Henry Cornelius Agrippa was born in the year 1486. He was one of the most celebrated men of his time. His talents were remarkably great; and he had a surprising facility in the acquisition of languages. He is spoken of with the highest commendations by Trithemius, Erasmus, Melancthon, and others, the greatest men of his times. But he was a man of the most violent passions, and of great instability of temper. He was of consequence exposed to memorable vicissitudes. He had great reputation as an astrologer, and was assiduous in the cultivation of chemistry. He had the reputation of possessing the philosopher’s stone, and was incessantly experiencing the privations of poverty. He was subject to great persecutions, and was repeatedly imprisoned. He received invitations at the same time from Henry VIII, from the chancellor of the emperor, from a distinguished Italian marquis, and from Margaret of Austria, governess of the Low Countries. He made his election in favour of the last, and could find no way so obvious of showing his gratitude for her patronage, as composing an elaborate treatise on the Superiority of the Female Sex, which he dedicated to her. Shortly after, he produced a work not less remarkable, to demonstrate the Vanity and Emptiness of Scientifical Acquirements. Margaret of Austria being dead, he was subsequently appointed physician to Louisa of Savoy, mother to Francis I. This lady however having assigned him a task disagreeable to his inclination, a calculation according to the rules of astrology, he made no scruple of turning against her, and affirming that he should henceforth hold her for a cruel and perfidious Jezebel. After a life of storms and perpetual vicissitude, he died in 1534, aged 48 years.
He enters however into the work I am writing, principally on account of the extraordinary stories that have been told of him on the subject of magic. He says of himself, in his Treatise on the Vanity of Sciences, “Being then a very young man, I wrote in three books of a considerable size Disquisitions concerning Magic.”
The first of the stories I am about to relate is chiefly interesting, inasmuch as it is connected with the history of one of the most illustrious ornaments of our early English poetry, Henry Howard earl of Surrey, who suffered death at the close of the reign of King Henry VIII. The earl of Surrey, we are told, became acquainted with Cornelius Agrippa at the court of John George elector of Saxony. On this occasion were present, beside the English nobleman, Erasmus, and many other persons eminent in the republic of letters. These persons shewed themselves enamoured of the reports that had been spread of Agrippa, and desired him before the elector to exhibit something memorable. One intreated him to call up Plautus, and shew him as he appeared in garb and countenance, when he ground corn in the mill. Another before all things desired to see Ovid. But Erasmus earnestly requested to behold Tully in the act of delivering his oration for Roscius. This proposal carried the most votes. And, after marshalling the concourse of spectators, Tully appeared, at the command of Agrippa, and from the rostrum pronounced the oration, precisely in the words in which it has been handed down to us, “with such astonishing animation, so fervent an exaltation of spirit, and such soul-stirring gestures, that all the persons present were ready, like the Romans of old, to pronounce his client innocent of every charge that had been brought against him.” The story adds, that, when sir Thomas More was at the same place, Agrippa shewed him the whole destruction of Troy in a dream. To Thomas Lord Cromwel he exhibited in a perspective glass King Henry VIII and all his lords hunting in his forest at Windsor. To Charles V he shewed David, Solomon, Gideon, and the rest, with the Nine Worthies, in their habits and similitude as they had lived.
Lord Surrey, in the mean time having gotten into familiarity with Agrippa, requested him by the way side as they travelled, to set before him his mistress, the fair Geraldine, shewing at the same time what she did, and with whom she talked. Agrippa accordingly exhibited his magic glass, in which the noble poet saw this beautiful dame, sick, weeping upon her bed, and inconsolable for the absence of her admirer. — It is now known, that the sole authority for this tale is Thomas Nash, the dramatist, in his Adventures of Jack Wilton, printed in the year 1593.
Paulus Jovius relates that Agrippa always kept a devil attendant upon him, who accompanied him in all his travels in the shape of a black dog. When he lay on his death-bed, he was earnestly exhorted to repent of his sins. Being in consequence struck with a deep contrition, he took hold of the dog, and removed from him a collar studded with nails, which formed a necromantic inscription, at the same time saying to him, “Begone, wretched animal, which hast been the cause of my entire destruction!”— It is added, that the dog immediately ran away, and plunged itself in the river Soane, after which it was seen no more. 201 It is further related of Agrippa, as of many other magicians, that he was in the habit, when he regaled himself at an inn, of paying his bill in counterfeit money, which at the time of payment appeared of sterling value, but in a few days after became pieces of horn and worthless shells. 202
But the most extraordinary story of Agrippa is told by Delrio, and is as follows. Agrippa had occasion one time to be absent for a few days from his residence at Louvain. During his absence he intrusted his wife with the key of his Museum, but with an earnest injunction that no one on any account should be allowed to enter. Agrippa happened at that time to have a boarder in his house, a young fellow of insatiable curiosity, who would never give over importuning his hostess, till at length he obtained from her the forbidden key. The first thing in the Museum that attracted his attention, was a book of spells and incantations. He spread this book upon a desk, and, thinking no harm, began to read aloud. He had not long continued this occupation, when a knock was heard at the door of the chamber. The youth took no notice, but continued reading. Presently followed a second knock, which somewhat alarmed the reader. The space of a minute having elapsed, and no answer made, the door was opened, and a demon entered. “For what purpose am I called?” said the stranger sternly. “What is it you demand to have done?” The youth was seized with the greatest alarm, and struck speechless. The demon advanced towards him, seized him by the throat, and strangled him, indignant that his presence should thus be invoked from pure thoughtlessness and presumption.
At the expected time Agrippa came home, and to his great surprise found a number of devils capering and playing strange antics about, and on the roof of his house. By his art he caused them to desist from their sport, and with authority demanded what was the cause of this novel appearance. The chief of them answered. He told how they had been invoked, and insulted, and what revenge they had taken. Agrippa became exceedingly alarmed for the consequences to himself of this unfortunate adventure. He ordered the demon without loss of time to reanimate the body of his victim, then to go forth, and to walk the boarder three or four times up and down the market-place in the sight of the people. The infernal spirit did as he was ordered, shewed the student publicly alive, and having done this, suffered the body to fall down, the marks of conscious existence being plainly no more. For a time it was thought that the student had been killed by a sudden attack of disease. But, presently after, the marks of strangulation were plainly discerned, and the truth came out. Agrippa was then obliged suddenly to withdraw himself, and to take up his residence in a distant province. 203
Wierus in his well known book, De Praestigiis Demonum, informs us that he had lived for years in daily attendance on Cornelius Agrippa, and that the black dog respecting which such strange surmises had been circulated, was a perfectly innocent animal that he had often led in a string. He adds, that the sole foundation for the story lay in the fact, that Agrippa had been much attached to the dog, which he was accustomed to permit to eat off the table with its master, and even to lie of nights in his bed. He further remarks, that Agrippa was accustomed often not to go out of his room for a week together, and that people accordingly wondered that he could have such accurate information of what was going on in all parts of the world, and would have it that his intelligence was communicated to him by his dog. He subjoins however, that Agrippa had in fact correspondents in every quarter of the globe, and received letters from them daily, and that this was the real source of his extraordinary intelligence. 204
Naudé,
