to find him in that Mexican lay-out below the depot. He’s got a girl down there — Pancha Sales.”
“How was he armed?” asked Buckley.
“Two pearl-handled sixes, and a knife.”
“Keep this for me, Billy,” said the ranger, handing over his Winchester. Quixotic, perhaps, but it was Bob Buckley’s way. Another man — and a braver one — might have raised a posse to accompany him. It was Buckley’s rule to discard all preliminary advantage.
The Mexican had left behind him a wake of closed doors and an empty street, but now people were beginning to emerge from their places of refuge with assumed unconsciousness of anything having happened. Many citizens who knew the ranger pointed out to him with alacrity the course of Garcia’s retreat.
As Buckley swung along upon the trail he felt the beginning of the suffocating constriction about his throat, the cold sweat under the brim of his hat, the old, shameful, dreaded sinking of his heart as it went down, down, down in his bosom.
*
The morning train of the Mexican Central had that day been three hours late, thus failing to connect with the I. & G.N. on the other side of the river. Passengers for Los Estados Unidos grumblingly sought entertainment in the little swaggering mongrel town of two nations, for, until the morrow, no other train would come to rescue them. Grumblingly, because two days later would begin the great fair and races in San Antone. Consider that at that time San Antone was the hub of the wheel of Fortune, and the names of its spokes were Cattle, Wool, Faro, Running Horses, and Ozone. In those times cattlemen played at crack-loo on the sidewalks with double-eagles, and gentlemen backed their conception of the fortuitous card with stacks limited in height only by the interference of gravity. Wherefore, thither journeyed the sowers and the reapers — they who stampeded the dollars, and they who rounded them up. Especially did the caterers to the amusement of the people haste to San Antone. Two greatest shows on earth were already there, and dozens of smallest ones were on the way.
On a side track near the mean little ‘dobe depot stood a private car, left there by the Mexican train that morning and doomed by an ineffectual schedule to ignobly await, amid squalid surroundings, connection with the next day’s regular.
The car had been once a common day-coach, but those who had sat in it and gringed to the conductor’s hatband slips would never have recognised it in its transformation. Paint and gilding and certain domestic touches had liberated it from any suspicion of public servitude. The whitest of lace curtains judiciously screened its windows. From its fore end drooped in the torrid air the flag of Mexico. From its rear projected the Stars and Stripes and a busy stovepipe, the latter reinforcing in its suggestion of culinary comforts the general suggestion of privacy and ease. The beholder’s eye, regarding its gorgeous sides, found interest to culminate in a single name in gold and blue letters extending almost its entire length — a single name, the audacious privilege of royalty and genius. Doubly, then, was this arrogant nomenclature here justified; for the name was that of “Alvarita, Queen of the Serpent Tribe.” This, her car, was back from a triumphant tour of the principal Mexican cities, and now headed for San Antonio, where, according to promissory advertisement, she would exhibit her “Marvellous Dominion and Fearless Control over Deadly and Venomous Serpents, Handling them with Ease as they Coil and Hiss to the Terror of Thousands of Tongue-tied Tremblers!”
One hundred in the shade kept the vicinity somewhat depeopled. This quarter of the town was a ragged edge; its denizens the bubbling froth of five nations; its architecture tent, jacal, and ‘dobe; its distractions the hurdy-gurdy and the informal contribution to the sudden stranger’s store of experience. Beyond this dishonourable fringe upon the old town’s jowl rose a dense mass of trees, surmounting and filling a little hollow. Through this bickered a small stream that perished down the sheer and disconcerting side of the great canon of the Rio Bravo del Norte.
In this sordid spot was condemned to remain for certain hours the impotent transport of the Queen of the Serpent Tribe.
The front door of the car was open. Its forward end was curtained off into a small reception-room. Here the admiring and propitiatory reporters were wont to sit and transpose the music of Senorita Alvarita’s talk into the more florid key of the press. A picture of Abraham Lincoln hung against a wall; one of a cluster of schoolgirls grouped upon stone steps was in another place; a third was Easter lilies in a blood-red frame. A neat carpet was under foot. A pitcher, sweating cold drops, and a glass stood on a fragile stand. In a willow rocker, reading a newspaper, sat Alvarita.
Spanish, you would say; Andalusian, or, better still, Basque; that compound, like the diamond, of darkness and fire. Hair, the shade of purple grapes viewed at midnight. Eyes, long, dusky, and disquieting with their untroubled directness of gaze. Face, haughty and bold, touched with a pretty insolence that gave it life. To hasten conviction of her charm, but glance at the stacks of handbills in the corner, green, and yellow, and white. Upon them you see an incompetent presentment of the senorita in her professional garb and pose. Irresistible, in black lace and yellow ribbons, she faces you; a blue racer is spiralled upon each bare arm; coiled twice about her waist and once about her neck, his horrid head close to hers, you perceive Kuku, the great eleven-foot Asian python.
A hand drew aside the curtain that partitioned the car, and a middle-aged, faded woman holding a knife and a half-peeled potato looked in and said:
“Alviry, are you right busy?”
“I’m reading the home paper, ma. What do you think! that pale, tow-headed Matilda Price got the most votes in the News for the prettiest girl in Gallipo — lees.”
“Shush! She wouldn’t of done it if /you’d/ been home, Alviry. Lord knows, I hope we’ll be there before fall’s over. I’m tired gallopin’ round the world playin’ we are dagoes, and givin’ snake shows. But that ain’t what I wanted to say. That there biggest snake’s gone again. I’ve looked all over the car and can’t find him. He must have been gone an hour. I remember hearin’ somethin’ rustlin’ along the floor, but I thought it was you.”
“Oh, blame that old rascal!” exclaimed the Queen, throwing down her paper. “This is the third time he’s got away. George never will fasten down the lid to his box properly. I do believe he’s afraid of Kuku. Now I’ve got to go hunt him.”
“Better hurry; somebody might hurt him.”
The Queen’s teeth showed in a gleaming, contemptuous smile. “No danger. When they see Kuku outside they simply scoot away and buy bromides. There’s a crick over between here and the river. That old scamp’d swap his skin any time for a drink of running water. I guess I’ll find him there, all right.”
A few minutes later Alvarita stopped upon the forward platform, ready for her quest. Her handsome black skirt was shaped to the most recent proclamation of fashion. Her spotless shirtwaist gladdened the eye in that desert of sunshine, a swelling oasis, cool and fresh. A man’s split-straw hat sat firmly on her coiled, abundant hair. Beneath her serene, round, impudent chin a man’s four-in-hand tie was jauntily knotted about a man’s high, stiff collar. A parasol she carried, of white silk, and its fringe was lace, yellowly genuine.
I will grant Gallipolis as to her costume, but firmly to Seville or Valladolid I am held by her eyes; castanets, balconies, mantillas, serenades, ambuscades, escapades — all these their dark depths guaranteed.
“Ain’t you afraid to go out alone, Alviry?” queried the Queen-mother anxiously. “There’s so many rough people about. Mebbe you’d better—”
“I never
