The Hungry Stones, and Other Stories. Rabindranath Tagore
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Thus passed the days happily. The poet recited, the king listened, the hearers applauded, Manjari passed and repassed by the poet's room on her way to the river—the shadow flitted behind the screened balcony, and the tiny golden bells tinkled from afar.
Just then set forth from his home in the south a poet on his path of conquest. He came to King Narayan, in the kingdom of Amarapur. He stood before the throne, and uttered a verse in praise of the king. He had challenged all the court poets on his way, and his career of victory had been unbroken.
The king received him with honour, and said: "Poet, I offer you welcome."
Pundarik, the poet, proudly replied: "Sire, I ask for war."
Shekhar, the court poet of the king did not know how the battle of the muse was to be waged. He had no sleep at night. The mighty figure of the famous Pundarik, his sharp nose curved like a scimitar, and his proud head tilted on one side, haunted the poet's vision in the dark.
With a trembling heart Shekhar entered the arena in the morning. The theatre was filled with the crowd.
The poet greeted his rival with a smile and a bow. Pundarik returned it with a slight toss of his head, and turned his face towards his circle of adoring followers with a meaning smile. Shekhar cast his glance towards the screened balcony high above, and saluted his lady in his mind, saying! "If I am the winner at the combat to-day, my lady, thy victorious name shall be glorified."
The trumpet sounded. The great crowd stood up, shouting victory to the king. The king, dressed in an ample robe of white, slowly came into the hall like a floating cloud of autumn, and sat on his throne.
Pundarik stood up, and the vast hall became still. With his head raised high and chest expanded, he began in his thundering voice to recite the praise of King Narayan. His words burst upon the walls of the hall like breakers of the sea, and seemed to rattle against the ribs of the listening crowd. The skill with which he gave varied meanings to the name Narayan, and wove each letter of it through the web of his verses in all mariner of combinations, took away the breath of his amazed hearers.
For some minutes after he took his seat his voice continued to vibrate among the numberless pillars of the king's court and in thousands of speechless hearts. The learned professors who had come from distant lands raised their right hands, and cried, Bravo!
The king threw a glance on Shekhar's face, and Shekhar in answer raised for a moment his eyes full of pain towards his master, and then stood up like a stricken deer at bay. His face was pale, his bashfulness was almost that of a woman, his slight youthful figure, delicate in its outline, seemed like a tensely strung vina ready to break out in music at the least touch.
His head was bent, his voice was low, when he began. The first few verses were almost inaudible. Then he slowly raised his head, and his clear sweet voice rose into the sky like a quivering flame of fire. He began with the ancient legend of the kingly line lost in the haze of the past, and brought it down through its long course of heroism and matchless generosity to the present age. He fixed his gaze on the king's face, and all the vast and unexpressed love of the people for the royal house rose like incense in his song, and enwreathed the throne on all sides. These were his last words when, trembling, he took his seat: "My master, I may be beaten in play of words, but not in my love for thee."
Tears filled the eyes of the hearers, and the stone walls shook with cries of victory.
Mocking this popular outburst of feeling, with an august shake of his head and a contemptuous sneer, Pundarik stood up, and flung this question to the assembly; "What is there superior to words?" In a moment the hall lapsed into silence again.
Then with a marvellous display of learning, he proved that the Word was in the beginning, that the Word was God. He piled up quotations from scriptures, and built a high altar for the Word to be seated above all that there is in heaven and in earth. He repeated that question in his mighty voice: "What is there superior to words?"
Proudly he looked around him. None dared to accept his challenge, and he slowly took his seat like a lion who had just made a full meal of its victim. The pandits shouted, Bravo! The king remained silent with wonder, and the poet Shekhar felt himself of no account by the side of this stupendous learning. The assembly broke up for that day.
Next day Shekhar began his song. It was of that day when the pipings of love's flute startled for the first time the hushed air of the Vrinda forest. The shepherd women did not know who was the player or whence came the music. Sometimes it seemed to come from the heart of the south wind, and sometimes from the straying clouds of the hilltops. It came with a message of tryst from the land of the sunrise, and it floated from the verge of sunset with its sigh of sorrow. The stars seemed to be the stops of the instrument that flooded the dreams of the night with melody. The music seemed to burst all at once from all sides, from fields and groves, from the shady lanes and lonely roads, from the melting blue of the sky, from the shimmering green of the grass. They neither knew its meaning nor could they find words to give utterance to the desire of their hearts. Tears filled their eyes, and their life seemed to long for a death that would be its consummation.
Shekhar forgot his audience, forgot the trial of his strength with a rival. He stood alone amid his thoughts that rustled and quivered round him like leaves in a summer breeze, and sang the Song of the Flute. He had in his mind the vision of an image that had taken its shape from a shadow, and the echo of a faint tinkling sound of a distant footstep.
He took his seat. His hearers trembled with the sadness of an indefinable delight, immense and vague, and they forgot to applaud him. As this feeling died away Pundarik stood up before the throne and challenged his rival to define who was this Lover and who was the Beloved. He arrogantly looked around him, he smiled at his followers and then put the question again: "Who is Krishna, the lover, and who is Radha, the beloved?"
Then he began to analyse the roots of those names—and various interpretations of their meanings. He brought before the bewildered audience all the intricacies of the different schools of metaphysics with consummate skill. Each letter of those names he divided from its fellow, and then pursued them with a relentless logic till they fell to the dust in confusion, to be caught up again and restored to a meaning never before imagined by the subtlest of word-mongers.
The pandits were in ecstasy; they applauded vociferously; and the crowd followed them, deluded into the certainty that they had witnessed, that day, the last shred of the curtains of Truth torn to pieces before their eyes by a prodigy of intellect. The performance of his tremendous feat so delighted them that they forgot to ask themselves if there was any truth behind it after all.
The king's mind was overwhelmed with wonder. The atmosphere was completely cleared of all illusion of music, and the vision of the world around seemed to be changed from its freshness of tender green to the solidity of a high road levelled and made hard with crushed stones.
To the people assembled their own poet appeared a mere boy in comparison with this giant, who walked with such case, knocking down difficulties at each step in the world of words and thoughts. It became evident to them for the first time that the poems Shekhar wrote were absurdly simple, and it must be a mere accident that they