don't know why," said Scott. "You don't look like one if that's any comfort." He stooped to fasten the necklace. "Now for the earrings, and you are complete."
"It is good of you," she said gratefully. "I am longing to go and look at myself. But can you fasten them first? I'm sure I can't."
He complied with his almost feminine dexterity, and in a few moments a sparkling and glorified Dinah rose and skipped into her room to see the general effect of her transformation.
Scott lingered to close the jewel-case. Frankly, he had enjoyed himself during the last ten minutes. Moreover he was sure she would be pleased with the result of his labours. But he was hardly prepared for the cry of delight that reached him as he turned to depart.
He paused as he heard it, and in a moment Dinah flashed out again like a radiant butterfly and gave him both her hands.
"You—magician!" she cried. "How did you do it? How can I thank you? I've never been so nearly pretty in my life!"
He bowed in courtly fashion over the little brown hands. "Then you have never seen yourself with the eyes of others," he said. "I congratulate you on doing so to-night."
She laughed her merry laugh. "Thank you! Thank you a hundred times! I've only one thing left to wish for."
"What is that?" he said.
She told him with a touch of shyness. "That—Apollo—will dance with me!"
Scott laughed and let her go. "Oh, is that all? Then I will certainly see that he does."
"Oh, but don't tell him!" pleaded Dinah.
"I never repeat confidences," declared Scott. "Good-bye, Signorina!"
And with another bow, he left her.
CHAPTER V
APOLLO
The salon was a blaze of lights and many shifting colours. The fantastic crowd that trooped thither from the salle-à-manger was like a host of tropical flowers. The talking and laughter nearly drowned the efforts of the string band in the far corner.
Scott in ordinary evening-dress stood near the door talking to an immense Roman Emperor, looking by contrast even smaller and more insignificant than usual. Yet a closer observation would have shown that the same instinctive dignity of bearing characterized them both. Utterly unlike though they were, yet in this respect it was not difficult to trace their brotherhood. Though moulded upon lines so completely dissimilar, they bore the same indelible stamp—the stamp of good birth which can never be attained by such as have it not. Sir Eustace Studley was the handsomest man in the room. His imperial costume suited his somewhat arrogant carriage. He looked like a man born to command. His keen eyes glanced hither and thither with an eagle-like intensity that missed nothing. He seemed to be on the watch for someone.
"Who is it?" asked Scott, with a smile. "The lady of the rink?"
The black brows went up haughtily for a moment, then descended in an answering smile. "She is the only woman I've seen here yet that's worth looking at," he observed.
"Don't you be too sure of that!" said Scott. "I can show you a little Italian peasant girl who is well worth your august consideration. I think you ought to bestow a little favour on her as you have each chosen to assume the same nationality."
Sir Eustace laughed. "A protégée of yours, eh? That little brown girl, I suppose? Charming no doubt, my dear fellow; but ordinary—distinctly ordinary."
"You haven't seen her yet," said Scott. "You had your back to her in the salle-à-manger."
"Where is she then? You had better find her before the beautiful Miss de Vigne makes her appearance. I don't mind giving her a dance or two, but you must take her off my hands if we don't get on."
"I will certainly do that," said Scott in his quiet voice that seemed to veil a touch of irony. "I believe she is in the vestibule now. No, here she is!"
Dinah, with laughing lips and sparkling eyes, had just ventured to the door with Billy. "We'll just peep," she said to her brother in the gay young tones that penetrated so much further than she realized. "But I shall never dare to dance. Why, I've never even seen the inside of a ballroom before. And as to dancing with a real live man—" She broke off as she caught sight of the two brothers standing together near the entrance.
Eustace turned his restless eyes upon her, gave her a swift, critical glance and muttered something to Scott.
The latter at once stepped forward, receiving a smile so radiant that even Eustace was momentarily dazzled. The little brown girl certainly had points.
"May I introduce my brother?" said Scott. "Sir Eustace Studley—Miss—I am afraid I don't know your surname."
"Sketchy," murmured Eustace, as he bowed.
But Dinah only laughed her ringing, merry laugh. "Of course you don't know. How could you? Our name is Bathurst. I'm Dinah and this is Billy. I am years older than he is, of course." She gave Eustace a shy glance. "How do you do?"
"She's just thirty," announced Billy, in shrill, cracked tones. "She's just pretending to be young to-night, but she ain't young really. You should see her without her warpaint."
The music became somewhat more audible at this point. Eustace bent slightly, looking down at the girl with eyes that were suddenly soft as velvet. "They are beginning to dance," he said. "May I have the pleasure? It's a pity to lose time."
Her red lips smiled delighted assent. She laid her hand with a feathery touch upon the arm he offered. "Oh, how lovely!" she said, and slid into his hold like a giddy little water-fowl taking to its own beloved element.
"Well, I'm jiggered!" said Billy. "And she's never danced with a man—except of course me—before!"
"Live and learn!" said Scott.
He watched the couple go up the great room, and he saw that, as he had suspected, Dinah was an exquisite dancer. Her whole being was merged in movement. She was as an instrument in the hand of a skilled player.
Sir Eustace Studley was an excellent dancer too, though he did not often trouble himself to dance as perfectly as he was dancing now. It was not often that he had a partner worthy of his best, and it was a semi-conscious habit of his never voluntarily to give better than he received.
But this little gipsy-girl of Scott's discovery called forth all his talent. She did not want to talk. She only wanted to dance, to spend herself in a passion of dancing that was an ecstasy beyond all speech. She was as sensitive as a harp-string to his touch; she was music, she was poetry, she was charm. The witchery of her began to possess him. Her instant response to his mood, her almost uncanny interpretation thereof, became like a spell to his senses. From wonder he passed to delight, and from delight to an almost feverish desire for more. He swayed her to his will with a well-nigh savage exultation, and she gave herself up to it so completely, so freely, so unerringly, that it was as if her very individuality had melted in some subtle fashion and become
