else can stand your weight—and besides, we cannot be sociable with you away up there above me; I want you down where I can perch on this high counting-house stool and gossip with you face to face."
So he sat down on the floor, and lit a pipe which I gave him, threw one of my red blankets over his shoulders, inverted my sitz-bath on his head, helmet fashion, and made himself picturesque and comfortable. Then he crossed his ankles, while I renewed the fire, and exposed the flat, honeycombed bottoms of his prodigious feet to the grateful warmth.
"What is the matter with the bottom of your feet and the back of your legs, that they are gouged up so?"
"Infernal chilblains—I caught them clear up to the back of my head, roosting out there under Newell's farm. But I love the place; I love it as one loves his old home. There is no peace for me like the peace I feel when I am there."
We talked along for half an hour, and then I noticed that he looked tired, and spoke of it.
"Tired?" he said. "Well, I should think so. And now I will tell you all about it, since you have treated me so well. I am the spirit of the Petrified Man that lies across the street there in the museum. I am the ghost of the Cardiff Giant. I can have no rest, no peace, till they have given that poor body burial again. Now what was the most natural thing for me to do, to make men satisfy this wish? Terrify them into it!— haunt the place where the body lay! So I haunted the museum night after night. I even got other spirits to help me. But it did no good, for nobody ever came to the museum at midnight. Then it occurred to me to come over the way and haunt this place a little. I felt that if I ever got a hearing I must succeed, for I had the most efficient company that perdition could furnish. Night after night we have shivered around through these mildewed halls, dragging chains, groaning, whispering, tramping up and down stairs, till, to tell you the truth, I am almost worn out. But when I saw a light in your room to-night I roused my energies again and went at it with a deal of the old freshness. But I am tired out—entirely fagged out. Give me, I beseech you, give me some hope!"
I lit off my perch in a burst of excitement, and exclaimed:
"This transcends everything! everything that ever did occur! Why you poor blundering old fossil, you have had all your trouble for nothing—you have been haunting a plaster cast of yourself—the real Cardiff Giant is in Albany!—(A fact. The original fraud was ingeniously and fraudfully duplicated, and exhibited in New York as the "only genuine" Cardiff Giant (to the unspeakable disgust of the owners of the real colossus) at the very same time that the latter was drawing crowds at a museum in Albany,)—Confound it, don't you know your own remains?"
I never saw such an eloquent look of shame, of pitiable humiliation, overspread a countenance before.
The Petrified Man rose slowly to his feet, and said:
"Honestly, is that true?"
"As true as I am sitting here."
He took the pipe from his mouth and laid it on the mantel, then stood irresolute a moment (unconsciously, from old habit, thrusting his hands where his pantaloons pockets should have been, and meditatively dropping his chin on his breast) and finally said:
"Well—I never felt so absurd before. The Petrified Man has sold everybody else, and now the mean fraud has ended by selling its own ghost! My son, if there is any charity left in your heart for a poor friendless phantom like me, don't let this get out. Think how you would feel if you had made such an ass of yourself."
I heard his stately tramp die away, step by step down the stairs and out into the deserted street, and felt sorry that he was gone, poor fellow—and sorrier still that he had carried off my red blanket and my bath-tub.
The Capitoline Venus
Chapter I.
Scene-An Artist's Studio in Rome.
"Oh, George, I do love you!"
"Bless your dear heart, Mary, I know that—why is your father so obdurate?"
"George, he means well, but art is folly to him—he only understands groceries. He thinks you would starve me."
"Confound his wisdom—it savors of inspiration. Why am I not a money-making bowelless grocer, instead of a divinely gifted sculptor with nothing to eat?"
"Do not despond, Georgy, dear—all his prejudices will fade away as soon as you shall have acquired fifty thousand dol—"
"Fifty thousand demons! Child, I am in arrears for my board!"
Chapter II.
Scene-A Dwelling in Rome.
"My dear sir, it is useless to talk. I haven't anything against you, but I can't let my daughter marry a hash of love, art, and starvation—I believe you have nothing else to offer."
"Sir, I am poor, I grant you. But is fame nothing? The Hon. Bellamy Foodle of Arkansas says that my new statue of America is a clever piece of sculpture, and he is satisfied that my name will one day be famous."
"Bosh! What does that Arkansas ass know about it? Fame's nothing—the market price of your marble scarecrow is the thing to look at. It took you six months to chisel it, and you can't sell it for a hundred dollars. No, sir! Show me fifty thousand dollars and you can have my daughter—otherwise she marries young Simper. You have just six months to raise the money in. Good morning, sir."
"Alas! Woe is me!"
Chapter III.
Scene-The Studio.
"Oh, John, friend of my boyhood, I am the unhappiest of men."
"You're a simpleton!"
"I have nothing left to love but my poor statue of America—and see, even she has no sympathy for me in her cold marble countenance—so beautiful and so heartless!"
"You're a dummy!"
"Oh, John!"
"Oh, fudge! Didn't you say you had six months to raise the money in?"
"Don't deride my agony, John. If I had six centuries what good would it do? How could it help a poor wretch without name, capital, or friends?"
"Idiot! Coward! Baby! Six months to raise the money in—and five will do!"
"Are you insane?"
"Six months—an abundance. Leave it to me. I'll
