The Greatest Works of S. S. Van Dine (Illustrated Edition). S.S. Van Dine

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Benson’s murderer?”

      Markham hesitated.

      “This is, of course, in confidence,” he said at length; “but this morning, right after you ’phoned, one of the men I had put to work on the amatory end of Benson’s life, reported that he had found the woman who left her hand-bag and gloves at the house that night,—the initials on the handkerchief gave him the clue. And he dug up some interesting facts about her. As I suspected, she was Benson’s dinner companion that evening. She’s an actress—musical comedy, I believe. Muriel St. Clair by name.”

      “Most unfortunate,” breathed Vance. “I was hoping, y’ know, your myrmidons wouldn’t discover the lady. I haven’t the pleasure of her acquaintance, or I’d send her a note of commiseration. . . . Now, I presume, you’ll play the juge d’instruction and chivvy her most horribly, what?”

      “I shall certainly question her, if that’s what you mean.”

      Markham’s manner was preoccupied, and during the rest of the lunch we spoke but little.

      As we sat in the Club’s lounge-room later having our smoke, Major Benson, who had been standing dejectedly at a window close by, caught sight of Markham and came over to us. He was a full-faced man of about fifty, with grave kindly features and a sturdy, erect body.

      He greeted Vance and me with a casual bow, and turned at once to the District Attorney.

      “Markham, I’ve been thinking things over constantly since our lunch yesterday,” he said, “and there’s one other suggestion I think I might make. There’s a man named Leander Pfyfe who was very close to Alvin; and it’s possible he could give you some helpful information. His name didn’t occur to me yesterday, for he doesn’t live in the city; he’s on Long Island somewhere—Port Washington, I think.—It’s just an idea. The truth is, I can’t seem to figure out anything that makes sense in this terrible affair.”

      He drew a quick, resolute breath, as if to check some involuntary sign of emotion. It was evident that the man, for all his habitual passivity of nature, was deeply moved.

      “That’s a good suggestion, Major,” Markham said, making a notation on the back of a letter. “I’ll get after it immediately.”

      Vance, who, during this brief interchange, had been gazing unconcernedly out of the window, turned and addressed himself to the Major.

      “How about Colonel Ostrander? I’ve seen him several times in the company of your brother.”

      Major Benson made a slight gesture of deprecation.

      “Only an acquaintance. He’d be of no value.”

      Then he turned to Markham.

      “I don’t imagine it’s time even to hope that you’ve run across anything.”

      Markham took his cigar from his mouth, and turning it about in his fingers, contemplated it thoughtfully.

      “I wouldn’t say that,” he remarked, after a moment. “I’ve managed to find out whom your brother dined with Thursday night; and I know that this person returned home with him shortly after midnight.” He paused as if deliberating the wisdom of saying more. Then: “The fact is, I don’t need a great deal more evidence than I’ve got already to go before the Grand Jury and ask for an indictment.”

      A look of surprised admiration flashed in the Major’s sombre face.

      “Thank God for that, Markham!” he said. Then, setting his heavy jaw, he placed his hand on the District Attorney’s shoulder. “Go the limit—for my sake!” he urged. “If you want me for anything, I’ll be here at the Club till late.”

      With this he turned and walked from the room.

      “It seems a bit cold-blooded to bother the Major with questions so soon after his brother’s death,” commented Markham. “Still, the world has got to go on.”

      Vance stifled a yawn.

      “Why—in Heaven’s name?” he murmured listlessly.

      CHAPTER VI

       VANCE OFFERS AN OPINION

       Table of Contents

      (Saturday, June 15; 2 p.m.)

      We sat for a while smoking in silence, Vance gazing lazily out into Madison Square, Markham frowning deeply at the faded oil portrait of old Peter Stuyvesant that hung over the fireplace.

      Presently Vance turned and contemplated the District Attorney with a faintly sardonic smile.

      “I say, Markham,” he drawled; “it has always been a source of amazement to me how easily you investigators of crime are misled by what you call clues. You find a footprint, or a parked automobile, or a monogrammed handkerchief, and then dash off on a wild chase with your eternal Ecce signum! ’Pon my word, it’s as if you chaps were all under the spell of shillin’ shockers. Won’t you ever learn that crimes can’t be solved by deductions based merely on material clues and circumst’ntial evidence?”

      I think Markham was as much surprised as I at this sudden criticism; yet we both knew Vance well enough to realize that, despite his placid and almost flippant tone, there was a serious purpose behind his words.

      “Would you advocate ignoring all the tangible evidence of a crime?” asked Markham, a bit patronizingly.

      “Most emphatically,” Vance declared calmly. “It’s not only worthless but dangerous. . . . The great trouble with you chaps, d’ ye see, is that you approach every crime with a fixed and unshakable assumption that the criminal is either half-witted or a colossal bungler. I say, has it never by any chance occurred to you that if a detective could see a clue, the criminal would also have seen it, and would either have concealed it or disguised it, if he had not wanted it found? And have you never paused to consider that anyone clever enough to plan and execute a successful crime these days, is, ipso facto, clever enough to manufacture whatever clues suit his purpose? Your detective seems wholly unwilling to admit that the surface appearance of a crime may be delib’rately deceptive, or that the clues may have been planted for the def’nite purpose of misleading him.”

      “I’m afraid,” Markham pointed out, with an air of indulgent

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