her guitar. And then, by twos and threes, would come visiting young caballeros and occupy the prim line of chairs set against the wall of this room. They were there to besiege the heart of “La Santita.” Their method (which is not proof against intelligent competition) consisted of expanding the chest, looking valorous, and consuming a gross or two of cigarettes. Even saints delicately oranged prefer to be wooed differently.
Doña Pasa would tide over the vast chasms of nicotinized silence with music from her guitar, while she wondered if the romances she had read about gallant and more — more contiguous cavaliers were all lies. At somewhat regular intervals Madama would glide in from the dispensary with a sort of drought-suggesting gleam in her eye, and there would be a rustling of stiffly-starched white trousers as one of the caballeros would propose an adjournment to the bar.
That Dicky Maloney would, sooner or later, explore this field was a thing to be foreseen. There were few doors in Coralio into which his red head had not been poked.
In an incredibly short space of time after his first sight of her he was there, seated close beside her rocking chair. There were no back-against-the-wall poses in Dicky’s theory of wooing. His plan of subjection was an attack at close range. To carry the fortress with one concentrated, ardent, eloquent, irresistible escalade — that was Dicky’s way.
Pasa was descended from the proudest Spanish families in the country. Moreover, she had had unusual advantages. Two years in a New Orleans school had elevated her ambitions and fitted her for a fate above the ordinary maidens of her native land. And yet here she succumbed to the first red-haired scamp with a glib tongue and a charming smile that came along and courted her properly.
Very soon Dicky took her to the little church on the corner of the plaza, and “Mrs. Maloney” was added to her string of distinguished names.
And it was her fate to sit, with her patient, saintly eyes and figure like a bisque Psyche, behind the sequestered counter of the little shop, while Dicky drank and philandered with his frivolous acquaintances.
The women, with their naturally fine instinct, saw a chance for vivisection, and delicately taunted her with his habits. She turned upon them in a beautiful, steady blaze of sorrowful contempt.
“You meat-cows,” she said, in her level, crystal-clear tones; “you know nothing of a man. Your men are maromeros. They are fit only to roll cigarettes in the shade until the sun strikes and shrivels them up. They drone in your hammocks and you comb their hair and feed them with fresh fruit. My man is of no such blood. Let him drink of the wine. When he has taken sufficient of it to drown one of your flaccitos he will come home to me more of a man than one thousand of your pobrecitos. My hair he smooths and braids; to me he sings; he himself removes my zapatos, and there, there, upon each instep leaves a kiss. He holds — Oh, you will never understand! Blind ones who have never known a man.”
Sometimes mysterious things happened at night about Dicky’s shop. While the front of it was dark, in the little room back of it Dicky and a few of his friends would sit about a table carrying on some kind of very quiet negocios until quite late. Finally he would let them out the front door very carefully, and go upstairs to his little saint. These visitors were generally conspirator-like men with dark clothes and hats. Of course, these dark doings were noticed after a while, and talked about.
Dicky seemed to care nothing at all for the society of the alien residents of the town. He avoided Goodwin, and his skilful escape from the trepanning story of Dr. Gregg is still referred to, in Coralio, as a masterpiece of lightning diplomacy.
Many letters arrived, addressed to “Mr. Dicky Maloney,” or “Señor Dickee Maloney,” to the considerable pride of Pasa. That so many people should desire to write to him only confirmed her own suspicion that the light from his red head shone around the world. As to their contents she never felt curiosity. There was a wife for you!
The one mistake Dicky made in Coralio was to run out of money at the wrong time. Where his money came from was a puzzle, for the sales of his shop were next to nothing, but that source failed, and at a peculiarly unfortunate time. It was when the comandante, Don Señor el Coronel Encarnacion Rios, looked upon the little saint seated in the shop and felt his heart go pitapat.
The comandante, who was versed in all the intricate arts of gallantry, first delicately hinted at his sentiments by donning his dress uniform and strutting up and down fiercely before her window. Pasa, glancing demurely with her saintly eyes, instantly perceived his resemblance to her parrot, Chichi, and was diverted to the extent of a smile. The comandante saw the smile, which was not intended for him. Convinced of an impression made, he entered the shop, confidently, and advanced to open compliment. Pasa froze; he pranced; she flamed royally; he was charmed to injudicious persistence; she commanded him to leave the shop; he tried to capture her hand, and — Dicky entered, smiling broadly, full of white wine and the devil.
He spent five minutes in punishing the comandante scientifically and carefully, so that the pain might be prolonged as far as possible. At the end of that time he pitched the rash wooer out the door upon the stones of the street, senseless.
A barefooted policeman who had been watching the affair from across the street blew a whistle. A squad of four soldiers came running from the cuartel around the corner. When they saw that the offender was Dicky, they stopped, and blew more whistles, which brought out reënforcements of eight. Deeming the odds against them sufficiently reduced, the military advanced upon the disturber.
Dicky, being thoroughly imbued with the martial spirit, stooped and drew the comandante’s sword, which was girded about him, and charged his foe. He chased the standing army four squares, playfully prodding its squealing rear and hacking at its ginger-coloured heels.
But he was not so successful with the civic authorities. Six muscular, nimble policemen overpowered him and conveyed him, triumphantly but warily, to jail. “El Diablo Colorado” they dubbed him, and derided the military for its defeat.
Dicky, with the rest of the prisoners, could look out through the barred door at the grass of the little plaza, at a row of orange trees and the red tile roofs and ‘dobe walls of a line of insignificant stores.
At sunset along a path across this plaza came a melancholy procession of sad-faced women bearing plantains, cassaba, bread and fruit — each coming with food to some wretch behind those bars to whom she still clung and furnished the means of life. Twice a day — morning and evening — they were permitted to come. Water was furnished to her compulsory guests by the republic, but no food.
That evening Dicky’s name was called by the sentry, and he stepped before the bars of the door. There stood his little saint, a black mantilla draped about her head and shoulders, her face like glorified melancholy, her clear eyes gazing longingly at him as if they might draw him between the bars to her. She brought a chicken, some oranges, dulces and a loaf of white bread. A soldier inspected the food, and passed it in to Dicky. Pasa spoke calmly, as she always did, briefly, in her thrilling, flute-like tones. “Angel of my life,” she said, “let it not be long that thou art away from me. Thou knowest that life is not a thing to be endured with thou not at my side. Tell me if I can do aught in this matter. If not, I will wait — a little while. I come again in the morning.”
Dicky, with his shoes removed so as not to disturb his fellow prisoners, tramped the floor of the jail half the night condemning his lack of money and the cause of it — whatever that might have been. He knew very well that money would have bought his release at once.
For two days succeeding Pasa came at the appointed times and brought him food. He eagerly inquired each time if a letter or package had come for him, and she mournfully shook her head.
On
