music and his two lifelong friends, the Señors Americanos. The opera chorus was agitated with esteem, and followed us from house to house. There was a different kind of drink to be had with every tune. The natives had acquirements of a pleasant thing in the way of a drink that gums itself to the recollection. They chop off the end of a green cocoanut, and pour in on the juice of it French brandy and other adjuvants. We had them and other things.
“Mine and Henry’s money was counterfeit. Everything was on Homer P. Mellinger. That man could find rolls of bills concealed in places on his person where Hermann the Wizard couldn’t have conjured out a rabbit or an omelette. He could have founded universities, and made orchid collections, and then had enough left to purchase the colored vote of his country. Henry and me wondered what his graft was. One evening he told us.
“‘Boys,’ said he, ‘I’ve deceived you. You think I’m a painted butterfly; but in fact I’m the hardest worked man in this country. Ten years ago I landed on its shores; and two years ago on the point of its jaw. Yes, I guess I can get the decision over this ginger cake commonwealth at the end of any round I choose. I’ll confide in you because you are my countrymen and guests, even if you have assaulted my adopted shores with the worst system of noises ever set to music.
“‘My job is private secretary to the president of this republic; and my duties are running it. I’m not headlined in the bills, but I’m the mustard in the salad dressing just the same. There isn’t a law goes before Congress, there isn’t a concession granted, there isn’t an import duty levied but what H. P. Mellinger he cooks and seasons it. In the front office I fill the president’s inkstand and search visiting statesmen for dirks and dynamite; but in the back room I dictate the policy of the government. You’d never guess in the world how I got my pull. It’s the only graft of its kind on earth. I’ll put you wise. You remember the old top-liner in the copy book— “Honesty is the Best Policy”? That’s it. I’m working honesty for a graft. I’m the only honest man in the republic. The government knows it; the people know it; the boodlers know it; the foreign investors know it. I make the government keep its faith. If a man is promised a job he gets it. If outside capital buys a concession it gets the goods. I run a monopoly of square dealing here. There’s no competition. If Colonel Diogenes were to flash his lantern in this precinct he’d have my address inside of two minutes. There isn’t big money in it, but it’s a sure thing, and lets a man sleep of nights.’
“Thus Homer P. Mellinger made oration to me and Henry Horsecollar. And, later, he divested himself of this remark:
“‘Boys, I’m to hold a soirée this evening with a gang of leading citizens, and I want your assistance. You bring the musical corn sheller and give the affair the outside appearance of a function. There’s important business on hand, but it mustn’t show. I can talk to you people. I’ve been pained for years on account of not having anybody to blow off and brag to. I get homesick sometimes, and I’d swap the entire perquisites of office for just one hour to have a stein and a caviare sandwich somewhere on Thirty-fourth Street, and stand and watch the street cars go by, and smell the peanut roaster at old Giuseppe’s fruit stand.’
“‘Yes,’ said I, ‘there’s fine caviare at Billy Renfrew’s café, corner of Thirty-fourth and—’
“‘God knows it,’ interrupts Mellinger, ‘and if you’d told me you knew Billy Renfrow I’d have invented tons of ways of making you happy. Billy was my sidekicker in New York. There is a man who never knew what crooked was. Here I am working Honesty for a graft, but that man loses money on it. Carrambos! I get sick at times of this country. Everything’s rotten. From the executive down to the coffee pickers, they’re plotting to down each other and skin their friends. If a mule driver takes off his hat to an official, that man figures it out that he’s a popular idol, and sets his pegs to stir up a revolution and upset the administration. It’s one of my little chores as private secretary to smell out these revolutions and affix the kibosh before they break out and scratch the paint off the government property. That’s why I’m down here now in this mildewed coast town. The governor of the district and his crew are plotting to uprise. I’ve got every one of their names, and they’re invited to listen to the phonograph tonight, compliments of H. P. M. That’s the way I’ll get them in a bunch, and things are on the programme to happen to them.’
“We three were sitting at table in the cantina of the Purified Saints. Mellinger poured out wine, and was looking some worried; I was thinking.
“‘They’re a sharp crowd,’ he says, kind of fretful. ‘They’re capitalized by a foreign syndicate after rubber, and they’re loaded to the muzzle for bribing. I’m sick,’ goes on Mellinger, ‘of comic opera. I want to smell East River and wear suspenders again. At times I feel like throwing up my job, but I’m d —— n fool enough to be sort of proud of it. “There’s Mellinger,” they say here. “Por Dios! you can’t touch him with a million.” I’d like to take that record back and show it to Billy Renfrow some day; and that tightens my grip whenever I see a fat thing that I could corral just by winking one eye — and losing my graft. By —— , they can’t monkey with me. They know it. What money I get I make honest and spend it. Some day I’ll make a pile and go back and eat caviare with Billy. Tonight I’ll show you how to handle a bunch of corruptionists. I’ll show them what Mellinger, private secretary, means when you spell it with the cotton and tissue paper off.’
“Mellinger appears shaky, and breaks his glass against the neck of the bottle.
“I says to myself, ‘White man, if I’m not mistaken there’s been a bait laid out where the tail of your eye could see it.’
“That night, according to arrangements, me and Henry took the phonograph to a room in a ‘dobe house in a dirty side street, where the grass was knee high. ’Twas a long room, lit with smoky oil lamps. There was plenty of chairs, and a table at the back end. We set the phonograph on the table. Mellinger was there, walking up and down, disturbed in his predicaments. He chewed cigars and spat ’em out, and he bit the thumb nail of his left hand.
“By and by the invitations to the musicale came sliding in by pairs and threes and spade flushes. Their colour was of a diversity, running from a three-days’ smoked meerschaum to a patent-leather polish. They were as polite as wax, being devastated with enjoyments to give Señor Mellinger the good evenings. I understood their Spanish talk — I ran a pumping engine two years in a Mexican silver mine, and had it pat — but I never let on.
“Maybe fifty of ’em had come, and was seated, when in slid the king bee, the governor of the district. Mellinger met him at the door, and escorted him to the grand stand. When I saw that Latin man I knew that Mellinger, private secretary, had all the dances on his card taken. That was a big, squashy man, the colour of a rubber overshoe, and he had an eye like a head waiter’s.
“Mellinger explained, fluent, in the Castilian idioms, that his soul was disconcerted with joy at introducing to his respected friends America’s greatest invention, the wonder of the age. Henry got the cue and run on an elegant brass-band record and the festivities became initiated. The governor man had a bit of English under his hat, and when the music was choked off he says:
“‘Ver-r-ree fine. Gr-r-r-r-racias, the American gentleemen, the so esplendeed moosic as to playee.’
“The table was a long one, and Henry and me sat at the end of it next the wall. The governor sat at the other end. Homer P. Mellinger stood at the side of it. I was just wondering how Mellinger was going to handle his crowd, when the home talent suddenly opened the services.
“That governor man was suitable for uprisings and policies. I judge he was a ready kind of man, who took his own time. Yes, he was full of attention and immediateness. He leaned his hands on the table and imposed his face toward the secretary man.
