7 best short stories - Walking. William Wordsworth

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momentum of your going well forward of the foot that has found the ground, you lift the other foot without a care, you let it swing in the fashion of a pendulum, and you check your second fall in the same manner as you checked your first; and even after that second clever little success you do not bring your feet both firmly to the ground to recover yourself before the next venture: you go on with the business, get your centre of gravity forward of the foot that is now on the ground, swinging the other beyond it like a pendulum, stopping your third catastrophe, and so on; and you have come to do all this so that you think it the most natural thing in the world!

      Not only do you manage to do it but you can do it in a thousand ways, as a really clever acrobat will astonish his audience not only by walking on the tight-rope but by eating his dinner on it. You can walk quickly or slowly, or look over your shoulder as you walk, or shoot fairly accurately as you walk; you can saunter, you can force your pace, you can turn which way you will. You certainly did not teach yourself to accomplish this marvel, nor did your nurse. There was a spirit within you that taught you and that brought you out; and as it is with walking, so it is with speech, and so at last with humour and with irony, and with affection, and with the sense of colour and of form, and even with honour, and at last with prayer.

      By all this you may see that man is very remarkable, and this should make you humble, not proud; for you have been designed in spite of yourself for some astonishing fate, of which these mortal extravagances so accurately seized and so well moulded to your being are but the symbols.

      Walking, like talking (which rhymes with it, I am glad to say), being so natural a thing to man, so varied and so unthought about, is necessarily not only among his chief occupations but among his most entertaining subjects of commonplace and of exercise.

      Thus to walk without an object is an intense burden, as it is to talk without an object. To walk because it is good for you warps the soul, just as it warps the soul for a man to talk for hire or because he thinks it his duty. On the other hand, walking with an object brings out all that there is in a man, just as talking with an object does. And those who understand the human body, when they confine themselves to what they know and are therefore legitimately interesting, tell us this very interesting thing which experience proves to be true: that walking of every form of exercise is the most general and the most complete, and that while a man may be endangered by riding a horse or by running or swimming, or while a man may easily exaggerate any violent movement, walking will always be to his benefit—that is, of course, so long as he does not warp his soul by the detestable habit of walking for no object but exercise. For it has been so arranged that the moment we begin any minor and terrestrial thing as an object in itself, or with merely the furtherance of some other material thing, we hurt the inward part of us that governs all. But walk for glory or for adventure, or to see new sights, or to pay a bill or to escape the same, and you will very soon find how consonant is walking with your whole being. The chief proof of this (and how many men have tried it, and in how many books does not that truth shine out!) is the way in which a man walking becomes the cousin or the brother of everything round.

      If you will look back upon your life and consider what landscapes remain fixed in your memory, some perhaps you will discover to have struck you at the end of long rides or after you have been driven for hours, dragged by an animal or a machine. But much the most of these visions have come to you when you were performing that little miracle with a description of which I began this: and what is more, the visions that you get when you are walking, merge pleasantly into each other. Some are greater, some lesser, and they make a continuous whole. The great moments are led up to and are fittingly framed.

      There is no time or weather, in England at least, in which a man walking does not feel this cousinship with everything round. There are weathers that are intolerable if you are doing anything else but walking: if you are crouching still against a storm or if you are driving against it; or if you are riding in extreme cold; or if you are running too quickly in extreme heat; but it is not so with walking. You may walk by night or by day, in summer or in winter, in fair weather or in foul, in calm or in a gale, and in every case you are doing something native to yourself and going the best way you could go. All men have felt this.

      Walking, also from this same natural quality which it has, introduces particular sights to you in their right proportion. A man gets into his motor car, or more likely into somebody else's, and covers a great many miles in a very few hours. And what remains to him at the end of it, when he looks closely into the pictures of his mind, is a curious and unsatisfactory thing: there are patches of blurred nothingness like an uneasy sleep, one or two intense pieces of impression, disconnected, violently vivid and mad, a red cloak, a shining streak of water, and more particularly a point of danger. In all that ribbon of sights, each either much too lightly or much too heavily impressed, he is lucky if there is one great view which for one moment he seized and retained from a height as he whirled along. The whole record is like a bit of dry point that has been done by a hand not sure of itself upon a plate that trembled, now jagged chiselling bit into the metal; now blurred or hardly impressed it at all: only in some rare moment of self-possession or of comparative repose did the hand do what it willed and transfer its power.

      You may say that riding upon a horse one has a better chance. That is true, but after all one is busy riding. Look back upon the very many times that you have ridden, and though you will remember many things you will not remember them in that calm and perfect order in which they presented themselves to you when you were afoot. As for a man running, if it be for any distance the effort is so unnatural as to concentrate upon himself all a man's powers, and he is almost blind to exterior things. Men at the end of such efforts are actually and physically blind; they fall helpless.

      Then there is the way of looking at the world which rich men imagine they can purchase with money when they build a great house looking over some view—but it is not in the same street with walking! You see the sight nine times out of ten when you are ill attuned to it, when your blood is slow and unmoved, and when the machine is not going. When you are walking the machine is always going, and every sense in you is doing what it should with the right emphasis and in due discipline to make a perfect record of all that is about.

      Consider how a man walking approaches a little town; he sees it a long way off upon a hill; he sees its unity, he has time to think about it a great deal. Next it is hidden from him by a wood, or it is screened by a roll of land. He tops this and sees the little town again, now much nearer, and he thinks more particularly of its houses, of the way in which they stand, and of what has passed in them. The sky, especially if it has large white clouds in it and is for the rest sunlit and blue, makes something against which he can see the little town, and gives it life. Then he is at the outskirts, and he does not suddenly occupy it with a clamour or a rush, nor does he merely contemplate it, like a man from a window, unmoving. He enters in. He passes, healthily wearied, human doors and signs; he can note all the names of the people and the trade at which they work; he has time to see their faces. The square broadens before him, or the market-place, and so very naturally and rightly he comes to his inn, and he has fulfilled one of the great ends of man.

      Lord, how tempted one is here to make a list of those monsters who are the enemies of inns!

      There is your monster who thinks of it as a place to which a man does not walk but into which he slinks to drink; and there is your monster who thinks of it as a place to be reached in a railway train and there to put on fine clothes for dinner and to be waited upon by Germans. There is your more amiable monster, who says: "I hear there is a good inn at Little Studley or Bampton Major. Let us go there." He waits until he has begun to be hungry, and he shoots there in an enormous automobile. There is your still more amiable monster, who in a hippo-mobile hippogriffically tools into a town and throws the ribbons to the person in gaiters with a straw in his mouth, and feels (oh, men, my brothers) that he is doing something like someone in a book. All these men, whether they frankly hate or whether they pretend to love, are the enemies of inns, and the enemies of inns are accursed before their Creator and their kind.

      There

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