The Greatest Works of S. S. Van Dine (Illustrated Edition). S.S. Van Dine
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There was a shallow paved areaway between the street line and the front elevation of the house; but this was enclosed in a high iron railing, and the only entrance was by way of the front door, which was about six feet above the street level at the top of a flight of ten broad stone stairs. Between the entrance and the right-hand wall were two spacious windows covered with heavy iron grilles.
A considerable crowd of morbid onlookers had gathered in front of the house; and on the steps lounged several alert-looking young men whom I took to be newspaper reporters. The door of our taxicab was opened by a uniformed patrolman who saluted Markham with exaggerated respect and ostentatiously cleared a passage for us through the gaping throng of idlers. Another uniformed patrolman stood in the little vestibule, and on recognizing Markham, held the outer door open for us and saluted with great dignity.
“Ave, Cæsar, te salutamus,” whispered Vance, grinning.
“Be quiet,” Markham grumbled. “I’ve got troubles enough without your garbled quotations.”
As we passed through the massive carved-oak front door into the main hallway, we were met by Assistant District Attorney Dinwiddie, a serious, swarthy young man with a prematurely lined face, whose appearance gave one the impression that most of the woes of humanity were resting upon his shoulders.
“Good morning, Chief,” he greeted Markham, with eager relief. “I’m damned glad you’ve got here. This case’ll rip things wide open. Cut-and-dried murder, and not a lead.”
Markham nodded gloomily, and looked past him into the living-room.
“Who’s here?” he asked.
“The whole works, from the Chief Inspector down,” Dinwiddie told him, with a hopeless shrug, as if the fact boded ill for all concerned.
At that moment a tall, massive, middle-aged man with a pink complexion and a closely-cropped white moustache, appeared in the doorway of the living-room. On seeing Markham he came forward stiffly with outstretched hand. I recognized him at once as Chief Inspector O’Brien, who was in command of the entire Police Department. Dignified greetings were exchanged between him and Markham, and then Vance and I were introduced to him. Inspector O’Brien gave us each a curt, silent nod, and turned back to the living-room, with Markham, Dinwiddie, Vance and myself following.
The room, which was entered by a wide double door about ten feet down the hall, was a spacious one, almost square, and with high ceilings. Two windows gave on the street; and on the extreme right of the north wall, opposite to the front of the house, was another window opening on a paved court. To the left of this window were the sliding doors leading into the dining-room at the rear.
The room presented an appearance of garish opulence. About the walls hung several elaborately framed paintings of race-horses and a number of mounted hunting trophies. A highly-colored oriental rug covered nearly the entire floor. In the middle of the east wall, facing the door, was an ornate fireplace and carved marble mantel. Placed diagonally in the corner on the right stood a walnut upright piano with copper trimmings. Then there was a mahogany bookcase with glass doors and figured curtains, a sprawling tapestried davenport, a squat Venetian tabouret with inlaid mother of pearl, a teak-wood stand containing a large brass samovar, and a buhl-topped center table nearly six feet long. At the side of the table nearest the hallway, with its back to the front windows, stood a large wicker lounge chair with a high, fan-shaped back.
In this chair reposed the body of Alvin Benson.
Though I had served two years at the front in the World War and had seen death in many terrible guises, I could not repress a strong sense of revulsion at the sight of this murdered man. In France death had seemed an inevitable part of my daily routine, but here all the organisms of environment were opposed to the idea of fatal violence. The bright June sunshine was pouring into the room, and through the open windows came the continuous din of the city’s noises, which, for all their cacophony, are associated with peace and security and the orderly social processes of life.
West 48th. Street
Benson’s body was reclining in the chair in an attitude so natural that one almost expected him to turn to us and ask why we were intruding upon his privacy. His head was resting against the chair’s back. His right leg was crossed over his left in a position of comfortable relaxation. His right arm was resting easily on the center-table, and his left arm lay along the chair’s arm. But that which most strikingly gave his attitude its appearance of naturalness, was a small book which he held in his right hand with his thumb still marking the place where he had evidently been reading.5
He had been shot through the forehead from in front; and the small circular bullet mark was now almost black as a result of the coagulation of the blood. A large dark spot on the rug at the rear of the chair indicated the extent of the hemorrhage caused by the grinding passage of the bullet through his brain. Had it not been for these grisly indications one might have thought that he had merely paused momentarily in his reading to lean back and rest.
He was attired in an old smoking-jacket and red felt bed-room slippers, but still wore his dress trousers and evening shirt, though he was collarless, and the neck band of the shirt had been unbuttoned as if for comfort. He was not an attractive man physically, being almost completely bald and more than a little stout. His face was flabby, and the puffiness of his neck was doubly conspicuous without its confining collar. With a slight shudder of distaste I ended my brief contemplation of him, and turned to the other occupants of the room.
Two burly fellows with large hands and feet, their black felt hats pushed far back on their heads, were minutely inspecting the iron grill-work over the front windows. They seemed to be giving particular attention to the points where the bars were cemented into the masonry; and one of them had just taken hold of a grille with both hands and was shaking it, simian-wise, as if to test its strength. Another man, of medium height and dapper appearance, with a small blond moustache, was bending over in front of the grate looking intently, so it seemed, at the dusty gas-logs. On the far side of the table a thickset man in blue serge and a derby hat, stood with arms a-kimbo scrutinizing the silent figure in the chair. His eyes, hard and pale blue, were narrowed, and his square prognathous jaw was rigidly set. He was gazing with rapt intensity at Benson’s body, as though he hoped, by the sheer power of concentration, to probe the secret of the murder.
Another man, of unusual mien, was standing before the rear window, with a jeweller’s magnifying glass in his eye, inspecting a small object held in the palm of his hand. From pictures I had seen of him I knew he was Captain Carl Hagedorn, the most famous fire-arms expert in America. He was a large, cumbersome, broad-shouldered man of about fifty; and his black shiny clothes were several sizes too large for him. His coat hitched up behind, and in front hung half way down to his knees; and his trousers were baggy and lay over his ankles in grotesquely comic folds. His head was round and abnormally large, and his ears seemed sunken into his skull. His mouth was entirely hidden by a scraggly, grey-shot moustache, all the hairs of which grew downwards, forming a kind of lambrequin to his lips. Captain Hagedorn had been connected with the New York Police Department for thirty years, and though his appearance and manner were ridiculed at Headquarters, he was profoundly respected. His word on any point pertaining to fire-arms and gunshot wounds was accepted