Kipps. H. G. Wells
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His aunt and uncle were, as it were, the immediate gods of this world; and, like the gods of the world of old, occasionally descended right into it, with arbitrary injunctions and disproportionate punishments. And, unhappily, one rose to their Olympian level at meals. Then one had to say one's "grace," hold one's spoon and fork in mad, unnatural ways called "properly," and refrain from eating even nice sweet things "too fast." If he "gobbled" there was trouble, and at the slightest abandon with knife, fork, and spoon, his aunt rapped his knuckles, albeit his uncle always finished up his gravy with his knife. Sometimes, moreover, his uncle would come, pipe in hand, out of a sedentary remoteness in the most disconcerting way, when a little boy was doing the most natural and attractive things, with "Drat and drabbit that young rascal! What's he a-doing of now?" And his aunt would appear at door or window to interrupt interesting conversation with children who were upon unknown grounds considered "low" and undesirable, and call him in. The pleasantest little noises, however softly you did them—drumming on tea-trays, trumpeting your fists, whistling on keys, ringing chimes with a couple of pails, or playing tunes on the window-panes—brought down the gods in anger. Yet what noise is fainter than your finger on the window—gently done? Sometimes, however, these gods gave him broken toys out of the shop, and then one loved them better—for the shop they kept was, among other things, a toy shop. (The other things included books to read and books to give away and local photographs; it had some pretensions also to be a china shop, and the fascia spoke of glass; it was also a stationer's shop with a touch of haberdashery about it, and in the windows and odd corners were mats and terra-cotta dishes, and milking-stools for painting; and there was a hint of picture-frames, and fire-screens, and fishing tackle, and air-guns, and bathing suits, and tents: various things, indeed, but all cruelly attractive to a small boy's fingers.) Once his aunt gave him a trumpet if he would promise faithfully not to blow it, and afterwards took it away again. And his aunt made him say his Catechism and something she certainly called the "Colic for the Day" every Sunday in the year.
As the two grew old while he grew up, and as his impression of them modified insensibly from year to year, it seemed to him at last that they had always been as they were when, in his adolescent days, his impression of things grew fixed. His aunt he thought of as always lean, rather worried-looking, and prone to a certain obliquity of cap, and his uncle massive, many-chinned, and careless about his buttons. They neither visited nor received visitors. They were always very suspicious about their neighbours and other people generally; they feared the "low" and they hated and despised the "stuck-up," and so they "kept themselves to themselves," according to the English ideal. Consequently little Kipps had no playmates, except through the sin of disobedience. By inherent nature he had a sociable disposition. When he was in the High Street he made a point of saying "Hello!" to passing cyclists, and he would put his tongue out at the Quodling children whenever their nursemaid was not looking. And he began a friendship with Sid Pornick, the son of the haberdasher next door, that, with wide intermissions, was destined to last his lifetime through.
Pornick, the haberdasher, I may say at once, was, according to old Kipps, a "blaring jackass"; he was a teetotaller, a "nyar, nyar, 'im-singing Methodis'," and altogether distasteful and detrimental, he and his together, to true Kipps ideals, so far as little Kipps could gather them. This Pornick certainly possessed an enormous voice, and he annoyed old Kipps greatly by calling, "You—Arn" and "Siddee," up and down his house. He annoyed old Kipps by private choral services on Sunday, all his family "nyar, nyar-ing"; and by mushroom culture; by behaving as though the pilaster between the two shops was common property; by making a noise of hammering in the afternoon, when old Kipps wanted to be quiet after his midday meal; by going up and down uncarpeted stairs in his boots; by having a black beard; by attempting to be friendly; and by—all that sort of thing. In fact, he annoyed old Kipps. He annoyed him especially with his shop doormat. Old Kipps never beat his mat, preferring to let sleeping dust lie; and, seeking a motive for a foolish proceeding, he held that Pornick waited until there was a suitable wind in order that the dust disengaged in that operation might defile his neighbour's shop. These issues would frequently develop into loud and vehement quarrels, and on one occasion came so near to violence as to be subsequently described by Pornick (who read his newspaper) as a "Disgraceful Frackass." On that occasion he certainly went into his own shop with extreme celerity.
But it was through one of these quarrels that the friendship of little Kipps and Sid Pornick came about. The two small boys found themselves one day looking through the gate at the doctor's goats together; they exchanged a few contradictions about which goat could fight which, and then young Kipps was moved to remark that Sid's father was a "blaring jackass." Sid said he wasn't, and Kipps repeated that he was, and quoted his authority. Then Sid, flying off at a tangent rather alarmingly, said he could fight young Kipps with one hand, an assertion young Kipps with a secret want of confidence denied. There were some vain repetitions, and the incident might have ended there, but happily a sporting butcher boy chanced on the controversy at this stage, and insisted upon seeing fair play.
The two small boys under his pressing encouragement did at last button up their jackets, square and fight an edifying drawn battle, until it seemed good to the butcher boy to go on with Mrs. Holyer's mutton. Then, according to his directions and under his experienced stage management, they shook hands and made it up. Subsequently, a little tear-stained perhaps, but flushed with the butcher boy's approval ("tough little kids"), and with cold stones down their necks as he advised, they sat side by side on the doctor's gate, projecting very much behind, staunching an honourable bloodshed, and expressing respect for one another. Each had a bloody nose and a black eye—three days later they matched to a shade—neither had given in, and, though this was tacit, neither wanted any more.
It was an excellent beginning. After this first encounter the attributes of their parents and their own relative value in battle never rose between them, and if anything was wanted to complete the warmth of their regard it was found in a joint dislike of the eldest Quodling. The eldest Quodling lisped, had a silly sort of straw hat and a large pink face (all covered over with self-satisfaction), and he went to the National School with a green baize bag—a contemptible thing to do. They called him names and threw stones at him, and when he replied by threatenings ("Look 'ere, young Art Kipth, you better thtoppit!") they were moved to attack and put him to flight.
And after that they broke the head of Ann Pornick's doll, so that she went home weeping loudly—a wicked and endearing proceeding. Sid was whacked, but, as he explained, he wore a newspaper tactically adjusted during the transaction, and really it didn't hurt him at all. … And Mrs. Pornick put her head out of the shop door suddenly, and threatened Kipps as he passed.
§2
"Cavendish Academy," the school that had won the limited choice of Kipps' vanished mother, was established in a battered private house in the part of Hastings remotest from the sea; it was called an Academy for Young Gentlemen, and many of the young gentlemen had parents in "India," and other unverifiable places. Others were the sons of credulous widows, anxious, as Kipps' mother had been, to get something a little "superior" to a board school education as cheaply as possible; and others again were sent to demonstrate the dignity of their parents and guardians. And of course there were boys from France.
Its "principal" was a lean, long creature of indifferent digestion and temper, who proclaimed himself on a gilt-lettered board in his front garden George Garden Woodrow, F.S.Sc., letters indicating that he had paid certain guineas for a bogus diploma. A bleak white-washed outhouse constituted his schoolroom, and the scholastic quality of its carved and worn desks and forms was enhanced by a slippery blackboard and two large yellow out-of-date maps, one of Africa and the other of Wiltshire, that he had picked up cheap at a sale. There were other maps and globes in his study, where he interviewed inquiring parents, but these his pupils never saw. And in a glass cupboard in the passage was several