grace,
And beams upon the company,
With brown and jovial face.
Poetic fire lights up his eye,
He struggles 'gainst his lot.
Behold ambition on his brow,
And on his nose, a blot.
Next our peaceful Tupman comes,
So rosy, plump, and sweet,
Who chokes with laughter at the puns,
And tumbles off his seat.
Prim little Winkle too is here,
With every hair in place,
A model of propriety,
Though he hates to wash his face.
The year is gone, we still unite
To joke and laugh and read,
And tread the path of literature
That doth to glory lead.
Long may our paper prosper well,
Our club unbroken be,
And coming years their blessings pour
On the useful, gay 'P. C.'.
A. SNODGRASS
________
THE MASKED MARRIAGE
(A Tale Of Venice)
Gondola after gondola swept up to the marble
steps, and left its lovely load to swell the
brilliant throng that filled the stately halls of Count
Adelon. Knights and ladies, elves and pages, monks
and flower girls, all mingled gaily in the dance.
Sweet voices and rich melody filled the air, and so
with mirth and music the masquerade went on.
"Has your Highness seen the Lady Viola tonight?"
asked a gallant troubadour of the fairy queen who
floated down the hall upon his arm.
"Yes, is she not lovely, though so sad! Her
dress is well chosen, too, for in a week she weds
Count Antonio, whom she passionately hates."
"By my faith, I envy him. Yonder he comes,
arrayed like a bridegroom, except the black mask.
When that is off we shall see how he regards the
fair maid whose heart he cannot win, though her
stern father bestows her hand," returned the troubadour.
"Tis whispered that she loves the young English
artist who haunts her steps, and is spurned by the
old Count," said the lady, as they joined the dance.
The revel was at its height when a priest
appeared, and withdrawing the young pair to an alcove,
hung with purple velvet, he motioned them to kneel.
Instant silence fell on the gay throng, and not a
sound, but the dash of fountains or the rustle of
orange groves sleeping in the moonlight, broke the
hush, as Count de Adelon spoke thus:
"My lords and ladies, pardon the ruse by which
I have gathered you here to witness the marriage of
my daughter. Father, we wait your services."
All eyes turned toward the bridal party, and a
murmur of amazement went through the throng, for
neither bride nor groom removed their masks. Curiosity
and wonder possessed all hearts, but respect restrained
all tongues till the holy rite was over. Then the
eager spectators gathered round the count, demanding
an explanation.
"Gladly would I give it if I could, but I only
know that it was the whim of my timid Viola, and I
yielded to it. Now, my children, let the play end.
Unmask and receive my blessing."
But neither bent the knee, for the young bridegroom
replied in a tone that startled all listeners
as the mask fell, disclosing the noble face of Ferdinand
Devereux, the artist lover, and leaning on the
breast where now flashed the star of an English earl
was the lovely Viola, radiant with joy and beauty.
"My lord, you scornfully bade me claim your
daughter when I could boast as high a name and vast a
fortune as the Count Antonio. I can do more, for even
your ambitious soul cannot refuse the Earl of Devereux
and De Vere, when he gives his ancient name and boundless
wealth in return for the beloved hand of this fair lady,
now my wife."
The count stood like one changed to stone, and
turning to the bewildered crowd, Ferdinand added, with
