddering slightly. "In that case I suppose the hero in my story will have to be a good shot." She laughed. "I shouldn't want him to get half way through the story and then be killed because he was clumsy in handling his weapon. I am beginning to believe that I shall have to make him a 'two-gun' man. I understand they are supposed to be very good shots."
"I've seen them that wasn't," he returned gravely and shortly.
"How did you prove that?" she asked suddenly.
But he was not to be snared. "I didn't say I'd proved it," he stated. "But I've seen it proved."
"How proved?"
"Why," he said, his eyes glinting with amusement, "they ain't here any more, ma'am."
"Oh. Then it doesn't follow that because a man wears two guns he is more likely to survive than is the man who wears only one?"
"I reckon not, ma'am."
"I see that you have the bottoms of your holsters tied down," she said, looking at them. "Why have you done that?"
"Well," he declared, drawling his words a little, "I've always found that there ain't any use of takin' chances on an accident. You mightn't live to tell about it. An' havin' the bottoms of your holsters tied down keeps your guns from snaggin'. I've seen men whose guns got snagged when they wanted to use them. They wasn't so active after."
"Then I shall have to make my hero a 'two-gun' man," she said. "That is decided. Now, the next thing to do is to give some attention to his character. I think he ought to be absolutely fearless and honest and incapable of committing a dishonorable deed. Don't you think so?"
While they had talked he had come closer to her and stood beside the shelf rock, one foot resting on it. At her question he suddenly looked down at the foot, shifting it nervously, while a flush started from above the blue scarf at his throat and slowly suffused his face.
"Don't you think so?" she repeated, her eyes meeting his for an instant.
"Why, of course, ma'am," he suddenly answered, the words coming sharply, as though he had only at that instant realized the import of the question.
"Why," said she, aware of his embarrassment, "don't you think there are such men?"
"I expect there are, ma'am," he returned; "but in this country there's a heap of argument could be made about what would be dishonorable. If your two-gun should happen to be a horse thief, or a rustler, I reckon we could get at it right off."
"He shan't be either of those," she declared stoutly. "I don't think he would stoop to such contemptible deeds. In the story he is employed by a ranch owner to kill a rustler whom the owner imagines has been stealing his cattle."
His hands were suddenly behind him, the fingers clenched. His eyes searched her face with an alert, intense gaze. His embarrassment was gone; his expression was saturnine, his eyes narrowed with a slight mockery. And his voice came, cold, deliberate, even.
"I reckon you've got your gun-man true to life, ma'am," he said.
She laughed lightly, amused over the sudden change that she saw and felt in him. "Of course the gun-man doesn't really intend to kill the rustler," she said. "I don't believe I shall have any one killed in the story. The gun-man is merely attracted by the sum of money promised him by the ranch owner, and when he accepts it is only because he is in dire need of work. Don't you think that could be possible?"
"That could happen easy in this country, ma'am," he returned.
She laughed delightedly. "That vindicates my judgment," she declared.
He was regarding her with unwavering eyes. "Is that gun-man goin' to be the hero in your story, ma'am?" he asked quietly.
"Why, of course."
"An' I'm to be him?"
She gave him a defiant glance, though she blushed immediately.
"Why do you ask?" she questioned in reply. "You need have no fear that I will compel my hero to do anything dishonorable."
"I ain't fearin' anything," he returned. "But I'd like to know how you come to think of that. Do writers make them things up out of their own minds, or does someone tell them?"
"Those things generally have their origin in the mind of the writer," she replied.
"Meanin' that you thought of that yourself?" he persisted.
"Of course."
He lifted his foot from the rock and stood looking gravely at her. "In most of the books I have read there's always a villain. I reckon you're goin' to have one?"
"There will be a villain," she returned.
His eyes flashed queerly. "Would you mind tellin' me who you have picked out for your villain?" he continued.
"I don't mind," she said. "It is Leviatt."
He suddenly grinned broadly and held out his right hand to her. "Shake, ma'am," he said. "I reckon if I was writin' a book Leviatt would be the villain."
She rose from the rock and took his outstretched hand, her eyes drooping as they met his. He felt her hand tremble a little, and he looked at it, marveling. She glanced
