founder of a college still bearing his name in the university of Cambridge, Kelly, Ashmole, and Lilly, are well-known names in the astrological history of this period. Torralvo,p whose fame as an aerial voyager is immortalised by Cervantes in 'Don Quixote,' was as great a magician in Spain and Italy as Dee in England, although not so familiar to English readers as their countryman, the protégé of Elizabeth. Neither was his magical faculty so well rewarded. Dr. Torralvo, a physician, had studied medicine and philosophy with extraordinary success, and was high in the confidence of many of the eminent personages of Spain and Italy, for whom he fortunately predicted future success. A confirmed infidel or freethinker, he was denounced to the Inquisition by the treachery of an associate as denying or disputing the immortality of the soul, as well as the divinity of Christ. This was in 1529. Torralvo, put to the torture, admitted that his informing spirit, Zequiel, was a demon by whose assistance he performed his aerial journeys and all his extraordinary feats, both of prophecy and of actual power. Some part of the severity of the tortures was remitted by the demon's opportune reply to the curiosity of the presiding inquisitors, that Luther and the Reformers were bad and cunning men. Torralvo seems to have avoided the extreme penalty of fire by recanting his heresies, submitting to the superior judgment of his gaolers, and still more by the interest of his powerful employers; and he was liberated not long afterwards.
The life of Dr. Dee, an eminent Cambridge mathematician, and of his associate Edward Kelly, forms a curious biography. Dee was born in 1527. He studied at the English and foreign universities with great success and applause; and while the Princess Elizabeth was quite young he acquired her friendship, maintained by frequent correspondence, and on her succession to the throne the queen showed her good will in a conspicuous manner. John Dee left to posterity a diary in which he has inserted a regular account of his conjurations, prophetic intimations, and magical resources. Notwithstanding his mathematical acumen, he was the dupe of his cunning subordinate—more of a knave, probably, than his master. In 1583 a Polish prince, Albert Laski, visiting the English court, frequented the society of the renowned astrologer, by whom he was initiated in the secrets of the art; and predicted to be the future means of an important revolution in Europe. The astrologers wandered over all Germany, at one time favourably received by the credulity, at another time ignominiously ejected by the indignant disappointment, of a patron.106 Dee returned to England in 1589, and was finally appointed to the wardenship of the college at Manchester. In James's reign he was well received at Court, his reputation as a magician increasing; and in 1604 he is found presenting a petition to the king, imploring his good offices in dispelling the injurious imputation of being 'a conjuror, or caller, or invocator of devils.' Lilly, the most celebrated magician of the seventeenth century in England, was in the highest repute during the civil wars: his prophetic services were sought with equal anxiety by royalists and patriots, by king and parliament.107 Sometimes the professor of the occult science may have been his own dupe: oftener he imposed and speculated upon the credulity of others.
Prospero is the type of the Theurgic, as Comus is of the Goetic, magician. His spiritual minister belongs to the order of good, or at least middle spirits—
'Too black for heav'n, and yet too white for hell.'108
Prospero, by an irresistible magic, subdued to his service the reluctant Caliban, a monster 'got by the devil himself upon his wicked dam:' but that semi-demon is degraded into a mere beast of burden, brutal and savage, with little of the spiritual essence of his male parent. Comus, as represented in that most beautiful drama by the genius of Milton, is of the classic rather than Christian sort: he is the true son of Circe, using his mother's method of enchantment, transforming his unwary victims into the various forms or faces of the bestial herd. Like the island magician without his magical garment, the wicked enchanter without his wand loses his sorceric power; and—
'Without his rod reversed,
And backward mutters of dissevering power,'
it is not possible to disenchant his spell-bound prisoners.
In the sixteenth century many wonderful stories obtained of the tremendous feats of the magic art. Those that related the lives of Bacon, and of Faust (of German origin), were best known in England; and, in the dramatic form, were represented on the stage. The comedy of 'Friar Bacon and Friar Bungay,' and the tragedy of 'The Life and Death of Dr. Faustus,' are perhaps the most esteemed of the dramatic writings of the age which preceded the appearance of Shakspeare. In the latter Faustus makes a compact with the devil, by which a familiar spirit and a preternatural art are granted him for twenty-four years. At the end of this period his soul is to be the reward of the demons.109 From the 'Faustus' of Christopher Marlow, Goethe has derived the name and idea of the most celebrated tragedy of our day.
Magic and necromantic prowess was equally recognised in Southern Europe. The Italian poets employed such imposing paraphernalia in the construction of an epic; and Cervantes has ridiculed the prevailing belief of his countrymen.110
Alchymy, the science of the transformation of baser metals into gold, a pursuit which engaged the anxious thought and wasted the health, time, and fortunes of numbers of fanatical empirics, was one of the most prized of the abstruse occult arts. Monarchs, princes, the great of all countries, eagerly vied among themselves in encouraging with promises and sometimes with more substantial incentives the zeal of their illusive search; and Henry IV. of France could see no reason why, if the bread and wine were transubstantiated so miraculously, a metal could not be transformed as well.111
Among the eminent names of self-styled or reputed masters of the nobler or white magic, some, like the celebrated Paracelsus, were men of extraordinary attainments and largely acquainted with the secrets of natural science. A necessarily imperfect knowledge, a natural desire to impose upon the ignorant wonder of the vulgar, and the vanity of a learning which was ambitious of exhibiting, in the most imposing if less intelligible way, their superior knowledge, were probably the mixed causes which led such distinguished scholars as Paracelsus, Cornelius Agrippa, Cardan, and Campanella to oppress themselves and their readers with a mass of unintelligible rubbish and cabalistic mysticism.112 Slow and gradual as are the successive advances in the knowledge and improvement of mankind, it would not be reasonable to be surprised that preceding generations could not at once attain to the knowledge of a maturer age; and the teachers of mankind groped their dark and uncertain way in ages destitute of the illumination of modern times.'113
105. The diffusion and progress of astrology in the last two centuries before the Empire, in Greece and Italy, was favoured chiefly by the four following causes: its resemblance to the meteorological astrology of the Greeks; the belief in the conversion of the souls of men into stars; the cessation of the oracles; the belief in a tutelary genius.—Sir G. C. Lewis's Historical Survey of the Astronomy of the Ancients, chap. v.
106. While traversing Bohemia, on a particular occasion, it was revealed to be God's pleasure that the two friends should have a community of wives; a little episode noted in Dee's journal. 'On Sunday, May 3, 1587, I, John Dee, Edward Kelly, and our two wives, covenanted with God, and subscribed the same for indissoluble unities, charity, and friendship keeping between us four, and all things between us to be common, as God by sundry means willed us to do.' A sort of inspiration of frequent occurrence in religious revelations, from the times of the Arabian to those of the American prophet.
