with him to the shed when he went for his horse. She was bewildered at his sudden determination, and wanted it explained.
"I don' like that man," he admitted frankly; "I can't stan' him. Sen' me word w'en he's gone, Euphrasie."
She was patting and rubbing the pony, which knew her well. Only their dim outlines were discernible in the thick darkness.
"You are foolish, Placide," she replied in French. "You would do better to stay and help him. No one knows the place so well as you"—
"The place isn't mine, and it's nothing to me," he answered bitterly. He took her hands and kissed them passionately, but stooping, she pressed her lips upon his forehead.
"Oh!" he exclaimed rapturously, "you do love me, Euphrasie?" His arms were holding her, and his lips brushing her hair and cheeks as they eagerly but ineffectually sought hers.
"Of co'se I love you, Placide. Ain't I going to marry you nex' spring? You foolish boy!" she replied, disengaging herself from his clasp.
When he was mounted, he stooped to say, "See yere, Euphrasie, don't have too much to do with that d—— Yankee."
"But, Placide, he is n't a—a—'d—— Yankee;' he's a Southerner, like you,—a New Orleans man."
"Oh, well, he looks like a Yankee." But Placide laughed, for he was happy since Euphrasie had kissed him, and he whistled softly as he urged his horse to a canter and disappeared in the darkness.
The girl stood awhile with clasped hands, trying to understand a little sigh that rose in her throat, and that was not one of regret. When shew regained the house, she went directly to her room, and left her father talking to Offdean in the quiet and perfumed night.
V.
When two weeks had passed, Offdean felt very much at home with old Pierre and his daughter, and found the business that had called him to the country so engrossing that he had given no thought to those personal questions he had hoped to solve in going there.
The old man had driven him around in the no-top buggy to show him how dismantled the fences and barns were. He could see for himself that the house was a constant menace to human life. In the evenings the three would sit out on the gallery and talk of the land and its strong points and its weak ones, till he came to know it as if it had been his own.
Of the rickety condition of the cabins he got a fair notion, for he and Euphrasie passed them almost daily on horseback, on their way to the woods. It was seldom that their appearance together did not rouse comment among the darkies who happened to be loitering about.
La Chatte, a broad black woman with ends of white wool sticking out from under her tignon, stood with arms akimbo watching them as they disappeared one day. Then she turned and said to a young woman who sat in the cabin door:—
"Dat young man, ef he want to listen to me, he gwine quit dat ar caperin' roun' Miss 'Phrasie."
The young woman in the doorway laughed, and showed her white teeth, and tossed her head, and fingered the blue beads at her throat, in a way to indicate that she was in hearty sympathy with any question that touched upon gallantry.
"Law! La Chatte, you ain' gwine hinder a gemman f'om payin' intentions to a young lady w'en he a mine to."
"Dat all I got to say," returned La Chatte, seating herself lazily and heavily on the doorstep. "Nobody don' know dem Sanchun boys bettah 'an I does. Did n' I done part raise 'em? W'at you reckon my ha'r all tu'n plumb w'ite dat-a-way ef it warn't dat Placide w'at done it?"
"How come he make yo' ha'r tu'n w'ite, La Chatte?"
"Dev'ment, pu' dev'ment, Rose. Did n' he come in dat same cabin one day, w'en he warn't no bigga 'an dat Pres'dent Hayes w'at you sees gwine 'long de road wid dat cotton sack 'crost 'im? He come an' sets down by de do', on dat same t'ree-laigged stool w'at you's a-settin' on now, wid his gun in his ban', an' he say: 'La Chatte, I wants some croquignoles, an' I wants 'em quick, too.' I 'low: 'G' 'way f'om dah, boy. Don' you see I's flutin' yo' ma's petticoat?' He say: 'La Chatte, put 'side dat ar flutin'i'on an' dat ar petticoat;' an' he cock dat gun an' p'int it to my head. 'Dar de ba'el,' he say; 'git out dat flour, git out dat butta an' dat aigs; step roun' dah, ole 'oman. Dis heah gun don' quit yo' head tell dem croquignoles is on de table, wid a w'ite table-clof an' a cup o' coffee.' Ef I goes to de ba'el, de gun's a-p'intin'. Ef I goes to de fiah, de gun's ar-p'intin'. W'en I rolls out de dough, de gun's a-p'intin'; an' him neva say nuttin', an' me a-trim'lin' like ole Uncle Noah w'en de mis'ry strike 'im."
"Lordy! w'at you reckon he do ef he tu'n roun' an' git mad wid dat young gemman f'om de city?"
"I don' reckon nuttin'; I knows w'at he gwine do,—same w'at his pa done."
"W'at his pa done, La Chatte?"
"G' 'long 'bout yo' business; you's axin' too many questions." And La Chatte arose slowly and went to gather her party-colored wash that hung drying on the jagged and irregular points of a dilapidated picket-fence.
But the darkies were mistaken in supposing that Offdean was paying attention to Euphrasie. Those little jaunts in the wood were purely of a business character. Offdean had made a contract with a neighboring mill for fencing, in exchange for a certain amount of uncut timber. He had made it his work—with the assistance of Euphrasie—to decide upon what trees he wanted felled, and to mark such for the woodman's axe.
If they sometimes forgot what they had gone into the woods for, it was because there was so much to talk about and to laugh about. Often, when Offdean had blazed a tree with the sharp hatchet which he carried at his pommel, and had further discharged his duty by calling it "a fine piece of timber," they would sit upon some fallen and decaying trunk, maybe to listen to a chorus of mocking-birds above their heads, or to exchange confidences, as young people will.
Euphrasie thought she had never heard any one talk quite so pleasantly as Offdean did. She could not decide whether it was his manner or the tone of his voice, or the earnest glance of his dark and deep-set blue eyes, that gave such meaning to everything he said; for she found herself afterward thinking of his every word.
One afternoon it rained in torrents, and Rose was forced to drag buckets and tubs into Offdean's room to catch the streams that threatened to flood it. Euphrasie said she was glad of it; now he could see for himself.
And when he had seen for himself, he went to join her out on a corner of the gallery, where she stood with a cloak around her, close up against the house. He leaned against the house, too, and they stood thus together, gazing upon as desolate a scene as it is easy to imagine.
The whole landscape was gray, seen through the driving rain. Far away the dreary cabins seemed to sink and sink to earth in abject misery. Above their heads the live-oak branches were beating with sad monotony against the blackened roof. Great pools of water had formed in the yard, which was deserted by every living thing; for the little darkies had scampered away to their cabins, the dogs had run to their kennels, and the hens were puffing big with wretchedness under the scanty shelter of a fallen wagon-body.
Certainly a situation to make a young man groan with ennui, if he is used to his daily stroll on Canal Street, and pleasant afternoons at the club. But Offdean thought it delightful. He only wondered that he had never known, or some one had never told him, how charming a place an old, dismantled plantation can be—when it rains. But as well as he liked it, he could not linger
