The Dry Bottom Trilogy: The Two-Gun Man, The Coming of the Law & Firebrand Trevison. Charles Alden Seltzer

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The Dry Bottom Trilogy: The Two-Gun Man, The Coming of the Law & Firebrand Trevison - Charles Alden Seltzer

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be gittin' his some day," he declared, rising. "I'm keepin' him for myself. Mebbe I won't shoot him. I reckon Rope'd be some tickled if he'd know that the man who shot him could get a chance to think it over while some man was stringin' him up. You ain't sayin' anything about anything."

      He turned and went out. Five minutes later Stafford saw him riding slowly toward the river.

      As the days went a mysterious word began to be spoken wherever men congregated. No man knew whence the word had come, but it was whispered that Rope Jones would be seen no more. His pony joined the remuda; his saddle and other personal effects became prizes for which the men of the outfit cast lots. Inquiries were made concerning the puncher by friends who persisted in being inquisitive, but nothing resulted. In time the word "rustler" became associated with his name, and "caught with the goods" grew to be a phrase that told eloquently of the manner of his death. Later it was whispered that Leviatt and Tucson had come upon Rope behind the ridge, catching him in the act of running off a Two Diamond calf. But as no report had been made to Stafford by either Leviatt or Tucson, the news remained merely rumor.

      Ferguson had said nothing more to any man concerning the incident. To do so would have warned Tucson. And neither Ferguson nor Miss Radford could have sworn to the man's guilt. In addition to this, there lingered in Ferguson's mind a desire to play this game in his own way. Telling the men of the outfit what he had seen would make his knowledge common property—and in the absence of proof might cause him to appear ridiculous.

      But since the shooting he had little doubt that Leviatt had been Tucson's companion on that day. Rope's scathing words—spoken while Miss Radford had been trying to revive him—. "You're a hell of a range boss," had convinced the stray-man that Leviatt had been one of the assailants. He had wondered much over the emotions of the two when they returned to the spot where the murder had been committed, to find their victim buried and his horse gone. But of one thing he was certain—their surprise over the discovery that the body of their victim had been buried could not have equalled their discomfiture on learning that the latter's pony had been secretly brought to the home ranch, and that among the men of the outfit was one, at least, who knew something of their guilty secret. Ferguson thought this to be the reason that they had not reported the incident to Stafford.

      There was now nothing for the stray-man to do but watch. The men who had killed Rope were wary and dangerous, and their next move might be directed at him. But he was not disturbed. One thought brought him a mighty satisfaction. He was no longer employed to fasten upon Ben Radford the stigma of guilt; no longer need he feel oppressed with the guilty consciousness, when in the presence of Mary Radford, that he was, in a measure, a hired spy whose business it was to convict her brother of the crime of rustling. He might now meet the young woman face to face, without experiencing the sensation of guilt that had always affected him.

      Beneath his satisfaction lurked a deeper emotion. During the course of his acquaintance with Rope Jones he had developed a sincere affection for the man. The grief in his heart over Rope's death was made more poignant because of the latter's words, just before the final moment, which seemed to have been a plea for vengeance:

      "Ferguson told me to look out. He told me to be careful that they didn't get me between them. But I wasn't thinkin' that it would happen just that way."

      This had been all that Rope had said about his friend, but it showed that during his last conscious moments he had been thinking of the stray-man. As the days passed the words dwelt continually in Ferguson's mind. Each day that he rode abroad, searching for evidence against the murderers, brought him a day nearer to the vengeance upon which he had determined.

      Chapter XVI. Leviatt Takes a Step

       Table of Contents

      Miss Radford was sitting on the flat rock on the hill where she had written the first page of her novel. The afternoon sun was coming slantwise over the western mountains, sinking steadily toward the rift out of which came the rose veil that she had watched many times. She had just completed a paragraph in which the villain appears when she became aware of someone standing near. She turned swiftly, with heightened color, to see Leviatt.

      His sudden appearance gave her something of a shock, for as he stood there, smiling at her, he answered perfectly the description she had just written. He might have just stepped from one of her pages. But the shock passed, leaving her a little pale, but quite composed—and not a little annoyed. She had found her work interesting; she had become quite absorbed in it. Therefore she failed to appreciate Leviatt's sudden appearance, and with uptilted chin turned from him and pretended an interest in the rim of hills that surrounded the flat.

      For an instant Leviatt stood, a frown wrinkling his forehead. Then with a smile he stepped forward and seated himself beside her on the rock. She immediately drew her skirts close to her and shot a displeased glance at him from the corners of her eyes. Then seeing that he still sat there, she moved her belongings a few feet and followed them. He could not doubt the significance of this move, but had he been wise he might have ignored it. A woman's impulses will move her to rebuke a man, but if he will accept without comment he may be reasonably sure of her pity, and pity is a path of promise.

      But the range boss neglected his opportunity. He made the mistake of thinking that because he had seen her many times while visiting her brother he might now with propriety assume an air of intimacy toward her.

      "I reckon this rock is plenty big enough for both of us," he said amiably.

      She measured the distance between them with a calculating eye. "It is," she returned quietly, "if you remain exactly where you are."

      He forced a smile. "An' if I don't?" he inquired.

      "You may have the rock to yourself," she returned coldly. "I did not ask you to come here."

      He chose to ignore this hint, telling her that he had been to the cabin to see Ben and, finding him absent, had ridden through the flat. "I saw you when I was quite a piece away," he concluded, "an' thought mebbe you might be lonesome."

      "When I am lonesome I choose my own company," she returned coldly.

      "Why, sure," he said, his tone slightly sarcastic; "you cert'nly ought to know who you want to talk to. But you ain't objectin' to me settin' on this hill?" he inquired.

      "The hill is not mine," she observed quietly, examining one of the written pages of her novel; "sit here as long as you like."

      "Thanks." He drawled the word. Leaning back on one elbow he stretched out as though assured that she would make no further objections to his presence. She ignored him completely and very deliberately arranged her papers and resumed writing.

      For a time he lay silent, watching the pencil travel the width of the page—and then back. A mass of completed manuscript lay at her side, the pages covered with carefully written, legible words. She had always taken a pardonable pride in her penmanship. For a while he watched her, puzzled, furtively trying to decipher some of the words that appeared upon the pages. But the distance was too great for him and he finally gave it up and fell to looking at her instead, though determined to solve the wordy mystery that was massed near her.

      Finally finding the silence irksome, he dropped an experimental word, speaking casually. "You must have been to school a heap—writin' like you do."

      She gave him no answer, being at that moment absorbed in a thought which she was trying to transcribe before it should take wings and be gone forever.

      "Writin'

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