Cupid in Africa: The Baking of Bertram in Love and War. P. C. Wren

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Cupid in Africa: The Baking of Bertram in Love and War - P. C. Wren

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and he proceeded to give the boy every “tip” and piece of useful advice and information that he could think of as likely to be beneficial to him, to the men, to the regiment, and to the Cause.

      Chapter III.

       Preparations

       Table of Contents

      That night Bertram could not sleep. The excitement of that wonderful day had been too much for his nerves, and he lay alternating between the depths of utter black despair, fear, self-distrust and anxiety on the one hand, and the heights of exultation, hope, pride, and joy on the other.

      At one moment he saw himself the butt of his colleagues, the contempt of his men, the bête noir of his Colonel, the shame of his Service, and the disgrace of his family.

      At another, he saw himself winning the approval of his brother officers by his modesty and sporting spirit, the affection and admiration of his men by his kindness and firmness, the good-will of his Colonel by his obvious desire to learn and his keen enthusiasm in his duty, the respect of his Service for winning a decoration, and the loving regard of the whole clan of Greene for his general success as a soldier.

      But these latter moments were, alas, far less realistic and convincing than the others. In them he merely hoped and imagined—while in the black ones he felt and knew. He could not do otherwise than realise that he was utterly inexperienced, ignorant, untried and incompetent, for it was the simple fact. If he could be of much use, then what is the good of training men for years in colleges, in regiments, and in the field, to prepare them to take their part in war?

      He knew nothing of either the art or the science of that great and terrible business. He had neither the officer’s trained brain nor the private soldier’s trained body; neither the theory of the one nor the practice of the other. Even if, instead of going to the Front to-morrow as an officer, he had been going in a British regiment as a private, he would have been equally useless. He had never been drilled, and he had never used a weapon of any kind. All he had got was a burning desire to be of use, a fair amount of intelligence, and, he hoped, the average endowment of courage. Even as to this last, he could not be really certain, as he had never yet been tried—but he was very strongly of opinion that the dread of showing himself a coward would always be far stronger than the dread of anything that the enemy could do to his vile body. His real fear was that he should prove incompetent, be unequal to emergency, and fail those who relied upon him or trusted in him. When he thought of that, he knew Fear, the cold terror that causes a fluttering of the heart, a dryness of the mouth, a weakness of the knees, and a sinking of the stomach.

      That was the real dread, that and the fear of illness which would further decrease capacity and usefulness. What were mere bullets and bayonets, wounds and death, beside revealed incompetence and failure in duty?

      Oh, that he might have luck in his job, and also keep in sufficient health to be capable of his best—such as it was.

      When Hope was in the ascendant, he assured himself that the greatest work and highest duty of a British officer in a Native regiment was to encourage and enhearten his men; to set them a splendid example of courage and coolness; to hearten them up when getting depressed; to win their confidence, affection and respect, so that they would cheerfully follow him anywhere and “stick it” as long as he did, no matter what the hardship, danger, or misery. These things were obviously a thousand times more important than parade-ground knowledge and such details as correct alignment, keeping step, polishing buttons, and so forth—important as these might be in their proper place and season. And one did not learn those greater things from books, nor on parade, nor at colleges. A man as ignorant as even he of drill, internal economy, tactics and strategy, might yet be worth his rations in the trenches, on the march, yes, or in the wild, fierce bayonet-charge itself, if he had the attributes that enable him to encourage, uplift, enhearten and give confidence.

      And then his soaring spirit would swiftly stoop again, as he asked himself: “And have I those qualities and attributes?” and sadly replied: “Probably not—but what is, at any rate, certain, is the fact that I have no knowledge, no experience, no understanding of the very alphabet of military lore, no slightest grasp of the routine details of regimental life, discipline, drill, regulations, internal economy, customs, and so forth—the things that are the elementary essentials of success to a body of armed men proceeding to fight.” . . . And in black misery and blank despair he would groan aloud: “I cannot go. I cannot do it.” . . . He was very young, very much a product of modern civilisation, and a highly specialised victim of a system and a generation that had taken too little account of naked fact and elemental basic tendency—a system and a generation that pretended to believe that human nature had changed with human conditions. As he realised, he had, like a few million others, been educated not for Life and the World-As-It-Is, but for examinations and the world as it is not, and never will be. . . .

      He tossed and turned through the long hot night on the little hard camp-bed, listening to Murray’s regular breathing and the scampering of the rats as they disported themselves on the other side of the canvas ceiling cloth and went about their unlawful occasions. . . .

      He reviewed the events of that epoch-making day from the arrival of the telegram to his getting into bed. . . . A memorable morning, a busy afternoon and evening, a rotten night—with a beastly climax—or anti-climax. . . . Would he never get to sleep on this hard, narrow bed? . . . What would he be fit for on the dreadful morrow if he slept not at all? . . . What a day it had been! Rather amusing about those cooking-pots. It wouldn’t be very amusing for him if the situation developed as Murray had prophesied. . . . Rather a good bit of work that he had put in between lunch and dinner with the drill-book and a box of matches. Matches made good sections, companies, and battalions for practising drill-manœuvres on a desk—but it would he a different thing to give the orders correctly and audibly to hundreds of men who watched one with inscrutable eyes. . . . How he wished he had declined the invitation of Bludyer to accompany him and Macteith to the theatre. . . . They had proceeded in a car to the Club and there picked up some other fellows. The play was The Girl in the Taxi, and Bertram sat ashamed, humiliated and angry, as a third-rate company of English actors and actresses performed their sorry parts in a travesty of European life and manners, before the avid eyes of hundreds of natives. There they sat, with faces contemptuous, sensual, blank, eager, gleeful or disgusted, according to their respective conditions and temperaments—the while they gathered from the play that English life is a medley of infidelity, dissipation, intrigue and vulgarity.

      And, after the play, Macteith had said: “Let’s go to the Home-from-Home for a ‘drink-and-a-little-music—what—what’?”

      Bertram had thought it a somewhat strange proceeding to go to a Home, at eleven o’clock at night, for music, and he would greatly have preferred to go to bed. However, he could not very well say that they must take him back to bed first, nor announce his intention of leaving the party and walking home. . . .

      . . . Macteith having given instructions to the Eurasian chauffeur, the taxi sped away and, skirting the sea-shore, turned off into a quiet avenue of giant palms, in which stood detached bungalows of retiring and unobtrusive mien. Into the compound of one of these the taxi turned, and a bell rang loudly, apparently of its own volition. As they got out of the car, a lady came out to the brilliantly lighted verandah from the drawing-room which opened on to it. Bertram did not like the look of this lady at all. Her face reminded him of that of a predatory animal or bird, with its fierce eyes, thin, hard lips and aquiline nose. Nor, in his estimation, did the obvious paint and powder, the extreme-fashioned satin gown, and the profusion of jewellery which she wore, do anything to mitigate the unfavourable impression received at first sight

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