Woodstock (Unabridged). Walter Scott

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Woodstock (Unabridged) - Walter Scott

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marry, were we,” said Joceline; “but we kept some halfscore together, what with bluebottles in the Lodge, what with green caterpillars of the chase, like him who is yours to command; we stuck together till we found a call to take a morning’s ride somewhere or other.”

      “To the town of Worcester,” said the soldier, “where you were crushed like vermin and palmer worms, as you are.”

      “You may say your pleasure,” replied the keeper; “I’ll never contradict a man who has got my head under his belt. Our backs are at the wall, or you would not be here.”

      “Nay, friend,” said the Independent, “thou riskest nothing by thy freedom and trust in me. I can be bon camarado to a good soldier, although I have striven with him even to the going down of the sun.—But here we are in front of the Lodge.”

      They stood accordingly in front of the old Gothic building, irregularly constructed, and at different times, as the humour of the English monarchs led them to taste the pleasures of Woodstock Chase, and to make such improvements for their own accommodation as the increasing luxury of each age required. The oldest part of the structure had been named by tradition Fair Rosamond’s Tower; it was a small turret of great height, with narrow windows, and walls of massive thickness. The Tower had no opening to the ground, or means of descending, a great part of the lower portion being solid mason-work. It was traditionally said to have been accessible only by a sort of small drawbridge, which might be dropped at pleasure from a little portal near the summit of the turret, to the battlements of another tower of the same construction, but twenty feet lower, and containing only a winding staircase, called in Woodstock Love’s Ladder; because it is said, that by ascending this staircase to the top of the tower, and then making use of the drawbridge, Henry obtained access to the chamber of his paramour.

      This tradition had been keenly impugned by Dr. Rochecliffe, the former rector of Woodstock, who insisted, that what was called Rosamond’s Tower, was merely an interior keep, or citadel, to which the lord or warden of the castle might retreat, when other points of safety failed him; and either protract his defence, or, at the worst, stipulate for reasonable terms of surrender. The people of Woodstock, jealous of their ancient traditions, did not relish this new mode of explaining them away; and it is even said, that the Mayor, whom we have already introduced, became Presbyterian, in revenge of the doubts cast by the rector upon this important subject, rather choosing to give up the Liturgy than his fixed belief in Rosamond’s Tower, and Love’s Ladder.

      The rest of the Lodge was of considerable extent, and of different ages; comprehending a nest of little courts, surrounded by buildings which corresponded with each other, sometimes within-doors, sometimes by crossing the courts, and frequently in both ways. The different heights of the buildings announced that they could only be connected by the usual variety of staircases, which exercised the limbs of our ancestors in the sixteenth and earlier centuries, and seem sometimes to have been contrived for no other purpose.

      The varied and multiplied fronts of this irregular building were, as Dr. Rochecliffe was wont to say, an absolute banquet to the architectural antiquary, as they certainly contained specimens of every style which existed, from the pure Norman of Henry of Anjou, down to the composite, half Gothic half classical architecture of Elizabeth and her successor. Accordingly, the rector was himself as much enamoured of Woodstock as ever was Henry of Fair Rosamond; and as his intimacy with Sir Henry Lee permitted him entrance at all times to the Royal Lodge, he used to spend whole days in wandering about the antique apartments, examining, measuring, studying, and finding out excellent reasons for architectural peculiarities, which probably only owed their existence to the freakish fancy of a Gothic artist. But the old antiquary had been expelled from his living by the intolerance and troubles of the times, and his successor, Nehemiah Holdenough, would have considered an elaborate investigation of the profane sculpture and architecture of blinded and bloodthirsty Papists, together with the history of the dissolute amours of old Norman monarchs, as little better than a bowing down before the calves of Bethel, and a drinking of the cup of abominations.—We return to the course of our story.

      “There is,” said the Independent Tomkins, after he had carefully perused the front of the building, “many a rare monument of olden wickedness about this miscalled Royal Lodge; verily, I shall rejoice much to see the same destroyed, yea, burned to ashes, and the ashes thrown into the brook Kedron, or any other brook, that the land may be cleansed from the memory thereof, neither remember the iniquity with which their fathers have sinned.”

      The keeper heard him with secret indignation, and began to consider with himself, whether, as they stood but one to one, and without chance of speedy interference, he was not called upon, by his official duty, to castigate the rebel who used language so defamatory. But he fortunately recollected, that the strife must be a doubtful one—that the advantage of arms was against him—and that, in especial, even if he should succeed in the combat, it would be at the risk of severe retaliation. It must be owned, too, that there was something about the Independent so dark and mysterious, so grim and grave, that the more open spirit of the keeper felt oppressed, and, if not overawed, at least kept in doubt concerning him; and he thought it wisest, as well as safest, for his master and himself, to avoid all subjects of dispute, and know better with whom he was dealing, before he made either friend or enemy of him.

      The great gate of the Lodge was strongly bolted, but the wicket opened on Joceline’s raising the latch. There was a short passage of ten feet, which had been formerly closed by a portcullis at the inner end, while three loopholes opened on either side, through which any daring intruder might be annoyed, who, having surprised the first gate, must be thus exposed to a severe fire before he could force the second. But the machinery of the portcullis was damaged, and it now remained a fixture, brandishing its jaw, well furnished with iron fangs, but incapable of dropping it across the path of invasion.

      The way, therefore, lay open to the great hall or outer vestibule of the Lodge. One end of this long and dusky apartment was entirely occupied by a gallery, which had in ancient times served to accommodate the musicians and minstrels. There was a clumsy staircase at either side of it, composed of entire logs of a foot square; and in each angle of the ascent was placed, by way of sentinel, the figure of a Norman foot-soldier, having an open casque on his head, which displayed features as stern as the painter’s genius could devise. Their arms were buff-jackets, or shirts of mail, round bucklers, with spikes in the centre, and buskins which adorned and defended the feet and ankles, but left the knees bare. These wooden warders held great swords, or maces, in their hands, like military guards on duty. Many an empty hook and brace, along the walls of the gloomy apartment, marked the spots from which arms, long preserved as trophies, had been, in the pressure of the wars, once more taken down, to do service in the field, like veterans whom extremity of danger recalls to battle. On other rusty fastenings were still displayed the hunting trophies of the monarchs to whom the Lodge belonged, and of the silvan knights to whose care it had been from time to time confided.

      At the nether end of the hall, a huge, heavy, stone-wrought chimneypiece projected itself ten feet from the wall, adorned with many a cipher, and many a scutcheon of the Royal House of England. In its present state, it yawned like the arched mouth of a funeral vault, or perhaps might be compared to the crater of an extinguished volcano. But the sable complexion of the massive stonework, and all around it, showed that the time had been when it sent its huge fires blazing up the huge chimney, besides puffing many a volume of smoke over the heads of the jovial guests, whose royalty or nobility did not render them sensitive enough to quarrel with such slight inconvenience. On these occasions, it was the tradition of the house, that two cartloads of wood was the regular allowance for the fire between noon and curfew, and the andirons, or dogs, as they were termed, constructed for retaining the blazing firewood on the hearth, were wrought in the shape of lions of such gigantic size as might well warrant the legend. There were long seats of stone within the chimney, where, in despite of the tremendous heat, monarchs were sometimes said to have taken their station, and amused themselves with broiling the umbles, or dowsels, of the deer, upon the

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