turn to the first Tour, and look at
fireplace and chimney-piece, york
Dr. Syntax mistaking a gentleman's house for an inn. Here we have the chimney-piece supported on vulgar corbels, all of the period when Rowlandson drew; above the shelf is a painting in the worst description of frame. When Rowlandson made his drawings, he was absolutely incapable of appreciating Gothic design, and whenever he attempted this he failed egregiously, but the feeling for what was later, Elizabethan and Jacobean, was by no means dead in him, and he drew the details with a zest that shows he loved the style.
CHAPTER IV.
TO my taste old furniture in a modern jerry-built villa residence is as out of place as modern gim-crack chairs and tables and cabinets in an ancient mansion. In the first instance you have solidly constructed furniture in a case that is thin, and not calculated to last a century. With regard to the second, happily we have now excellently designed furniture, well constructed on old models; and what I mean by gim-crack stuff is that which was turned out by upholsterers to within the last fifteen years.
Look at the construction of a chair, and see what I mean.
Full well do I recall the introduction into my father's house of these chairs. Only a fragment of one now remains. Observe the legs; they curve out below, and are as uncalculated to resist
Mention has been made of the great looking-glass, which was
At the beginning of this century it entered our parlour, settled there, and made the room look uncomfortable. By no arrangement of the furniture could the drawing-room be given a cosy look. The table got in the way of visitors, it prevented the formation of pleasant groups; it was a very barrier to friendship, and a block to conversation.
One evening, in the South of France, I received intimation from a M. Dols, avocat, that he would be pleased to receive me. I had sent word to him before that I should like to call on him and see some interesting flint swords and celts in his possession. He asked me to call in the evening at 8 p.m. Accordingly I went to his door, and was ushered into the salon. The centre was occupied by a table, of considerable size, and the family was seated beyond the table.
M. Dols occupied b; Mme. Dols occupied c; M. Dols' mother was planted at d; and the maiden sister of Mme. Dols at e. M. Gaston Dols, the son, was at g, and Mlle. Eulalie Dols, the daughter, at f. The chair a was left vacant for the visitor.
But conceive the situation! To be introduced like a criminal before six judges, then, when one had reached the seat allotted, to be planted one in a row, and to have to distribute remarks right and left; to address the ancestress at d across the shirtfront of M. Dols at b, and to say something pretty to the old maid at e athwart the swelling bosom of Mme. Dols at b!
If only that detestable table could have been got rid of, we would have gravitated together into a knot and been happy—but to be lively and chatty in espalier was impossible.
Well! it was almost as bad in the old days, when we had large round tables in our drawing-rooms; and one of the great achievements of modern—I mean quite recent—times has been the bundling of that old rosewood table out. That gone, the rest of the furniture gets together into comfortable groups, and everything finds its place. Before, all were overawed and sent to the wall in deference to the round table.
A word or two is due to the chest of drawers. This, I conceive, is a development of the old oak chest, in which the valuables, or the linen, or the sundry garments of the family were kept. Countless specimens of these oak chests remain; some very fine, some plain. There is, moreover, the spruce chest, made of cypress wood, that was thought to preserve silk and cloth from the moth. Oak chests are usually carved, more or less; cypress chests are sketched over with red-hot iron.
Now there was an inconvenience in the chest. A hasty and untidy person turned its contents upside down to find what he or she particularly wanted, and which was, of course, at the bottom. If the husband did this, he had words cast at him that made him miserable for the rest of the day.
So it was clearly advisable that husband and wife and each child should have a separate chest. But that did not suffice; one was needed for bed linen, one for table linen, a third for personal linen. The result would have been an accumulation of chests, when, happily, the notion struck someone that drawers would solve the difficulty. Let the top of the chest remain immovable, and break up the front into parallel strips, each strip having a drawer behind it.
An old chest of drawers can be known by the way in which the drawers are made to run. They have a groove let into their sides corresponding with a strip of oak or runner on each side of the case; thus they do not rest the one on the other, but on their runners. When each drawer was separately cased in, then the need for runners came to an end.
It is deserving of observation how slowly and cautiously our forefathers multiplied the drawers. At first, two were thought quite as many as could be ventured upon, but after about a century the makers grew bolder and multiplied them.
Does it chance that there be a reader of this chapter who possesses a cupboard, partly open in front, with small balustrades in the door between which the contents of the cupboard can be seen? If he or she has, ten to one but it has been converted into a receptacle for china, or glass, and then china and glass are not only imperfectly exhibited, but become rapidly covered with dust. The possessor of such a little cabinet or cupboard owns something now become very rare, the significance of which is understood by a few only.
A CHEST OF DRAWERS (1652)
Let me describe one in my possession. The height is two feet eight inches, by two feet one inch, and the depth eight and a half inches. There are two doors in front: the upper
