to have sounded him for a heart or a heartache.
The dancing of the faun took one day a livelier and more assured turn, the joyousness became more real, and the worst of the vicissitudes seemed suddenly over. A musical friend, gifted with mediocre but marketable abilities, supplied Tony with a song, for which he obtained a trial performance at an East End hall. Dressed as a jockey, for no particular reason except that the costume suited him, he sang, “They quaff the gay bubbly in Eccleston Square” to an appreciative audience, which included the manager of a famous West End theatre of varieties. Tony and his song won the managerial favour, and were immediately transplanted to the West End house, where they scored a success of which the drooping music-hall industry was at the moment badly in need.
It was just after the great catastrophe, and men of the London world were in no humour to think; they had witnessed the inconceivable befall them, they had nothing but political ruin to stare at, and they were anxious to look the other way. The words of Tony’s song were more or less meaningless, though he sang them remarkably well, but the tune, with its air of slyness and furtive joyousness, appealed in some unaccountable manner to people who were furtively unhappy, and who were trying to appear stoically cheerful.
“What must be, must be,” and “It’s a poor heart that never rejoices,” were the popular expressions of the London public at that moment, and the men who had to cater for that public were thankful when they were able to stumble across anything that fitted in with the prevailing mood. For the first time in his life Tony Luton discovered that agents and managers were a leisured class, and that office boys had manners.
He entered Cicely’s drawing-room with the air of one to whom assurance of manner has become a sheathed weapon, a court accessory rather than a trade implement. He was more quietly dressed than the usual run of music-hall successes; he had looked critically at life from too many angles not to know that though clothes cannot make a man they can certainly damn him.
“Thank you, I have lunched already,” he said in answer to a question from Cicely. “Thank you,” he said again in a cheerful affirmative, as the question of hock in a tall ice-cold goblet was propounded to him.
“I’ve come to tell you the latest about the Gorla Mustelford evening,” he continued. “Old Laurent is putting his back into it, and it’s really going to be rather a big affair. She’s going to out-Russian the Russians. Of course, she hasn’t their technique nor a tenth of their training, but she’s having tons of advertisement. The name Gorla is almost an advertisement in itself, and then there’s the fact that she’s the daughter of a peer.”
“She has temperament,” said Cicely, with the decision of one who makes a vague statement in a good cause.
“So Laurent says,” observed Tony. “He discovers temperament in every one that he intends to boom. He told me that I had temperament to the finger-tips, and I was too polite to contradict him. But I haven’t told you the really important thing about the Mustelford début. It is a profound secret, more or less, so you must promise not to breathe a word about it till half-past four, when it will appear in all the six o’clock newspapers.”
Tony paused for dramatic effect, while he drained his goblet, and then made his announcement.
“Majesty is going to be present. Informally and unofficially, but still present in the flesh. A sort of casual dropping in, carefully heralded by unconfirmed rumour a week ahead.”
“Heavens!” exclaimed Cicely, in genuine excitement, “what a bold stroke. Lady Shalem has worked that, I bet. I suppose it will go down all right.”
“Trust Laurent to see to that,” said Tony, “he knows how to fill his house with the right sort of people, and he’s not the one to risk a fiasco. He knows what he’s about. I tell you, it’s going to be a big evening.”
“I say!” exclaimed Ronnie suddenly, “give a supper party here for Gorla on the night, and ask the Shalem woman and all her crowd. It will be awful fun.”
Cicely caught at the suggestion with some enthusiasm. She did not particularly care for Lady Shalem, but she thought it would be just as well to care for her as far as outward appearances went.
Grace, Lady Shalem, was a woman who had blossomed into sudden importance by constituting herself a sort of foster-mother to the fait accompli. At a moment when London was denuded of most of its aforetime social leaders she had seen her opportunity, and made the most of it. She had not contented herself with bowing to the inevitable, she had stretched out her hand to it, and forced herself to smile graciously at it, and her polite attentions had been reciprocated. Lady Shalem, without being a beauty or a wit, or a grand lady in the traditional sense of the word, was in a fair way to becoming a power in the land; others, more capable and with stronger claims to social recognition, would doubtless overshadow her and displace her in due course, but for the moment she was a person whose good graces counted for something, and Cicely was quite alive to the advantage of being in those good graces.
“It would be rather fun,” she said, running over in her mind the possibilities of the suggested supper-party.
“It would be jolly useful,” put in Ronnie eagerly; “you could get all sorts of interesting people together, and it would be an excellent advertisement for Gorla.”
Ronnie approved of supper-parties on principle, but he was also thinking of the advantage which might accrue to the drawing-room concert which Cicely had projected (with himself as the chief performer), if he could be brought into contact with a wider circle of music patrons.
“I know it would be useful,” said Cicely, “it would be almost historical; there’s no knowing who might not come to it—and things are dreadfully slack in the entertaining line just now.”
The ambitious note in her character was making itself felt at that moment.
“Let’s go down to the library, and work out a list of people to invite,” said Ronnie.
A servant entered the room and made a brief announcement.
“Mr. Yeovil has arrived, madam.”
“Bother,” said Ronnie sulkily. “Now you’ll cool off about that supper party, and turn down Gorla and the rest of us.”
It was certainly true that the supper already seemed a more difficult proposition in Cicely’s eyes than it had a moment or two ago.
“‘You’ll not forget my only daughter,
E’en though Saphia has crossed the sea,’”
quoted Tony, with mocking laughter in his voice and eyes.
Cicely went down to greet her husband. She felt that she was probably very glad that he was home once more; she was angry with herself for not feeling greater certainty on the point. Even the well-beloved, however, can select the wrong moment for return. If Cicely Yeovil’s heart was like a singing-bird, it was of a kind that has frequent lapses into silence.
CHAPTER II: THE HOMECOMING
Murrey Yeovil got out of the boat-train at Victoria Station, and stood waiting, in an attitude something between listlessness and impatience, while a porter dragged his light travelling kit out of the railway carriage and went in search
